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The New Yorker @NewYorker
The operating theory of just about every Republican race in 2022 has been that Donald Trump’s endorsement will clear the field. Why wasn’t that the case for the celebrity doctor Mehmet Oz? https://t.co/JcXicGyHG2 — PolitiTweet.org
The New Yorker @NewYorker
“Crypto scams are like discovering fentanyl when you’ve been used to Oxy,” said @coffeebreak_YT, who critiques sleazy finance gurus on his YouTube channel. “It’s a hundred times more powerful and way worse.” https://t.co/34IvMrTZSy — PolitiTweet.org
The New Yorker @NewYorker
Gordon Parks, Jr.,’s film “Thomasine & Bushrod,” from 1974, revises conventions of Westerns in light of the experience and the history of its Black protagonists. https://t.co/4OVDuqAWtJ — PolitiTweet.org
The New Yorker @NewYorker
In 2019, @jelani9 examined the connection between inflammatory, racist rhetoric, and the massacre in El Paso, Texas. https://t.co/IUzEOsw4y9 — PolitiTweet.org
The New Yorker @NewYorker
.@IChotiner speaks with an expert on the white-power movement about Saturday’s mass shooting in Buffalo, New York—and the dangers of white-supremacist violence. https://t.co/GEbs7daSL3 — PolitiTweet.org
The New Yorker @NewYorker
Revisit @tadfriend’s Profile of Elon Musk from 2009, when the Tesla C.E.O. was focussed primarily on pitching his vision for electric cars and colonizing Mars. https://t.co/BPb26V72aL — PolitiTweet.org
The New Yorker @NewYorker
“One morning Anders, a white man, woke up to find he had turned a deep and undeniable brown.” New fiction by Mohsin Hamid. https://t.co/wmdlvN9YVr — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, Emily Flake offers a short guide to party attire. https://t.co/K0XuC6SJ2b — PolitiTweet.org
The New Yorker @NewYorker
.@MuseumModernArt’s new exhibition on “The Red Studio” by Henri Matisse is saturated in aesthetic bliss. https://t.co/vwj5n3nVsL — PolitiTweet.org
The New Yorker @NewYorker
“I was seven. He was my babysitter. I wasn’t injured. No one knew. I knew. He was a friend of the family. It had nothing to do with math.” A poem by Chase Twichell. https://t.co/PvTUc4dUiV — PolitiTweet.org
The New Yorker @NewYorker
In this week’s cryptic crossword: Collect energy found in Cardi B’s music (four letters). https://t.co/6rf4mJ4z8l — PolitiTweet.org
The New Yorker @NewYorker
Belle and Sebastian’s new album is full of references to aging, parenting, and nostalgia for youth, but also to some new orientation to life, one that takes its finitude a touch more seriously. https://t.co/GUivBzHqJH — PolitiTweet.org
The New Yorker @NewYorker
Hong Sangsoo has directed 27 features in 26 years—an almost unheard-of pace in contemporary cinema. At a recent talk at Film at Lincoln Center, Hong spoke about his pragmatic approach to filmmaking—and why he would rather die than do something fake. https://t.co/nG1Gfm8OZG — PolitiTweet.org
The New Yorker @NewYorker
“I come home sometimes at 10:30 P.M., and it is so awful to come over here,” said a woman who regularly uses the Jamaica Center-Parsons/Archer station, in Queens, where, last month, a deadly shooting occurred. “You get so afraid.” https://t.co/5v72hpOI32 — PolitiTweet.org
The New Yorker @NewYorker
In 2017, Thomas Chatterton Williams wrote about the European origins of anti-immigration arguments that have been co-opted by right-wing and white-nationalist circles throughout the world. https://t.co/yB4LQitMLV — PolitiTweet.org
The New Yorker @NewYorker
.@chaykak reports on the British Museum’s new N.F.T. offerings, which allow collectors to buy digital replicas of artists’ works posthumously. https://t.co/EA82zWenwJ — PolitiTweet.org
The New Yorker @NewYorker
Billionaire tech magnates transform how we consume information. For this week’s Sunday Reading, we’ve rounded up a selection of pieces from our archive about social-media disrupters and their impact. https://t.co/OGEzlcH0Ca — PolitiTweet.org
The New Yorker @NewYorker
How will the emphasis on social conservatism shift the balance of power in the Republican Party, and how effective will Trump be at co-opting it? @benwallacewells reports on the Republican primary races in Pennsylvania. https://t.co/522HW3TAjo — PolitiTweet.org
The New Yorker @NewYorker
The creators of Protactile didn’t set out to alter the linguistics of American Sign Language, but, as DeafBlind people began adopting their methods, words began to change in their hands. https://t.co/OjWEFaXBy4 — PolitiTweet.org
The New Yorker @NewYorker
Last week, the Senate Majority Leader Chuck Schumer called for a vote on the Women’s Health Protection Act. There was never a chance it would pass. “It showed only how hardened the parties have become, which everyone already knew,” Jill Lepore writes. https://t.co/JfDEbSC0FE — PolitiTweet.org
The New Yorker @NewYorker
On L. Frank Baum’s birthday, revisit John Updike on the author of the classic children’s book “The Wonderful Wizard of Oz.” “As a writer,” Updike says, “Baum rarely knew when to quit, unfurling marvel after marvel.” https://t.co/zpRHFJMBSR — PolitiTweet.org
The New Yorker @NewYorker
“Originalism is not neutral and never has been,” the attorney Fabio Bertoni writes. “It is a political tool designed to halt progress.” https://t.co/9OrKBb4AZ7 — PolitiTweet.org
The New Yorker @NewYorker
“They need us alive precisely to discredit us,” the Guatemalan judge Erika Aifán said. “Exile is a form of death. It’s a way to disappear us from the national context.” https://t.co/LJIeYTDBTy — PolitiTweet.org
The New Yorker @NewYorker
The comedian Alison Leiby began previewing her new comedy routine “Oh God, a Show about Abortion” last month, just days before the leak of a Supreme Court draft ruling, which suggested that Roe v. Wade will be overturned. https://t.co/46yFlBWs6X — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor: an Asian American and Pacific Islander Heritage Month wish list, by @megindurti and @edacyu. https://t.co/W82BZVHzcT — PolitiTweet.org
The New Yorker @NewYorker
After the ouster of Liberty University’s former president Jerry Falwell, Jr., many students sought change. “We’d like Liberty to be a good, Christian school,” an alumnus said. “But, to be frank and honest with you, we’re worried it’s not very possible.” https://t.co/MqA7pdPvC7 — PolitiTweet.org
The New Yorker @NewYorker
Orville Peck’s new songs, on his second full-length record, “Bronco,” are cleaner, catchier, and several degrees more miserable. https://t.co/nHJD82fyDX — PolitiTweet.org
The New Yorker @NewYorker
The new album from Syd, the lead singer of the Internet, is softer in tone and less buoyant than her last, @jiggyraps writes, stripping off much of the rap-adjacent posturing for a sultrier R. & B. sound. https://t.co/vIsoakjvsz — PolitiTweet.org
The New Yorker @NewYorker
Hikaru Nakamura is the most popular chess streamer on Twitch, where he has a reputation for bulldozing top competition while deciphering memes and recounting move sequences in games that he played years ago. https://t.co/QQ1dTmkI7P — PolitiTweet.org
The New Yorker @NewYorker
“I became an antiwar activist, hampered only slightly by the fact that I knew nothing about the war.” An excerpt from @BillMcKibben’s new memoir. https://t.co/5BDxnvulsR — PolitiTweet.org
