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The New Yorker @NewYorker
“I really don’t have words,” Mackenzie Fierceton wrote to a mentor at the University of Pennsylvania. “It is seven years later, and I am still having to prove and prove and prove what has happened to me.” https://t.co/31gSJUcVDf — PolitiTweet.org
The New Yorker @NewYorker
Trees record everything about their environment—including what the climate was like in the past. https://t.co/875QbNahHQ — PolitiTweet.org
The New Yorker @NewYorker
The photographer Frances F. Denny captures the individuality of modern-day witches. https://t.co/GavT8KGltg — PolitiTweet.org
The New Yorker @NewYorker
A photograph known as “Double Standard,” captured by Dennis Hopper in the early 1960s, resides in the permanent collection of the Museum of Modern Art, and, as visual distillations of L.A. go, it’s one of the greats. https://t.co/2LuomK8AX7 — PolitiTweet.org
The New Yorker @NewYorker
“John Wayne Gacy is obsessively fond of defending his innocence, which is imaginary.” So begins Alec Wilkinson’s 1994 story, “Conversations with a Killer,” about how Gacy became America’s most notorious killer. #NewYorkerArchive https://t.co/Mn5GpGutkE — PolitiTweet.org
The New Yorker @NewYorker
A conversation with the legal scholar @tribelaw on the leaked Alito draft, the inherent politics of the judicial branch, and how to behave on Twitter. https://t.co/OlW7sZk55p — PolitiTweet.org
The New Yorker @NewYorker
The new album from Belle and Sebastian shows that the band has moved on from the daily dramas of early-twenties life and into the stock-taking of midlife. https://t.co/m2FQStPczq — PolitiTweet.org
The New Yorker @NewYorker
A new show at the Hunter Dunbar Projects gallery, in Chelsea, features a handful of sculptures and paintings by the octogenarian artist, poet, and educator Yvonne Pickering Carter. https://t.co/r7UgmKIK1U — PolitiTweet.org
The New Yorker @NewYorker
As cryptocurrencies gyrate and more swindles come to light, investors’ willingness to swallow hot air appears to be diminishing, @JohnCassidy writes. https://t.co/FGtY2y1Vz3 — PolitiTweet.org
The New Yorker @NewYorker
Bill Frisell has made music without stopping for more than 40 years, in small-group jazz and so-called Americana, and also as a guest artist alongside great pop singers. https://t.co/vclPCYe69A — PolitiTweet.org
The New Yorker @NewYorker
José Andrés and Ron Howard discuss their new documentary, “We Feed People,” and how the chef’s World Central Kitchen has served 20 million hot meals to displaced Ukrainians since February. https://t.co/YHNiAy3W1s — PolitiTweet.org
The New Yorker @NewYorker
Reporters at the Philippine news site Rappler saw themselves on the front lines of a global information war, and they felt they were making a dent. Then the son of a former dictator won a landslide victory in the Presidential election. https://t.co/URdnAM3PLa — PolitiTweet.org
The New Yorker @NewYorker
“The chance to gawk at the splayed viscera of other people’s lives would surely attract viewers no matter who occupied the therapist’s chair,” @Alex_Lily writes, of the TV series “Couples Therapy.” “But [Olga] Guralnik makes the show.” https://t.co/6nAk5l16oB — PolitiTweet.org
The New Yorker @NewYorker
Since Russia’s invasion of Ukraine, the chef José Andrés has been on the ground in the region with his relief organization, World Central Kitchen, serving meals to people affected by the war. A new documentary by Ron Howard chronicles his efforts. https://t.co/9iQYTHg0FP — PolitiTweet.org
The New Yorker @NewYorker
John Luther Adams’s new score, “An Atlas of Deep Time,” lasts around 45 minutes; if it were mapped against the life span of Earth, each minute would be equivalent to 100 million years. The formal structure is modelled on western North America’s topography. https://t.co/Y8MEjlcS5p — PolitiTweet.org
The New Yorker @NewYorker
Finland and Sweden’s decisions to join NATO reflect Europe’s fears about Vladimir Putin’s long-term intentions—and the uncertain prospect of any real peaceful coexistence. https://t.co/uii0LeN6uW — PolitiTweet.org
The New Yorker @NewYorker
Abortion Without Borders, an international coalition, is sprawling and decentralized by design: it takes advantage of the patchwork of abortion restrictions in different parts of Europe. https://t.co/z10ONLQmGX — PolitiTweet.org
The New Yorker @NewYorker
In which the Stanley Cup visits 1 World Trade Center and is inspected for typos, which it is lousy with: THE ILANDERS. THE MAPLE LEAES. THE BQSTQN BRUINS. https://t.co/MqnY8shFUH — PolitiTweet.org
The New Yorker @NewYorker
Mother’s Day gifts from your toddler may include a cracker in your pillowcase; your keys, dunked in the toilet; and incalculable, all-consuming, primordial love. https://t.co/pKzyGqtagD — PolitiTweet.org
The New Yorker @NewYorker
Children play; adults work out. Something may be lost in the transition. https://t.co/piU38b3w37 — PolitiTweet.org
The New Yorker @NewYorker
Kehlani’s new record, “blue water road,” features delicate keys and guitar, brushed with gentle orchestral flourishes—sounds that feel like rinsing until the water runs clear, @jiggyraps writes. https://t.co/ER2fiL6IZi — PolitiTweet.org
The New Yorker @NewYorker
The actor and director Austin Pendleton has been in show business for 62 years, and his commitment to his craft is legendary. “There’s no line between the man and his work,” Meryl Streep has said of him. https://t.co/g13l2CsR3W — PolitiTweet.org
The New Yorker @NewYorker
In Judy Chicago’s installation piece “The Dinner Party,” my place setting includes pins inscribed with my quote “Failure is impossible.” Can you guess who I am? https://t.co/9ykadWb48J — PolitiTweet.org
The New Yorker @NewYorker
Events where guests might drink wine while fawning over a new baby: 10 letters. https://t.co/ocuOHakiHa — PolitiTweet.org
The New Yorker @NewYorker
Economists, however imperfect their models, were critical to the design and defense of the modern social-welfare state. https://t.co/1QrjpDIeiy — PolitiTweet.org
The New Yorker @NewYorker
A new wildlife bridge will span Route 101, providing safe passage for mountain lions and other wildlife that are hemmed in by the freeways that surround the Santa Monica Mountain. https://t.co/BPKpci7f0x — PolitiTweet.org
The New Yorker @NewYorker
“I’ve been writing and performing songs since I was 15, and for the first decade I absolutely ate shit,” Jack Antonoff said. “[I did it] because I felt compelled to, not because the universe was sending me any signal that it was ever going to work out.” https://t.co/TfDBFvIkVZ — PolitiTweet.org
The New Yorker @NewYorker
.@Alex_Lily writes about the Israeli American therapist Orna Guralnik, who stars in the TV show “Couples Therapy.” https://t.co/YAMQyDx4vk — PolitiTweet.org
The New Yorker @NewYorker
On his YouTube channel, Stephen Findeisen dissects the tricks of self-proclaimed financial gurus who target people like himself and his friends—young men who are distrustful of the traditional financial system but hungry for some kind of edge. https://t.co/hD36fvWC03 — PolitiTweet.org
The New Yorker @NewYorker
In 2018, @eosnos wrote about Facebook’s evolution (or devolution) from a networking site to one of the leading disseminators of extremist rhetoric and propaganda. https://t.co/mMGn8ppTRD — PolitiTweet.org
