Deleted tweet detection is currently running at reduced
capacity due to changes to the Twitter API. Some tweets that have been
deleted by the tweet author may not be labeled as deleted in the PolitiTweet
interface.
Showing page 375 of 3498.
The New Yorker @NewYorker
In a new Sketchpad by @lianafinck, the humble speech bubble breaks out of its shell. https://t.co/h6cSYTytlx — PolitiTweet.org
The New Yorker @NewYorker
“I wanted to capture the power you get from improvising a trip,” said Lorenzo Mattotti, the cover artist for our annual Fiction Issue. It can be “alone or with friends, as long as you open your lungs and your mind and don’t worry about a destination.” https://t.co/J4qzdUZrEH — PolitiTweet.org
The New Yorker @NewYorker
Ian Parker profiles the French author Emmanuel Carrère, who “writes with the clear-eyed judgment of someone who has trained himself, against instinct, to take an interest in other people.” https://t.co/1HZSAoINyj — PolitiTweet.org
The New Yorker @NewYorker
Ian Parker profiles France’s best-known writer of literary nonfiction, Emmanuel Carrère. https://t.co/wdTi9bF9GT — PolitiTweet.org
The New Yorker @NewYorker
Ling Ma tells the story of a writer, who moved from China to America as a young girl to join her parents. https://t.co/ArNEeMZU5o — PolitiTweet.org
The New Yorker @NewYorker
“Call Me Ishmael,” a short story from Shirley Jackson’s college years, imagines a conversation between a mother and her daughter, who notice a woman standing on their street corner. https://t.co/etJuBlaJ1u — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, a leader delivers some words of wisdom to the men. https://t.co/XvWmYcwlZF — PolitiTweet.org
The New Yorker @NewYorker
Bryan Washington tells a story through car-service and taxi rides taken by a man who, for nine years, has been entangled with a closeted movie star. https://t.co/SE1EnqjtL1 — PolitiTweet.org
The New Yorker @NewYorker
In “A King Alone,” Rachel Kushner writes about a songwriter who sets off for Nashville to visit his daughter, picking up hitchhikers along the way. https://t.co/GtUwHuw6Z8 — PolitiTweet.org
The New Yorker @NewYorker
Inside this week’s issue of The New Yorker: https://t.co/5rDic5N3uz https://t.co/IuBep7vAQA — PolitiTweet.org
The New Yorker @NewYorker
Need some summer reading recommendations? Look no further: @frynaomifry, @dstfelix, @jiatolentino, @kylechayka, @hels, @xwaldie, @proseb4bros, @rachsyme, @mollyhfischer, @jcljules, and @mervatim offer their top picks. https://t.co/lYPA8I7ebS — PolitiTweet.org
The New Yorker @NewYorker
“I am the triangular trade embodied,” David Wright Faladé writes, in a new Personal History. “My lineage connects Europe to Africa to America.” https://t.co/F42uVmsvFd — PolitiTweet.org
The New Yorker @NewYorker
Joy Williams writes about driving from Arizona to Wyoming, and back, twice a year, with her two German shepherds. “I’d have to pass the town of Truth or Consequences, never as much fun as you’d think, and the ghastly Elephant Butte Reservoir.” https://t.co/mXOjNXQ7kX — PolitiTweet.org
The New Yorker @NewYorker
Yiyun Li on travelling to a Philip Larkin exhibition and the Emily Dickinson Museum. “Two trips, two poets, two permanent farewells: this is one way of framing a particular week in my life.” https://t.co/BwNiD0f7uL — PolitiTweet.org
The New Yorker @NewYorker
Akhil Sharma on driving from New Jersey to Disney World with a friend. “We did this not out of some ironic feeling for Disney and what Disney represents but because we wanted to ride Space Mountain.” https://t.co/7ImvKB4iVs — PolitiTweet.org
The New Yorker @NewYorker
Akil Sharma on driving from New Jersey to Disney World with a friend. “We did this not out of some ironic feeling for Disney and what Disney represents but because we wanted to ride Space Mountain.” https://t.co/7ImvKB4iVs — PolitiTweet.org
The New Yorker @NewYorker
Today’s Daily Cartoon, by @jared_nangle. https://t.co/6WnjTjJFbr — PolitiTweet.org
The New Yorker @NewYorker
Uwem Akpan writes about being pulled over by a police officer early in the morning, “in some California or Nevada city whose name I no longer remember.” https://t.co/WcxhPanHN4 — PolitiTweet.org
The New Yorker @NewYorker
The cover for this week’s Fiction Issue was inspired by Jack Kerouac’s classic book “On the Road,” and the magazine features four writers’ reflections on memorable road trips. https://t.co/81pvuljR6H https://t.co/NxEJnbccYm — PolitiTweet.org
The New Yorker @NewYorker
“A true Chicago-style hot dog has at least a dozen unbreakable rules,” @hels writes, “involving nine exactingly specific ingredients, particular methods of preparation, and the precise order of assembly.” https://t.co/c48823OPcb — PolitiTweet.org
The New Yorker @NewYorker
Rosanna Arquette was one of the first people to come out with accusations against Harvey Weinstein. “That conversation rippled throughout the world,” her sister Patricia says, in a new interview. “It was a conversation really milennia in the making.” https://t.co/O8P6qMqwbE — PolitiTweet.org
The New Yorker @NewYorker
The cover of our annual Fiction Issue, “Adventures Ahead,” by Lorenzo Mattotti. #NewYorkerCovers https://t.co/XzRC6rmeic — PolitiTweet.org
The New Yorker @NewYorker
Inside the world of Foley artists, who create custom sound effects for film, television, and video games. https://t.co/VvPPnp5zZ3 — PolitiTweet.org
The New Yorker @NewYorker
The “Derry Girls” creator Lisa McGee said she didn’t recognize the characters in most films about the Troubles. “There were never any jokes. I don’t know any Northern Irish person that isn’t funny,” she said. https://t.co/QkQ7tpOxIa — PolitiTweet.org
The New Yorker @NewYorker
“I suppose the stories that I like illuminate cruelty,” the English writer and literary scholar Marina Warner says, in a new interview with @xwaldie. “Scenes that give warning about not attending to people’s inner worlds.” https://t.co/6KROqpr8ND — PolitiTweet.org
The New Yorker @NewYorker
The “Derry Girls” creator Lisa McGee said she didn’t recognize the characters in most films about the Troubles. “There were never any jokes. I don’t know any Northern Irish person that isn’t funny,” she said. https://t.co/OjchkkDoj0 — PolitiTweet.org
The New Yorker @NewYorker
James Q. Whitman’s book methodically explores how the Nazis took inspiration from American racism. https://t.co/KEQKsVMh6P — PolitiTweet.org
The New Yorker @NewYorker
“Gradually, we began to think of the A.I. not as a computer program but as an artist in its own right.” How an A.I. learned to mimic the literary greats—and write poems of its own. https://t.co/ReYudYv4Fc — PolitiTweet.org
The New Yorker @NewYorker
The 17th-century artist Artemisia Gentileschi, who was raped as a young woman, is often portrayed as a two-dimensional mythological figure—a victim exacting revenge through brushwork. Her personal history paints a more complex portrait. https://t.co/o5CFpS6ksD — PolitiTweet.org
The New Yorker @NewYorker
“The time has come for people to understand that what we recognize as reality is not necessarily what other animal species recognize,” an expert on the communications of prairie dogs said. https://t.co/aycoPE48NW — PolitiTweet.org
