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The New Yorker @NewYorker
Solid . . . try, but no! The dubious claims on your mostly air-filled box do nothing for me. https://t.co/YC40RtMUyu — PolitiTweet.org
The New Yorker @NewYorker
From 1959: John Updike on the discovery that many popular TV game shows were rigged. https://t.co/8Mc2lMjhMi — PolitiTweet.org
The New Yorker @NewYorker
It’s a standard, eight-month interview process that includes an Enneagram test, an overnight camping trip, and a 30-minute TED-style talk to an auditorium of 600 employees. https://t.co/h2kHh5UjjZ — PolitiTweet.org
The New Yorker @NewYorker
After the British warship the Wager wrecked, the officers and crew “descended into a Hobbesian state of depravity,” @DavidGrann writes. “There were warring factions and marauders and abandonments and murders. A few of the men succumbed to cannibalism.” https://t.co/sS3EqE2SSF — PolitiTweet.org
The New Yorker @NewYorker
Are “universal” Russian novels a product of expansionist ideology? Elif Batuman investigates. https://t.co/X2wCF3EoDe — PolitiTweet.org
The New Yorker @NewYorker
Jon Stewart treated “The Daily Show” like a calling; Trevor Noah just seemed like he was there to do a job. https://t.co/R28sNYFp5a — PolitiTweet.org
The New Yorker @NewYorker
Australia’s response to a 1996 massacre provides a concrete example of how a healthy democracy can confront powerful interests to introduce rational policies that clearly benefit the country. https://t.co/ObvBAISrt9 — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by Jason Adam Katzenstein. #NewYorkerCartoons https://t.co/gxssfgQxND — PolitiTweet.org
The New Yorker @NewYorker
“The Romance of the Rose,” at Long Beach Opera, and Richard Wagner’s “Lohengrin,” at the Met, both dwell on ancient mysteries of love. https://t.co/ej09jp8b8T — PolitiTweet.org
The New Yorker @NewYorker
Mary Bronstein’s “Yeast,” from 2008, features a young Greta Gerwig at the start of her career. The film “is, to my mind, a modern classic,” @tnyfrontrow writes. https://t.co/Zt4s4QxtMA — PolitiTweet.org
The New Yorker @NewYorker
A collection of Italo Calvino’s essays, a thrilling and philosophical Swedish novel, and more book recommendations from our critics and editors. https://t.co/honEdUCkSk — PolitiTweet.org
The New Yorker @NewYorker
The toys you bought your baby vs. the “toys” your baby wants to play with. https://t.co/ZYjtsSCrm9 — PolitiTweet.org
The New Yorker @NewYorker
Tune in to The Political Scene to hear @emmaogreen discuss a major debate in academia about how historians should respond to the current political moment. https://t.co/dvZ3eIriHa — PolitiTweet.org
The New Yorker @NewYorker
.@parul_sehgal reviews Jenny Odell’s new book, “Saving Time”: “Why does a book so concerned with the looming issues of our day, and possessed of such an urgent authorial voice, feel like such a time sink?” https://t.co/Fhr8xD0dBM — PolitiTweet.org
The New Yorker @NewYorker
For the Brazilian writer Luiz Schwarcz, depression is one of life’s stark and awful facts. It holds no intrinsic meaning, and is worthy of literary attention only so that others can know more of the truth. https://t.co/Nxjyss6GYM — PolitiTweet.org
The New Yorker @NewYorker
Todd Field’s film “Tár,” about a baton-wielding maestro whose world crumbles under allegations that she has misused her power, is nominated for six Oscars. Read @MJSchulman’s profile of the filmmaker ahead of Sunday night’s show: https://t.co/jciCvPQwTX https://t.co/mMi9zskFFa — PolitiTweet.org
The New Yorker @NewYorker
Several months ago, the most right-wing government in Israel’s history took power. Led by Benjamin Netanyahu, the coalition has brought extremist politics into the mainstream—but undemocratic strains go back to the country’s founding. https://t.co/qLVXjqbvTZ — PolitiTweet.org
The New Yorker @NewYorker
“Why didn’t I go to Oberlin? Should I paint the small bathroom Benjamin Moore’s Antique Pearl or Venetian Marble?” In @newyorkerhumor, a person poses some questions to ChatGPT. https://t.co/vDntyM9JuH — PolitiTweet.org
The New Yorker @NewYorker
On social media, bots are commonplace—and generally identifiable. “We have a Spidey sense that says that incendiary comment from soccermom2023 on this YouTube video probably isn’t real,” Joshua Rothman says. What happens when ChatGPT enters the comments? https://t.co/BoFlqXs4E2 https://t.co/RyXiUtNGCP — PolitiTweet.org
The New Yorker @NewYorker
In 1958, Jay Williams and Raymond Abrashki anticipated the rise of artificial intelligence and wrestled with some of the thornier issues in a children’s book series. https://t.co/FolbeHZb8A — PolitiTweet.org
The New Yorker @NewYorker
“Even when you are in the same room at the same time with someone else, you can’t see everything they do.” Read the new Personal History by Souvankham Thammavongsa. https://t.co/9GrnbS07ij — PolitiTweet.org
The New Yorker @NewYorker
Between 1899 and her death, in 1962, the photographer Lora Webb Nichols created and collected some 24,000 negatives documenting life in her small Wyoming town, whose fortunes boomed and then busted along with the region’s copper mines. https://t.co/u5G9qypUf9 https://t.co/9lCZUZeJar — PolitiTweet.org
The New Yorker @NewYorker
Jamie Dack’s début feature, “Palm Trees and Power Lines,” explores the psychological bond between predator and prey in an abstract manner that hollows the movie out. https://t.co/s52lUjLjVU — PolitiTweet.org
The New Yorker @NewYorker
Upcoming___ (parody Twitter account that announces fictional cookie flavors): five letters. https://t.co/ozl3hbM7t7 — PolitiTweet.org
The New Yorker @NewYorker
Ian Falconer, the author of the “Olivia” books and of more than 30 New Yorker covers, died on Tuesday, at the age of 63. See more of Falconer’s many covers, which display his wonderfully tender yet devastatingly sharp wit: https://t.co/BLC9NUW2Jq https://t.co/T7VXnzJWzf — PolitiTweet.org
The New Yorker @NewYorker
For Mark Frerichs, an American hostage who was finally freed last September, the euphoria of returning home has given way to the challenges of starting over. “It’s like my house burned down, and I’m trying to piece the records back together,” he said. https://t.co/0ECy0wEmaF — PolitiTweet.org
The New Yorker @NewYorker
Before the war, Volodymyr Matias was an accomplished architect with a private practice. Now he drives a tram through war-torn Kharkiv. https://t.co/OR2WKHQYCP — PolitiTweet.org
The New Yorker @NewYorker
.@rachsyme revisits “The Best of Everything,” Rona Jaffe’s 1958 novel about four twentysomething women living in New York City and working in publishing. “Was anyone else writing with such clarity about workplace harassment in the 1950s—or even since?” https://t.co/Md0bLE7XUC — PolitiTweet.org
The New Yorker @NewYorker
Mark Frerichs spent more than two and a half years in Taliban captivity before being freed in a prisoner swap last September. “I felt like collateral damage,” Frerichs said. “I didn’t think I was going to get out of there.” https://t.co/tICNBeiQRP — PolitiTweet.org
The New Yorker @NewYorker
If Franz Kafka deemed it impossible to be himself, then what chance can a translator have to snare his mind? https://t.co/OWrogsAsiA — PolitiTweet.org
