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Showing page 338 of 3498.
The New Yorker @NewYorker
The new short film “Dear Max,” which combines archival footage with stop-motion animation, is scripted as a letter from a father to his son. Watch here. https://t.co/jUTkx4dkXF — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @dsipress. #NewYorkerCartoons https://t.co/dhEULRqcO6 — PolitiTweet.org
The New Yorker @NewYorker
Audio designers are creating new sounds for electric vehicles that could change the soundtrack of urban life. https://t.co/Yvs6SJW7Iu — PolitiTweet.org
The New Yorker @NewYorker
“Into the Woods” is an ensemble piece, and the ensemble in the new revival “is terrific and knows it,” @Alex_Lily writes. “There’s a collective revelry to the performances, a special shared charisma.” https://t.co/gZNbyKDbzx — PolitiTweet.org
The New Yorker @NewYorker
Calvin Tomkins profiles the Pakistani American painter Salman Toor, who has taken figurative art and storytelling in a new direction through his unabashed, queer subjectivity. https://t.co/343RLnDbUE — PolitiTweet.org
The New Yorker @NewYorker
“The N.B.A. should always hold an empty seat, somewhere near the floor, for Bill Russell.” An ode to the basketball legend, who died on Sunday, at 88. https://t.co/suArCYlBGk — PolitiTweet.org
The New Yorker @NewYorker
.@tadfriend explores the flashy, punishing world of door-to-door sales, where the best in the industry can earn more than a million dollars a year. https://t.co/T3HRr3ITlR — PolitiTweet.org
The New Yorker @NewYorker
Representative Jim Cooper, a Tennessee Democrat, is retiring—and he has a warning to colleagues about the price of power. https://t.co/uOTznKJ81j — PolitiTweet.org
The New Yorker @NewYorker
.@jmseabrook writes about the sound designers who make naturally silent electric and hybrid vehicles noisier. https://t.co/lR6DLBhidf — PolitiTweet.org
The New Yorker @NewYorker
Claire Danes won an Emmy for portraying this famous figure in a 2010 bio-pic. Can you guess who it is? https://t.co/isTXEseaiy — PolitiTweet.org
The New Yorker @NewYorker
.@mashagessen reports from Ukraine, where the government is pursuing large-scale prosecutions of war crimes—and has identified some 25,000 Russian atrocities thus far. https://t.co/VpeQDavpuY — PolitiTweet.org
The New Yorker @NewYorker
Inside this week’s issue of The New Yorker: https://t.co/46Og0jjmox https://t.co/42Sc9um9K7 — PolitiTweet.org
The New Yorker @NewYorker
“The seed for this cover came at the end of a long bike ride to Fort Tilden beach.” This week’s cover artist, R. Kikuo Johnson, discusses his inspiration. https://t.co/BozlRxACzS — PolitiTweet.org
The New Yorker @NewYorker
A new book argues that emotions aren’t simply natural upwellings from our psyche—they’re constructions we inherit from our communities. https://t.co/t2tzoMa23t — PolitiTweet.org
The New Yorker @NewYorker
What will your newborn baby look like? @newyorkerhumor has some ideas. https://t.co/JmxIoIX7CS — PolitiTweet.org
The New Yorker @NewYorker
Can we come to see wetlands as desirable landscapes that protect the earth while refreshing our joy in existence? “For conservationists the world over, finding this joy is central to having a life well lived,” Annie Proulx writes. https://t.co/D8TqC0xg7C — PolitiTweet.org
The New Yorker @NewYorker
Perpetrators of violence, we’re told, dehumanize their victims. The truth is worse. https://t.co/5FU8ZEhSPp — PolitiTweet.org
The New Yorker @NewYorker
“I, your former associate and now idol, went for a hike. Gaze upon my photos and weep.” https://t.co/O9OvyLifrv — PolitiTweet.org
The New Yorker @NewYorker
The director-actor-writer-producer Jay Duplass talks about his late-blooming acting career, his perfectionism and anxiety about making art, and his latest role in the HBO drama “Industry.” https://t.co/ANiWsQDs3G — PolitiTweet.org
The New Yorker @NewYorker
.@tadfriend explores the flashy, punishing world of door-to-door sales, where the best in the industry earn more than $1 million a year, and everyone has something to prove. https://t.co/XdT0s9sATP — PolitiTweet.org
The New Yorker @NewYorker
This week’s cover, “Double-Parked,” by R. Kikuo Johnson. #NewYorkerCovers https://t.co/K5Qy4yBUw6 https://t.co/od5xwbYs3v — PolitiTweet.org
The New Yorker @NewYorker
.@mashagessen reports from Ukraine on the tens of thousands of potential war crimes committed during the Russian invasion—and how justice might unfold for the victims. https://t.co/lYm8rHhnX4 — PolitiTweet.org
The New Yorker @NewYorker
In the early years of his career, Salman Toor had little interest in modern art; he painted technically dazzling, contemporary versions of Old Master portraits, landscapes, and genre scenes. Then he began to experiment with images of his friends. https://t.co/rAR85W5sUp — PolitiTweet.org
The New Yorker @NewYorker
Herman Melville, born on this day in 1819, never really stopped writing—but, writes John Updike, by abstaining from a forced productivity, the novelist preserved his communion with greatness. https://t.co/JY37mSKwMZ — PolitiTweet.org
The New Yorker @NewYorker
As a New York intellectual, she lived to battle her adversaries. Was her beloved husband among them? https://t.co/Ld9iTBPGbg — PolitiTweet.org
The New Yorker @NewYorker
Ian McEwan’s short story in this week’s issue is drawn from his upcoming novel, “Lessons,” which examines how global political events penetrate our private lives. “It also looks at how large a role mere chance can play in anyone’s life story,” McEwan said. https://t.co/ZrijVnUa1S — PolitiTweet.org
The New Yorker @NewYorker
George Saltz got stage fright the first time he attempted to perform standup comedy, at age 18. Six decades passed before his next gig. “For me, it came at the right time,” he says, in a new documentary. https://t.co/JvWNpiuO1r — PolitiTweet.org
The New Yorker @NewYorker
When Jill Lepore lost her best friend to leukemia, she was left with an old laptop and not much else. Then she foun… https://t.co/J8MRvlPrbz — PolitiTweet.org
The New Yorker @NewYorker
Remembering a long-ago meal at the New Mexico home of the celebrated artist. https://t.co/WjUoVqaU7j — PolitiTweet.org
The New Yorker @NewYorker
As the only abortion provider in North Dakota, Red River Women’s Clinic has been the primary legal opposition to the state’s attempts to pass new restrictions on women’s health care. https://t.co/ElMVglQrMT — PolitiTweet.org
