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The New Yorker @NewYorker
The portrait of Elizabeth II that emerges from Tina Brown’s new book is of someone acutely aware of her many roles: as the ceremonial head of state; as the C.E.O. of a dysfunctional, celebrity dynasty; and as a matriarch. https://t.co/tq52cr43tB — PolitiTweet.org
The New Yorker @NewYorker
In June, 1968, Andy Warhol was shot point-blank at his Manhattan studio, the Factory. He spent two months in the hospital recovering. The shooting was a turning point in his life, and his religious life. https://t.co/JA2d4JvNkU — PolitiTweet.org
The New Yorker @NewYorker
The dating app Feeld asks its users to be open about their desires. Other apps, for all their creative prompts, never state the question plainly: What kind of sex do you want to have? https://t.co/35rsaTIIhZ — PolitiTweet.org
The New Yorker @NewYorker
By demonstrating so clearly Trump’s culpability before, on, and after January 6, 2021, @JohnCassidy writes, “the House select committee has strengthened the hands of his potential G.O.P. rivals, and this could conceivably be its biggest legacy.” https://t.co/zl8Q3XOSt7 — PolitiTweet.org
The New Yorker @NewYorker
“Persuasion” is Jane Austen’s most unusual novel. It still awaits a daring adaptation to match, @joshuarothman writes. https://t.co/vqsrRMNeMj — PolitiTweet.org
The New Yorker @NewYorker
Much of Pope Francis’s tenure has involved redressing wrongs committed by the Church, and he has done so by striking a note of penitence that’s relatively new to the papacy—but that he has now established as an essential part of the office. https://t.co/WCGD8xlQLC — PolitiTweet.org
The New Yorker @NewYorker
In 2020, in the case of the C.I.A. hacker Joshua Schulte, the jury came to a deadlock and the judge declared a mistrial. Before his retrial, Schulte made the bold decision to dismiss his legal counsel. He would represent himself. https://t.co/eJKknJyfMc — PolitiTweet.org
The New Yorker @NewYorker
“Janet liked teen-agers, partly because most people didn’t. Why was it a bad thing to have an attitude?” A new short story by @csestanovich. https://t.co/jN5Rltefnr — PolitiTweet.org
The New Yorker @NewYorker
RT @chrislhayes: This is almost too much to process, but very important to do so https://t.co/5XFrVwmsTR — PolitiTweet.org
The New Yorker @NewYorker
Jordan Peele’s new film, “Nope,” takes a previously explored concept—the unwelcome arrival of outsiders from afar—many ingenious steps further. https://t.co/oG3o1yZMlS — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by Jason Adam Katzenstein. #NewYorkerCartoons https://t.co/VjpUzmahUm — PolitiTweet.org
The New Yorker @NewYorker
In 2019, Peter Scott-Morgan (1958-2022) was diagnosed with A.L.S. He hoped that, by using himself as a test subject, he could help others. https://t.co/6Th5kw67VM — PolitiTweet.org
The New Yorker @NewYorker
Gerald Murnane’s “supreme conviction as a writer is that the images in our mind are, perhaps, more real than the objects that surround us,” @mervatim writes. https://t.co/Ze5t8xik3R — PolitiTweet.org
The New Yorker @NewYorker
“The joy I get out of it far outweighs the pain,” said Steve Greig, who cares for 10 senior dogs. “It’s hard knowing that it’s a short time, but that’s what the purpose is. I remind myself that it’s not about me; it’s about what I’m doing for them.” https://t.co/tqmrmrw3mg — PolitiTweet.org
The New Yorker @NewYorker
RT @tnyfrontrow: The ingenuity of Nope is elusive in its simplicity; Jordan Peele expands on the ideas of Get Out and Us but with an altoge… — PolitiTweet.org
The New Yorker @NewYorker
A photograph known as “Double Standard,” captured by Dennis Hopper in the early 1960s, resides in the permanent collection of the Museum of Modern Art, and, as visual distillations of L.A. go, it’s one of the greats. https://t.co/thimVReLYE — PolitiTweet.org
The New Yorker @NewYorker
RT @dankaufman70: "Democracy in this country was not dying but gone," a Wisconsin poll worker said after the 2020 recount. My latest for @N… — PolitiTweet.org
The New Yorker @NewYorker
This person declined the National Medal of Arts in 1997, stating that poetry “means nothing if it simply decorates the dinner table of power which holds it hostage.” Who is it? Guess here. https://t.co/7KCqxE4EFv — PolitiTweet.org
The New Yorker @NewYorker
Earthquakes beneath the ocean, and the tsunamis they cause, are some of the most destructive and deadly natural disasters. Undersea cables could help detect them. https://t.co/H69Yrf9oTM — PolitiTweet.org
The New Yorker @NewYorker
Daniil and David Liberman belong to a rising techie class that quietly traffics novel-seeming ideas among powerful people. Their latest project: selling shares in themselves. https://t.co/IqxUaIOf4R — PolitiTweet.org
The New Yorker @NewYorker
“Ever since the invention of the printing press, our children have lost interest in anything other than these damn ‘book’ things.” In a letter from the middle ages, a father shares his fears. https://t.co/UhGpZSiEk9 — PolitiTweet.org
The New Yorker @NewYorker
RT @DhruvKhullar: In this week's @NewYorker, I write about India's unprecedented heat wave. "The heat has created a rise in physical, psyc… — PolitiTweet.org
The New Yorker @NewYorker
Short-story author who announced her retirement from writing in 2013, the same year she won the Nobel Prize in Literature: 10 letters. https://t.co/oZyw2ptEN7 — PolitiTweet.org
The New Yorker @NewYorker
Japan is not widely known for religious extremism or gun violence, and yet Shinzo Abe’s association with the Unification Church was his murderer’s apparent motive. https://t.co/mkhQJteRQX — PolitiTweet.org
The New Yorker @NewYorker
We voluntarily produce floods of data on sites that exploit our identities and preferences for profit. It’s no wonder algorithm systems make many feel uneasy. https://t.co/sDVH5TBAAB — PolitiTweet.org
The New Yorker @NewYorker
Recommender systems have become a pervasive part of life online, leading us to feel in some moments misperceived or misled and in other moments clocked with eerie precision. https://t.co/cnrKDFtRmC — PolitiTweet.org
The New Yorker @NewYorker
“When the sun hits, it feels like your body is on fire,” a landfill worker in India said. “When we come back home, our heads feel like they will explode. We take water with us, but it’s boiling by the time we can drink it.” https://t.co/mse7jH6wnE — PolitiTweet.org
The New Yorker @NewYorker
Houshang Touzie stars in a stage production of “The Kite Runner,” Khaled Hosseini’s best-selling novel. It’s a refugee’s tale, told with Dickensian twists, and Touzie sees echoes of his own life onstage. https://t.co/T30d1ZOhMF — PolitiTweet.org
The New Yorker @NewYorker
At the Park Slope Food Co-Op, the spices go for pennies, the cheese is crazy cheap, and members spend 15 to 50 per cent less than they would elsewhere. But the perks come with a side of politics. https://t.co/kfRLWZ2qf4 — PolitiTweet.org
The New Yorker @NewYorker
Jonathan Franzen on New York City in the summer of 1981: “In theory, V and I were trying to write fiction, but I was oppressed by the summer heat and by the penitentiary gloom of the Atkins place, the cockroaches, the wandering neighbor.” https://t.co/x7iJ6nuoiK — PolitiTweet.org