Deleted tweet detection is currently running at reduced
capacity due to changes to the Twitter API. Some tweets that have been
deleted by the tweet author may not be labeled as deleted in the PolitiTweet
interface.
Showing page 32 of 3498.
The New Yorker @NewYorker
Alain Gomis’s film is a treasure trove of Thelonious Monk in performance and a revealing look at common documentary practices. https://t.co/kCnE4enx7F — PolitiTweet.org
The New Yorker @NewYorker
Florence Pugh arrived in a voluminous Valentino number with puffy mutton sleeves. Her hair, in the kind of twisty, spiky, architectural updo she has been favoring of late, immediately divided the Twitterverse, @rachsyme writes. https://t.co/rfVywUG81i https://t.co/J9YncX1c01 — PolitiTweet.org
The New Yorker @NewYorker
“Sandra Oh’s butterscotch-yellow Grecian-inspired gown has more decadent draping than a Victorian drawing room,” @rachsyme writes. “Her look is very Old World glamour.” https://t.co/HAT7Ufbzgd https://t.co/eNYnbSiBY9 — PolitiTweet.org
The New Yorker @NewYorker
“To put it in fashion-editrix parlance, it’s a ‘sparkle story’ out there tonight,” @rachsyme writes. Here’s the activist @malala, in a hooded silver Ralph Lauren. https://t.co/WqcX08wJWE — PolitiTweet.org
The New Yorker @NewYorker
.@rachsyme will be your fashion flight attendant this evening, capturing the most notable looks soaring down the champagne carpet. First up: Jamie Lee Curtis in a Dolce & Gabbana corset gown covered in crystals. https://t.co/oKPBmhqHNq https://t.co/rWaYvhkp1w — PolitiTweet.org
The New Yorker @NewYorker
Ready for Hollywood’s biggest night? Our critics are covering all the Oscars action on our live blog. https://t.co/SkQxO1Un0R — PolitiTweet.org
The New Yorker @NewYorker
“If you can turn something that has been really disappointing and scary and weird in your life into something that sounds like a Dolly Parton song,” Angel Olsen said, “there’s nothing better than that feeling.” https://t.co/P15TQC3uyJ — PolitiTweet.org
The New Yorker @NewYorker
RT @newyorkerhumor: The New Yorker cartoonist @lizadonnelly is at the #Oscars, live drawing all the action. Follow along to see what she ov… — PolitiTweet.org
The New Yorker @NewYorker
How to pretend you’re having a good time with your two-year-old. https://t.co/xZKqXNbLTC — PolitiTweet.org
The New Yorker @NewYorker
RT @inkookang: I wrote about representation and feelings. https://t.co/dqLFNxvvyy — PolitiTweet.org
The New Yorker @NewYorker
Medicare’s hospice benefit rewards providers for recruiting patients who aren’t imminently dying. Long hospice stays translate into larger margins, and many for-profit hospice companies have found ways to game the system. https://t.co/tNhuBkwhYI — PolitiTweet.org
The New Yorker @NewYorker
.@inkookang on why feel-good representation alone isn’t the solution to Hollywood’s diversity problem. https://t.co/fM790mZ1Jv — PolitiTweet.org
The New Yorker @NewYorker
Which is your chosen procrastination style? https://t.co/2uOQqN4enX — PolitiTweet.org
The New Yorker @NewYorker
Some things to check before you leave the house. https://t.co/WZNmR9ALpr — PolitiTweet.org
The New Yorker @NewYorker
The sci-fi comedy “Everything Everywhere All at Once” is the exception to Hollywood’s worrisome trends, which makes it all the more appealing to the Academy. https://t.co/Dl0WvfffT0 — PolitiTweet.org
The New Yorker @NewYorker
RT @MJSchulman: Before I put on my tux and head to the Oscars, here's a thread of all my @NewYorker coverage of this year's nominees, start… — PolitiTweet.org
The New Yorker @NewYorker
In “Top Gun: Maverick,” up for Best Picture tonight, Tom Cruise performs “feats of absurd and possibly unnecessary daring,” Alex Pappademas writes. Read about the film and its superstar’s commitment to physical risk-taking: https://t.co/OtPn22TroF https://t.co/KzFrAN5rs7 — PolitiTweet.org
The New Yorker @NewYorker
“It becomes so easy, I think, as a middle-aged or older person, to just settle into your own experience,” @Egangoonsquad says, in a new interview. “I feel it is essential that I do precisely the opposite.” Read the full conversation: https://t.co/gLwl631zrO https://t.co/EK39PqB36a — PolitiTweet.org
The New Yorker @NewYorker
“I feel like I am more myself on the page than I am any other way,” @Egangoonsquad says. “I know for sure that I’m smarter if I’m writing.” https://t.co/Lsvo7H3d1D — PolitiTweet.org
The New Yorker @NewYorker
Republican state attorneys general are threatening action against pharmacies that dispense the abortion pill, as a federal lawsuit challenges the F.D.A.’s authority to approve it. https://t.co/mKvpmF0SEa — PolitiTweet.org
The New Yorker @NewYorker
If persons A, B, and C are all ready to leave the house, and person D just needs two minutes to send an e-mail, how long will it take for all four people to leave? https://t.co/6Rf0UizNvl https://t.co/VcaGODIeJY — PolitiTweet.org
The New Yorker @NewYorker
The Academy Awards have come to serve as a yardstick of representational gains in Hollywood, but greater inclusion can’t advance without a more equitable entertainment industry. https://t.co/2qWf0nIdKH — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @WillMcPhail. #NewYorkerCartoons https://t.co/8t4GtSAZlm https://t.co/S9yWVt3m1n — PolitiTweet.org
The New Yorker @NewYorker
Why did Jeffrey Sachs recently visit Viktor Orbán in Hungary? “I was invited to the National Bank of Hungary to give a talk, and I paid a courtesy call on the President,” he says, in a new interview with @IChotiner. https://t.co/f0dmmermzE — PolitiTweet.org
The New Yorker @NewYorker
Revisit Salman Rushdie on how Kurt Vonnegut’s antiwar novel “Slaughterhouse-Five” allows, at the end of the horror that is its subject, for the possibility of hope. https://t.co/Pb9NTC0aJj — PolitiTweet.org
The New Yorker @NewYorker
“I want kids to go home and feel like they could find Marcel behind a pillow—like, it should feel that real,” the filmmaker Dean Fleisher Camp said, about his Oscar-nominated feature film with Jenny Slate, “Marcel the Shell with Shoes On.” https://t.co/ngzoanBikd — PolitiTweet.org
The New Yorker @NewYorker
New York City Ballet’s 1962 tour of the U.S.S.R. left its co-founder, George Balanchine, feeling even more unmoored than he had felt before he set out. “Russia really had disappeared,” Jennifer Homans writes. https://t.co/lH8pdfrz5N — PolitiTweet.org
The New Yorker @NewYorker
Psychiatric services for acute mental illness in children are deplorably sparse. “There’s nothing,” said Billy Matthews, who lost his 12-year-old son to suicide. “We felt like we were blind, feeling around, and this is our son’s life.” https://t.co/EM0anufk3w — PolitiTweet.org
The New Yorker @NewYorker
"If it hadn’t been for him," Ringo Starr says of Paul McCartney, “we’d probably have made three albums, because we all got involved in substance abuse, and we wanted to relax.” https://t.co/613ixUFrga — PolitiTweet.org
The New Yorker @NewYorker
Ira Sach’s film “Passages,” which was featured at this year’s Sundance Festival, is built on the specifics of sexual pleasure—with whom, in what way, how strong. https://t.co/mknXdi43tF — PolitiTweet.org
