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The New Yorker @NewYorker
“It’s not that I’m against the Internet,” the writer Mary Gaitskill says. “But it does come with a price.” https://t.co/cEOEL1hX1s — PolitiTweet.org
The New Yorker @NewYorker
.@JaneMayerNYer reports from Ohio, where the legislative-district maps have been deliberately drawn so that many Republicans effectively cannot lose, all but insuring that the Party has a veto-proof super-majority. https://t.co/NE7Uur4pcj — PolitiTweet.org
The New Yorker @NewYorker
“Calling all cute guys! Guess what? I’m ready to have a new man in my life! I’ve been on my own for a while now, but I feel totally ready for a relationship.” https://t.co/oQiN2F53Ay — PolitiTweet.org
The New Yorker @NewYorker
Using an “actual, old-fashioned, dial-’em-up telephone” is glorious, @rachsyme writes. “Calls from publicists or from my editor now feel eventful in a way that cuts through the monotony of the day.” https://t.co/ol3XBjca0e — PolitiTweet.org
The New Yorker @NewYorker
At different points in the film “The Game God(S),” the camera hovers in front of people’s faces as they repeat “the American Dream” over and over, forcing viewers to meditate on the term’s meaning. https://t.co/CNAroOMMUf — PolitiTweet.org
The New Yorker @NewYorker
Personal-productivity systems like Getting Things Done don’t address the insidiously haphazard way that work unfolds at the organizational level; they only help individuals cope with its effects. https://t.co/jEGqhKdTi8 — PolitiTweet.org
The New Yorker @NewYorker
The photographer Marion Ettlinger, a master of the authorial portrait, read the work of every author she photographed, almost without exception. https://t.co/gzhrExsbA2 — PolitiTweet.org
The New Yorker @NewYorker
One February night in 1958, something caused a group of skiers to cut their way out of their tent and flee into a howling blizzard, in 20-below-zero temperatures, in bare feet or socks. What was it? https://t.co/0WSvSzLNvU — PolitiTweet.org
The New Yorker @NewYorker
The notorious fatwa against Salman Rushdie has a complicated history that still plays out, decades later, in Iran’s politics and relations with the U.S. https://t.co/Ad2xy9zvds — PolitiTweet.org
The New Yorker @NewYorker
“Ingmar Bergman’s ‘Scenes from a Marriage,’ from 1973, is the greatest artistic exploration of the vicissitudes of marital loneliness,” Agnes Callard writes. https://t.co/BKW1LU7PcT — PolitiTweet.org
The New Yorker @NewYorker
Mavis Gallant, who died in 2014, at the age of 91, would have celebrated her 100th birthday this month. Gallant was a dedicated diarist, who recorded the narrative of her own life for some 55 years. These passages are drawn from her diaries from 1954. https://t.co/JxMqUV7kSn — PolitiTweet.org
The New Yorker @NewYorker
In this week’s cryptic crossword: Wave empty teacups with a friend in Paris (seven letters). https://t.co/8ek3MYJ5aC — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, meet the cast of “Sesame Street” for the mid-30s: Lulu the estimated-taxes monster, Marmo the heating pad, and others. https://t.co/kSYF9rYKci — PolitiTweet.org
The New Yorker @NewYorker
As a problem, climate change is as bipartisan as it gets: it will have equally devastating effects in red states as in blue. How did caring about a drowned or desiccated future become a partisan issue? https://t.co/bqa6ldZK7M — PolitiTweet.org
The New Yorker @NewYorker
There’s something about the “off-the-cuffness” of Internet communication, Mary Gaitskill says. “You’re revealing your psyche to vast numbers of people.” https://t.co/4GxXLnLqib — PolitiTweet.org
The New Yorker @NewYorker
The effective altruism movement controls around $30 billion in philanthropic resources. Should it prioritize solving present crises, or averting future disaster? https://t.co/zKPdjOTYwg — PolitiTweet.org
The New Yorker @NewYorker
As the psychologist Elizabeth Loftus began testifying on behalf of men whom she believed may have been wrongly accused, she came to be seen as an expert who was complicit with institutions of power. @rachelaviv explores Loftus’s work—and her past. https://t.co/a9j2iyamfP — PolitiTweet.org
The New Yorker @NewYorker
Curtis LeMay believed that the only sure nuclear defense was to launch a preëmptve first strike. During the Cuban missile crisis he almost did it. https://t.co/eryxdZ8o8Q — PolitiTweet.org
The New Yorker @NewYorker
Adam Gopnik writes about the horrific attack on Salman Rushdie, who has endured the fatwa placed on him with effortless equanimity, and the importance of upholding our commitment to the liberty of expression. https://t.co/xCX15GpnT0 — PolitiTweet.org
The New Yorker @NewYorker
New Yorker staff writers pick their 2022 beach reads. https://t.co/JniYUQIjpj — PolitiTweet.org
The New Yorker @NewYorker
Peter Scott-Morgan, who died in June, believed that human life and machine life were destined to merge. When he was diagnosed with A.L.S., he decided to use his experience to test his theories. https://t.co/jlc4CLH1wY — PolitiTweet.org
The New Yorker @NewYorker
Starbucks’s C.E.O., Howard Schultz, has said he would never accept a union at the company. Yet thousands of baristas have joined Starbucks Workers United, and many are being transformed by the process. https://t.co/Pn09jqL2qQ — PolitiTweet.org
The New Yorker @NewYorker
Electric vehicles are nearly silent—which presents dangers for pedestrians and others. On #NewYorkerRadio, @jmseabrook discusses how sound designers are creating noise to fill the void. Listen here. https://t.co/9uR6N2xybp — PolitiTweet.org
The New Yorker @NewYorker
In a new interview, M. Ward and Zooey Deschanel—who, together, make up the musical duo She & Him—talk about their new tribute album to Brian Wilson’s music. “I’m glad we chose his songs during the pandemic—because they kept us buoyant,” Ward says. https://t.co/27KIbwSwwz — PolitiTweet.org
The New Yorker @NewYorker
Watch Samantha Morton play a scheming Catherine de Medici, Hilary Swank star as a struggling journalist, Susan Sarandon channel a country-music matriarch, and more. https://t.co/qtmJUgK0bi — PolitiTweet.org
The New Yorker @NewYorker
From 2012: The author on his childhood love of B-movies, monster flicks, and horror pictures, and how they have fed his imagination. https://t.co/pFxBJHjwWb — PolitiTweet.org
The New Yorker @NewYorker
“Wars, hunger, jail cells, praises, pratfalls, puns, gold circuits on phone-card connectors— all cargo, manifest, circling the sun together each three hundred and sixty-five days plus a few remnant hours.” A poem by Jane Hirshfield. https://t.co/SGrkT17TdQ — PolitiTweet.org
The New Yorker @NewYorker
In June, more than 100 people—most of them, elderly—lived in the basement of an elementary school in Lysychansk, Ukraine. Toilets were overflowing. “Sometimes I go up just to breathe some fresh air,” one woman said. https://t.co/ZFSAAO35XK — PolitiTweet.org
The New Yorker @NewYorker
“The film is about trying to see beneath the sad and disgusting cold walls of the coach station and find beauty,” Antonin Niclas said, of his stop-motion short “Do Not Feed the Pigeons,” which is set in a hub of public transportation in London. Watch here. https://t.co/DGLgEoCJIU — PolitiTweet.org
The New Yorker @NewYorker
“We automatically rebooked you on the ‘next available flight,’ a loose term that covers any flight we choose at random by throwing darts at an old map.” https://t.co/LJiq4L4XWh — PolitiTweet.org
