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The New Yorker @NewYorker
Over nearly four decades, beginning in the early 1980s, the photographer Nancy Floyd executed an epic project of self-documentation. https://t.co/HDmv9sacej — PolitiTweet.org
The New Yorker @NewYorker
What else is one supposed to do after seeing a beautiful dog? https://t.co/BfecHqqQbC — PolitiTweet.org
The New Yorker @NewYorker
Behold: an absurdly simple trick for choosing between "who" and "whom." https://t.co/j2h75Mshav — PolitiTweet.org
The New Yorker @NewYorker
In a single day at Les Halles, in New York City, Anthony Bourdain once nourished himself with three double espressos, two beers, three cranberry juices, eight aspirins, a hunk of merguez sausage, and an “Industrial”—a beer stein filled with a Margarita. https://t.co/PKV0El1QRy — PolitiTweet.org
The New Yorker @NewYorker
Carolyn Drake’s photography book “Knit Club” features a group of women, mostly single mothers, in a small Mississippi town called Water Valley. Some people call the group a coven. https://t.co/H60vPawONw — PolitiTweet.org
The New Yorker @NewYorker
In Chris Rock’s new comedy special, much of the material feels like mere pretense, a half-thought prelude to the show’s main draw: discussion of the slap. https://t.co/aJBiLUBd1o — PolitiTweet.org
The New Yorker @NewYorker
On the morning of December 6, 1917, the citizens of Halifax, Nova Scotia, witnessed the largest and most destructive man-made explosion the world had seen to that day. An Oscar-nominated short film reimagines the event. https://t.co/z9Gj1QDpan — PolitiTweet.org
The New Yorker @NewYorker
When animals develop, they don’t follow a script. Instead, they negotiate and feel their way into a final form. Could humans do the same? https://t.co/B7r9UWJ15m — PolitiTweet.org
The New Yorker @NewYorker
The recent legal filings by Dominion Voting Systems show a calculating, morally bereft Republican establishment desperate to escape Trump, @sbg1 writes, fully aware that he is a liar but not sure that it can win without him. https://t.co/jl6trYFB7U — PolitiTweet.org
The New Yorker @NewYorker
In the bike-friendly Netherlands, cyclists speed down the road without fearing cars. For an American, the prospect is thrilling—and terrifying. https://t.co/9SVvjySRZU — PolitiTweet.org
The New Yorker @NewYorker
“I was half alive,” Emma Thompson said, of the collapse of her marriage to Kenneth Branagh, in 1995. “Any sense of being a lovable or worthy person had gone completely.” https://t.co/NstODdVfbN — PolitiTweet.org
The New Yorker @NewYorker
Raptors raised in captivity generally cannot hunt, because they have to learn from a parent. But Flaco, a Eurasian eagle-owl who recently escaped from the Central Park Zoo, has been feasting in the Park. https://t.co/NWiLi5BiZV — PolitiTweet.org
The New Yorker @NewYorker
“If I’m in a bar, there’s a lot of people that ask me to punch them in the face and stuff. But I don’t really engage.” An interview with Aubrey Plaza. https://t.co/JlbaKNzftv — PolitiTweet.org
The New Yorker @NewYorker
Haruki Murakami was about to turn 30 when a thought occurred to him: “You know what? I could try writing a novel.” Then he realized, “If I wanted to have a long life as a novelist, I needed to find a way to stay in shape.” https://t.co/8NeeyZAdNL — PolitiTweet.org
The New Yorker @NewYorker
“The two emotions everyone says you’ll feel when you become a parent: love and joy. The two emotions everyone fails to say you’ll feel when you become a parent: fear and anger.” A comic by @julia_wertz. https://t.co/xmYfEXURee — PolitiTweet.org
The New Yorker @NewYorker
A new exhibition at @ICPhotog focusses on the charmed and charged phenomenon of the artist portrait. https://t.co/Yggb7E7G2b — PolitiTweet.org
The New Yorker @NewYorker
The priestess Enheduanna is thought to mark the beginning of authorship, rhetoric, and even autobiography. She lived 1,500 years before Homer, 1,700 years before Sappho, and 2,000 years before Aristotle. https://t.co/DI9tdn4i17 — PolitiTweet.org
The New Yorker @NewYorker
David Remnick speaks with @mashagessen about the real reasons for the culture war over gender. Read the interview: https://t.co/4jR9f1sDTG https://t.co/P8shrge9OO — PolitiTweet.org
The New Yorker @NewYorker
I believe that marriage is a lasting partnership between one person without health insurance and one person who gets pretty good coverage through work. https://t.co/l807nf4yar — PolitiTweet.org
The New Yorker @NewYorker
“ ‘You know what she’s doing, don’t you? She’s going to wait until the three of us are dead and then she’s going to write about us. This is the picture that will run with the piece.’ ” A Personal History by Ann Patchett. https://t.co/7viSDyt5kg — PolitiTweet.org
The New Yorker @NewYorker
Linda Ronstadt, who left an indelible mark on the classic-rock era, reflects on her career: “It was best when I forgot about everything and just thought about the music,” she said. https://t.co/VjAeZcoYaw — PolitiTweet.org
The New Yorker @NewYorker
A poem by Ishmael Reed. https://t.co/bjfU5giduB https://t.co/p8QMktWUJN — PolitiTweet.org
The New Yorker @NewYorker
Like “Snakes on a Plane” and “We Bought a Zoo,” Elizabeth Banks’s film “Cocaine Bear” provides exactly what the title promises, Anthony Lane writes: “she has simply made a film about a bear that does coke.” Then what? https://t.co/mtACVNalWw — PolitiTweet.org
The New Yorker @NewYorker
In the short film “Night Ride,” which is up for an Oscar tomorrow night, one passenger on a tram begins to harass another. Its driver is left with a decision: Say something, or keep driving? https://t.co/HuQD3xYsAz — PolitiTweet.org
The New Yorker @NewYorker
Daylight-saving time is almost upon us. Don’t have a clock to turn forward? Our playful wall clock, featuring illustrations by the cover artist Richard McGuire, is 20 per cent off this weekend. Get yours: https://t.co/fTlIfRulGf https://t.co/00MuxuWI8h — PolitiTweet.org
The New Yorker @NewYorker
The name in the envelope for Best Actress will be one of the most exciting questions on Oscar night, @MJSchulman writes. Read his reflection on this year’s “crowded, unpredictable, and weird” Best Actress race. https://t.co/py8mUed54j — PolitiTweet.org
The New Yorker @NewYorker
“The thing that the audience always is excited by is the question. It’s not the answer.” Cate Blanchett talks about her Oscar-nominated role in “Tár,” the joy of music, and the art of acting: https://t.co/HesUuGeY3x https://t.co/khUrKPEFqG — PolitiTweet.org
The New Yorker @NewYorker
On its surface, “Everything Everywhere All at Once” doesn’t have the hallmarks of Oscar bait. But the film is this year’s unicorn, @MJSchulman writes: “a defiantly weird non-franchise crowd-pleaser.” https://t.co/d9OGtCSGNT — PolitiTweet.org
The New Yorker @NewYorker
You know you’ve made it in San Francisco if you live in a 250-square-foot studio apartment in Nob Hill, which only set you back $3 billion. https://t.co/7vyCWd053l — PolitiTweet.org
The New Yorker @NewYorker
In a new interview, David Remnick speaks with @mashagessen on the public discourse over trans identity, the real reasons for the culture war over gender, and how well-meaning people can do better. https://t.co/ouukNyQqzn — PolitiTweet.org
