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The New Yorker @NewYorker
Saying goodbye to your excess stuff is easy; finding it a new home is the challenge. Here’s how to sell, donate, and give away that which no longer sparks joy. https://t.co/xEx4tfaPcT — PolitiTweet.org
The New Yorker @NewYorker
Matthew Wong first gained attention for his vibrant, moody paintings through social media. Since his death, in 2019, prices for his work have escalated to the multiple millions. https://t.co/9HijAyYVEW — PolitiTweet.org
The New Yorker @NewYorker
Character whose first name, Fitzwilliam, is only used twice in the classic novel in which he appears: five letters. https://t.co/XFn2aHNZxV — PolitiTweet.org
The New Yorker @NewYorker
A new drone designed by Selçuk Bayraktar has brought the tactic of the precision air strike to Ukraine and other countries, reversing the course of several wars. It’s also a “spectacular propaganda machine,” @stephen_witt writes. https://t.co/9CPvrbspuv — PolitiTweet.org
The New Yorker @NewYorker
“I think that, for many people, the pandemic was a sort of spiritual crisis,” Julia Cameron, the author of “The Artist’s Way,” says. “I think we needed a sense of exploration.” https://t.co/D6ibIxI7Ja — PolitiTweet.org
The New Yorker @NewYorker
How does a dog go from the world’s tiniest baby to the neighborhood bad boy? https://t.co/mZT4Kuk6OB — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by Matt Reuter. #NewYorkerCartoons https://t.co/BBDfZ5N2te — PolitiTweet.org
The New Yorker @NewYorker
This vocalist, who sings about feeling “kinda hectic inside” on a track sampling Tom Tom Club’s “Genius of Love,” certainly has the range. https://t.co/0qY5hWuZj3 — PolitiTweet.org
The New Yorker @NewYorker
Last month the gubernatorial candidate Charles Herbster was accused of groping eight women. This conduct would likely have disqualified him in the eyes of many Nebraskans in the pre-Trump era. Will it now? https://t.co/hsREUxwZuZ — PolitiTweet.org
The New Yorker @NewYorker
In 2019, Peter Hessler, who goes by Ho Wei in China, saw on Twitter that he had been reported for political wrongdoing. “To have Ho Wei teaching in our institute is truly treasonous,” a comment on Weibo read. Another claimed that he was “finished.” https://t.co/VHXV5QUZeD — PolitiTweet.org
The New Yorker @NewYorker
In “The Northman,” the director Robert Eggers “pays more attention to choreographed battles than to the essential simplicity of speech and gesture,” Richard Brody writes. https://t.co/YrrP2WKhDb — PolitiTweet.org
The New Yorker @NewYorker
.@raffiwriter profiles the late painter Matthew Wong, whose works convey a life of extraordinary pain and self-determination. https://t.co/k7m4vyBoaL — PolitiTweet.org
The New Yorker @NewYorker
Stanley Kubrick and Arthur C. Clarke set out to make a new kind of sci-fi. How does their future look now that it’s the past? https://t.co/GdKU6OE0YP — PolitiTweet.org
The New Yorker @NewYorker
Peter Hessler reflects on his time at Sichuan University, in southwestern China, where he taught for two years—until criticism he received on social media contributed to his contract not being renewed. https://t.co/itgzmSTMMu — PolitiTweet.org
The New Yorker @NewYorker
The journalist Matt Levine discusses why Twitter’s influence has long surpassed its financial value. https://t.co/6kin4TSecx — PolitiTweet.org
The New Yorker @NewYorker
Stephen Witt writes about the Turkish weapons manufacturer Selçuk Bayraktar, who designed a drone that has brought precision air-strike capabilities to Ukraine and other countries. https://t.co/f3US0AWrWB — PolitiTweet.org
The New Yorker @NewYorker
Inside this week’s issue of The New Yorker: https://t.co/veII5GgO3D https://t.co/H4dA3FVEe9 — PolitiTweet.org
The New Yorker @NewYorker
In 2014, George Packer wrote about Angela Merkel's progression from brilliant student to political powerhouse. https://t.co/Kc73wkz6a8 — PolitiTweet.org
The New Yorker @NewYorker
In the U.S., we’re told to love work, and to find meaning in it, as if work were a family, or a religion. Jill Lepore chronicles how the unravelling of the labor movement ushered in a new era of work as life. https://t.co/09oQlaKzJh — PolitiTweet.org
The New Yorker @NewYorker
“Best” indicates a high level of effortless elegance in business affairs. “All best” indicates a person who has gone completely off the rails. https://t.co/6Pl6nUXtuq — PolitiTweet.org
The New Yorker @NewYorker
Child of divorce? You’re into cryptocurrency now. Grew up in a stable, loving household? Sorry, but you’re never going to finish that novel. https://t.co/vsI4O832Sr — PolitiTweet.org
The New Yorker @NewYorker
In the defense of Ukraine, the drone designer Selçuk Bayraktar has become a legend. He is the namesake of a baby lemur at the Kyiv zoo, and the subject of a catchy folk song, which claims that his drone “makes ghosts out of Russian bandits.” https://t.co/Z0NZ696TOt — PolitiTweet.org
The New Yorker @NewYorker
Fútbol icon Messi: six letters. https://t.co/ziitYSGwG6 — PolitiTweet.org
The New Yorker @NewYorker
In the three years since the painter Matthew Wong’s death, the art market has been in a frenzy over his work. The rabid auctioneering has contributed to a caricature of a brilliant but tortured outsider: another Basquiat, another van Gogh. https://t.co/I4f8ZOyxPS — PolitiTweet.org
The New Yorker @NewYorker
A conversation with Frank Viva, this week’s cover artist, about his love affair with cycling, his Canadian island retreat, and learning to prioritize what matters. https://t.co/nCli4r0cpR — PolitiTweet.org
The New Yorker @NewYorker
J. M. Barrie, who was born on this day in 1860, invented Peter Pan as a way of dramatizing his own fathomless unhappiness and his desire to shrink once more into boyhood. https://t.co/OpZoU6Cr3k — PolitiTweet.org
The New Yorker @NewYorker
The late 20th-century mathematician Alexander Grothendieck was revered for revealing connections between seemingly unrelated realms—until he dropped out of society. https://t.co/2qy6wWC5f6 — PolitiTweet.org
The New Yorker @NewYorker
This week’s cover, “Viva Vélo!” by @VIVAandCO. https://t.co/mEdifFJHcE https://t.co/su0utdNcf4 — PolitiTweet.org
The New Yorker @NewYorker
“The wall will never stop people,” the activist John Kurc says, “but it will stop wildlife migration.” A new short film exposes the environmental tragedy at the U.S.-Mexico border. Watch here. https://t.co/cgD7NSXA3Z — PolitiTweet.org
The New Yorker @NewYorker
Mohsin Hamid reads his story “The Face in the Mirror,” from this week’s issue. Listen here. https://t.co/DLMjdA2vkM — PolitiTweet.org
