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The New Yorker @NewYorker
A.I.’s ineptitude at generating realistic-looking hands “is comforting, in a way,” @chaykak writes. https://t.co/CsxAXPGGmO — PolitiTweet.org
The New Yorker @NewYorker
The ethics professor Agnes Callard views romantic relationships as the place where some of the most pressing philosophical problems surface in life. Through her own marriage, and her divorce, she seeks to discover a better kind of person to be. https://t.co/HJiBnjKPZK — PolitiTweet.org
The New Yorker @NewYorker
Eddie Murphy in a sheer button-down, Reese Witherspoon in a rumpled outfit, Sylvester Stallone in a dog-tag necklace: on a few niche accounts on Instagram, one can find a reminder of the unpremeditated place the red carpet used to be. https://t.co/sx06NAJK5O https://t.co/pT14dM7s97 — PolitiTweet.org
The New Yorker @NewYorker
For a long time, the tiny Williamsburg restaurant Okonomi was basically the only place in town to get a traditional Japanese breakfast. As of late, there is serious competition. https://t.co/ZzDZwkgroZ — PolitiTweet.org
The New Yorker @NewYorker
With his lavish arts residency, Kehinde Wiley “is shifting the art world’s center of gravity toward Africa with a determination that combines the institution-founding fervor of Booker T. Washington and the stagecraft of Willy Wonka,” @jcljules writes. https://t.co/Q0nP5zt04N — PolitiTweet.org
The New Yorker @NewYorker
“We need to get to the other side of this in a way that gives Ukraine a chance to be the country that they want to be, deserve to be, and could be with our support.” An interview with Stephen Kotkin, a historian and scholar of Russian history. https://t.co/AGI2rMNe8W — PolitiTweet.org
The New Yorker @NewYorker
The recipients of any and all major awards, anyone who is engaged, my present and future co-workers. https://t.co/AuGkuYsitK — PolitiTweet.org
The New Yorker @NewYorker
Rumi is often called a mystic, a saint, an enlightened man. He is less frequently described as a Muslim. https://t.co/Pv7zAMa3wI — PolitiTweet.org
The New Yorker @NewYorker
“Our little crew gathered to wait around the telegram device upon which we might register for the show.” @newyorkerhumor chronicles the ticket-buying odyssey of a 1940s heroine. https://t.co/X1fc5qgQYn — PolitiTweet.org
The New Yorker @NewYorker
In the U.S., we’re told to love our jobs, and to find meaning in them, as if work were a family, or a religion. Jill Lepore chronicles how the unravelling of the labor movement ushered in a new era of work as life. https://t.co/UaEVqpq00Y — PolitiTweet.org
The New Yorker @NewYorker
“I swear to always take every opportunity to cross-promote and help grow our partnership as a third stream of income.” Some vows for influencers. https://t.co/9Bahuntwwp — PolitiTweet.org
The New Yorker @NewYorker
Can large-language models help humans with the creation of original writing? To answer that, we need to be specific about what we mean by that question. https://t.co/VXxP38xLCt — PolitiTweet.org
The New Yorker @NewYorker
For Stephen Shore, the core decision of what to photograph “comes from recognizing a feeling of deep connection, a psychological or emotional or physical resonance with the picture’s content.” https://t.co/hPcvVICNOD — PolitiTweet.org
The New Yorker @NewYorker
In its own sardonic and skeptical fashion, Heather Havrilesky’s memoir “Foreverland” is a tender book, full of touching descriptions of falling and staying in love. https://t.co/G0cUGfrCkn — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, Kit Fraser illustrates the hierarchy of roommates, according to the dog. https://t.co/neYsmD4Bg7 — PolitiTweet.org
The New Yorker @NewYorker
A book by James Q. Whitman methodically explores how the Nazis took inspiration from American racism. https://t.co/wnH8fhj6RY — PolitiTweet.org
The New Yorker @NewYorker
How the game of Monopoly, which began as a critique of landlords, came to promote the naked pursuit of wealth. https://t.co/dpdoi91gwA — PolitiTweet.org
The New Yorker @NewYorker
Oscar Isaac and Rachel Brosnahan star as a feuding couple in bohemian New York in “The Sign in Sidney Brustein’s Window.” https://t.co/ed9xyVDdef — PolitiTweet.org
The New Yorker @NewYorker
After taking into account the climate costs of gas cremation, Green-Wood Cemetery’s caretakers have been looking into a cutting-edge method of processing human remains. https://t.co/2mcLUS1cgy — PolitiTweet.org
The New Yorker @NewYorker
The housewares brand Dansk originated on Long Island. “ ‘Dansk’ is like when you sell vodka in the USA,” a Danish designer said. “You use its Russian name and you kind of keep the original letters on the bottle and brochures.” https://t.co/FgixBnDwPR — PolitiTweet.org
The New Yorker @NewYorker
The president of the Florida Education Association estimated that public-school teachers in a third of the state’s counties have been instructed to box or cover up books until they’ve been reviewed for compliance with a new law. https://t.co/M6ccZzEVtB — PolitiTweet.org
The New Yorker @NewYorker
David Remnick talks to the Democrat Machaela Cavanaugh, who is about two weeks into a filibuster to prevent passage of a bill that would ban gender-affirming care for young people. Listen here. #NewYorkerRadio https://t.co/fuVP3JJZmW — PolitiTweet.org
The New Yorker @NewYorker
.@tnyfrontrow picks *his* Oscar winners—“Benediction” for Best Picture, “Nope” for Best Original Screenplay, “Framing Agnes” for Best Documentary Feature, and more. https://t.co/FO2l9tAl3g — PolitiTweet.org
The New Yorker @NewYorker
.@KShikaki and @IChotiner discuss to what extent Benjamin Netanyahu’s new right-wing government might worsen the lives of Palestinians and the likelihood of another intifada. https://t.co/k9aYLUojR8 — PolitiTweet.org
The New Yorker @NewYorker
A new book investigates the role that the child-welfare system played in the murders of six adopted kids. https://t.co/J3VguOLtSJ — PolitiTweet.org
The New Yorker @NewYorker
A new exhibition at @ICPhotog puts the charmed and charged phenomenon of the artist portrait on display, featuring contributions from the artist-filmmaker Tacita Dean and the photographers Brigitte Lacombe and Catherine Opie. https://t.co/FFVWv5k5Xx https://t.co/8ROPfdFZia — PolitiTweet.org
The New Yorker @NewYorker
Hannah Goldfield visits a selection of Brooklyn restaurants offering captivating teishoku, or set meals, for breakfast: https://t.co/POuDiqiylj https://t.co/u0ipYqXyJS — PolitiTweet.org
The New Yorker @NewYorker
A poem by Billy Collins. https://t.co/3GbmpLZIJJ https://t.co/Bm3HzQ9B5o — PolitiTweet.org
The New Yorker @NewYorker
Donald Trump’s campaign for 2024 is a “doomsday-laden frontal attack on American democracy far darker and more threatening to the constitutional order than even his previous two bids,” @sbg1 writes. https://t.co/KLENCPDZfF — PolitiTweet.org
The New Yorker @NewYorker
Most everyone on the red carpet nowadays seems to know what standards they need to adhere to or depart from, @frynaomifry writes, “and what we end up getting as viewers is a glut of self-conscious, celebrity-stylist-ministered predictability.” https://t.co/9GmYRmbcXP — PolitiTweet.org
