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The New Yorker @NewYorker
Prequels for “Game of Thrones” and “Lord of the Rings,” adaptations of “Interview with a Vampire” and “American Gigolo,” and more. https://t.co/ZecEnRlR1d — PolitiTweet.org
The New Yorker @NewYorker
.@eosnos interviewed six American superyacht owners, and almost all insisted on anonymity. “It’s really hard to talk about it without being ridiculed,” one confessed. https://t.co/KQ698dj0jP — PolitiTweet.org
The New Yorker @NewYorker
Led Zeppelin’s talent and daring went way beyond the capabilities of the headbanging deadweights who hung off the group’s example, James Wood writes. “Its violence tore things apart which its musicianship put back together.” https://t.co/aeibKChzN2 — PolitiTweet.org
The New Yorker @NewYorker
Critical race theory has been mischaracterized as Black-supremacist racism, false history, and the terrible apotheosis of wokeness. What did its foundational thinker, Derrick Bell, actually believe? https://t.co/VrP3rBTrIi — PolitiTweet.org
The New Yorker @NewYorker
“I️ end up spending a lot more time and thought on household and family stuff than Henry does, even though I️ have a more demanding job,” an advice-seeker writes. How should couples balance all the extra, unassigned work of life? https://t.co/XHzhLPg5Gc — PolitiTweet.org
The New Yorker @NewYorker
James Howells accidentally threw away the hard drive that held the key to bitcoins that are now valued at half a billion dollars. His quest to recover his fortune has become its own costly obsession. https://t.co/LnupDPqdHj — PolitiTweet.org
The New Yorker @NewYorker
The main reason that the British Empire was able to sustain itself for more than two centuries, the historian Caroline Elkins maintains, was that the British model of state violence came wrapped in a “velvet glove” of liberal reform. https://t.co/UavacPqITe — PolitiTweet.org
The New Yorker @NewYorker
“Inconstancy can be a reason for hope as well as a reason for fear,” Lorraine Boissoneault writes, about learning to live with a heart condition. https://t.co/SfIIVEVsDS — PolitiTweet.org
The New Yorker @NewYorker
On our Fiction Podcast, André Alexis reads and discusses “Waiting for Death in a Hotel,” by Italo Calvino, which was published in The New Yorker in 2006. Listen here, or wherever you get your podcasts. https://t.co/Ih6NcFS7bf — PolitiTweet.org
The New Yorker @NewYorker
Greek and Roman statues were often painted, but assumptions about race and aesthetics have suppressed this truth. https://t.co/QsuFH3OhJa — PolitiTweet.org
The New Yorker @NewYorker
From 2002: Anthony Lane on the root of our mania for James Bond, a spy blessed with the license to kill—and a refusal to die. #NewYorkerArchive https://t.co/y6csLuTpFZ — PolitiTweet.org
The New Yorker @NewYorker
How a scientist working on one of the world’s most accurate clocks discovered a new way to detect earthquakes. https://t.co/Rw4CR24a1X — PolitiTweet.org
The New Yorker @NewYorker
“I really don’t have words,” Mackenzie Fierceton wrote to a mentor at the University of Pennsylvania. “It is seven years later, and I am still having to prove and prove and prove what has happened to me.” https://t.co/t2LNDwdQpG — PolitiTweet.org
The New Yorker @NewYorker
The series “P-Valley,” now in its second season, lives in the strip club: a refuge and a maw, a heaven and a hell, @dstfelix writes. https://t.co/zy4zQRP97n — PolitiTweet.org
The New Yorker @NewYorker
Stereolab explores 20 years’ worth of post-rock jams, Diana Ross brings her decades of pageantry, Florence and the Machine celebrates its first album in four years, and more. https://t.co/8wkhBZ9B2r — PolitiTweet.org
The New Yorker @NewYorker
In Mariupol, which was under Russian siege for months, thousands of civilians were killed, many of them owing to a lack of food, shelter, and water. Who should be held accountable? https://t.co/EWDeoau2AY — PolitiTweet.org
The New Yorker @NewYorker
Ever tried to turn a doorknob after moisturizing your hands? What about juggling a bunch of knives? https://t.co/xj3F0F3Sns — PolitiTweet.org
The New Yorker @NewYorker
The Atlanta Police Department plans to turn 300 acres of forest into a training facility. “This has been treated as a carceral space since European contact, and Cop City would be a continuation of that,” a professor of Native American Studies said. https://t.co/xNaBBVxgVT — PolitiTweet.org
The New Yorker @NewYorker
With this week’s victory for abortion rights in Kansas, Democrats have an opportunity to seize the mantle as the defender of long-established individual rights. https://t.co/hdnJx5BsB8 — PolitiTweet.org
The New Yorker @NewYorker
The Brooklyn-based artist and L.G.B.T.Q. activist Leilah Babirye’s sculpture “Agali Awamu (Togetherness),” carved with a chisel and a chainsaw, is on view in Brooklyn Bridge Park as part of a group exhibition reflecting on themes of the African diaspora. https://t.co/ze0T1gIJcB https://t.co/1sNASm5gKR — PolitiTweet.org
The New Yorker @NewYorker
In 2021, Starbucks employees in Buffalo formed the first union at any stand-alone location in the U.S. since the 1980s. Hundreds of baristas all over the country then began reaching out to Workers United. https://t.co/W6bVExF5v0 — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by Kate Curtis. #NewYorkerCartoons https://t.co/6q8ol0R2Bg — PolitiTweet.org
The New Yorker @NewYorker
Around three o’clock on Thursday afternoon, Kyrsten Sinema and Joe Manchin were spotted together on the floor of the Senate. The upper gallery is open to the press, and a group of reporters watched like intent sports fans, @jonathanblitzer writes. https://t.co/FzPoCt4vXy — PolitiTweet.org
The New Yorker @NewYorker
“His paintings were so evocative about life in New York City, those moments of isolation and community that were clearly the experience of brown men,” said one of the curators of Salman Toor’s Whitney show. “There was an intimacy about them.” https://t.co/tvGpB7brxc — PolitiTweet.org
The New Yorker @NewYorker
Luxury division of Honda, five letters. https://t.co/EH0ZPaBUZw — PolitiTweet.org
The New Yorker @NewYorker
The Force is strong with today’s Name Drop subject. Can you get it 100 seconds or less? https://t.co/Y5VcAtNHo6 — PolitiTweet.org
The New Yorker @NewYorker
For all the fountains of gore, David Leitch’s film “Bullet Train” comes off as a juiced-up version of “Murder on the Orient Express,” Anthony Lane writes. “At least Agatha Christie gave us a narrative nut to crack; here, bamboozling is in short supply.” https://t.co/igoDtCFuj9 — PolitiTweet.org
The New Yorker @NewYorker
In Curran Hatleberg’s photographs, taken in the American South, “the atmosphere is weary, post-consumerish,” Joy Williams writes. “No one seems to possess anything. The men and boys are often shirtless, the cars cannibalized.” https://t.co/B7QPBWREtg — PolitiTweet.org
The New Yorker @NewYorker
In her latest obituary column, @susanorlean bids a fond farewell to the Choco Taco: “during these feel-bad times, losing a simple delight feels especially unsettling,” she writes. https://t.co/o882bvD2bN — PolitiTweet.org
The New Yorker @NewYorker
On a new episode of our Politics and More podcast, @michaelluo talks with a lawyer about a path forward on gun control that wouldn’t require Congress or the Supreme Court. Listen here. #NewYorkerRadio https://t.co/O11NAUx0a0 — PolitiTweet.org
