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The New Yorker @NewYorker
The online platforms owned by MindGeek, which include Pornhub, YouPorn, and Brazzers, received approximately 4.5 trillion visits each month in 2020—almost double Google and Facebook combined—and they bear little responsibility for the content they host. https://t.co/8fTO8yIbTo — PolitiTweet.org
The New Yorker @NewYorker
In 2018, the Crazy Horse Memorial Foundation brought in $12.5 million from admissions and donations, and reported $77 million in net assets. Why, after decades of construction, is it still far from finished? https://t.co/IF0fK0qajI — PolitiTweet.org
The New Yorker @NewYorker
“Life, in ‘Ulysses,’ is the experience of the body, from tip to toe, as it wanders through the world,” @mervatim writes. “It is sensation mediated by language, and language refined by sensation.” https://t.co/OgKzLFZNFD — PolitiTweet.org
The New Yorker @NewYorker
“I’m a felony wrapped in a misdemeanor wrapped in a probationary hearing in the state of Kentucky—and a whole lotta sass.” https://t.co/NZpGXvntZV — PolitiTweet.org
The New Yorker @NewYorker
As a society, we’re becoming worse at going to bed. https://t.co/ffUduzw8YD — PolitiTweet.org
The New Yorker @NewYorker
On June 23rd, @jennyslate and Julio Torres will join @MJSchulman for a live conversation and Q. & A. Save the date. https://t.co/xBMNI6v135 — PolitiTweet.org
The New Yorker @NewYorker
Carlo Crivelli was a product of a society obsessed with Christian symbols, but his deeper interest seemed to lie in questions of form. https://t.co/zkWhtzNBIY — PolitiTweet.org
The New Yorker @NewYorker
The best-selling novelist James Patterson talks to @zhelfand about hanging out with the Clintons, his forthcoming autobiography, and why legacy means nothing to him. https://t.co/BnVQhTeRqI — PolitiTweet.org
The New Yorker @NewYorker
“We wondered at each other. I joked did I need a note from his wife to kiss back. He said no, which was the first lie.” A poem by @marykarrlit. https://t.co/0AOdm7jO9X — PolitiTweet.org
The New Yorker @NewYorker
It’s not quite peak tomato season yet, but @hels has just the sauce for when the time comes. https://t.co/Itb5CoAGZU — PolitiTweet.org
The New Yorker @NewYorker
Antonio Campos’s miniseries, “The Staircase,” creates a plausible deniability of Michael Peterson’s guilt, not to trick the viewer but to demonstrate the slippery nature of his relationship with his wife. https://t.co/hzwxi5xVT9 — PolitiTweet.org
The New Yorker @NewYorker
Chile’s young leftist President, Gabriel Boric, promises sweeping social changes. Will he be able to deliver? https://t.co/HLB6YjXgJZ — PolitiTweet.org
The New Yorker @NewYorker
The ham sandwich at the Apple Pan, in Los Angeles, “is simultaneously unremarkable and exquisite,” @Hels writes. The mammoth creation “feels like a small, rebellious act of pleasure.” https://t.co/wZfCbuhxFU — PolitiTweet.org
The New Yorker @NewYorker
Jayil Pak’s Korean-language short film “Georgia” draws on a notorious 2004 gang-rape case in Miryang, South Korea. Watch here. https://t.co/x8PlWzcszt — PolitiTweet.org
The New Yorker @NewYorker
On Thursday, the House committee investigating the January 6th attack on the Capitol reviewed a series of inflammatory presidential tweets, angry phone calls, and bizarre White House meetings—and introduced a new villain, John Eastman. https://t.co/neeBQKbgPB — PolitiTweet.org
The New Yorker @NewYorker
On Thursday, the House committee reviewed the disturbing series of events that unfolded as Donald Trump attempted to coerce Mike Pence into helping him overturn the 2020 election results. https://t.co/un42fh3GI2 — PolitiTweet.org
The New Yorker @NewYorker
There’s a lot going on in the new movie “Cha Cha Real Smooth,” and the director, Cooper Raiff, “makes it happen in an earnest whirl of sugar-spangled dialogue and kicky offshoots of incidents within incidents,” @tnyfrontrow writes. https://t.co/CD4XzatBWb — PolitiTweet.org
The New Yorker @NewYorker
In Germany, the performing arts are widely considered a form of “Lebensmittel”—basic nourishment. Tickets are cheap, and, in many places, people with limited resources can get into opera performances for free. https://t.co/0EcFW31gTz — PolitiTweet.org
The New Yorker @NewYorker
The parenting guru Janet Lansbury urges people to be a “stable base” for children to leave and return to—an idea that many modern parents find intensely difficult to apply. https://t.co/GCTdthtwMg — PolitiTweet.org
The New Yorker @NewYorker
In 2017, SZA’s début album, “Ctrl,” opened a portal—one that represented a major leap not just for the artist but for R. & B. itself. A new deluxe edition comes with seven new songs that seem to revel in its influence. https://t.co/y59taedWQN — PolitiTweet.org
The New Yorker @NewYorker
“No one prepared me for the heartbreak of losing my first language,” @jeliao writes. “My first language, Cantonese, is the only one I share with my parents, and, as it slips from my memory, I also lose my ability to communicate with them.” https://t.co/SfnXdVsER8 — PolitiTweet.org
The New Yorker @NewYorker
“[Chesa] Boudin began his tenure as the protagonist of a story about the criminal-justice system,” Benjamin Wallace-Wells writes. “He ended it as a character in a story about cities.” https://t.co/Ap8UyLUEgF — PolitiTweet.org
The New Yorker @NewYorker
The mystery of Jane Stanford’s death turns out to hinge on the mystery of her life: how a woman at the turn of the 20th century could amass such power, and how she could disguise that power from the public. https://t.co/9TrIiib0QC — PolitiTweet.org
The New Yorker @NewYorker
In his new novel, “The Twilight World,” Werner Herzog’s tendency toward high-minded pronouncements, bombastic but endearing, remains very much intact. https://t.co/AghyTCZVeo — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @EllisRosen and @BrendanLoper. #NewYorkerCartoons https://t.co/H18cKUgnt2 — PolitiTweet.org
The New Yorker @NewYorker
Last week, more than 250 self-identified gun enthusiasts, including some prominent Republican donors, called for a more robust set of gun-control proposals than the ones included in the bipartisan legislation currently under discussion in the Senate. https://t.co/fzCp1dLlwW — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, Bruce Handy imagines the cocktail menu from the Trump White House’s Election Night. https://t.co/sd0b9n1IMO — PolitiTweet.org
The New Yorker @NewYorker
Kate Daloz writes about her grandmother’s death from a self-induced abortion, a story that has taken on new urgency as the country grows more hostile to reproductive rights. https://t.co/ftidZfCYCT — PolitiTweet.org
The New Yorker @NewYorker
In Yoko Ono’s conceptual work “Cut Piece,” a performer sits onstage next to a pair of scissors. The audience is invited to cut off a piece of her clothing. The piece is “a truly great work of art,” Louis Menand writes. https://t.co/bS4pEbPhWh — PolitiTweet.org
The New Yorker @NewYorker
“Beverly Hills, 90210” actress Shannen: seven letters. https://t.co/8vKVC24Aae — PolitiTweet.org
