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The New Yorker @NewYorker
In @newyorkerhumor, some questions you should never ask a tall man. https://t.co/zZV03oyXkN — PolitiTweet.org
The New Yorker @NewYorker
Thousands have illegally entered Welkom’s abandoned gold mines to dig for leftover ore. Underground, temperatures can exceed 100 degrees. Rockfalls are common; rescuers have encountered bodies crushed by boulders the size of cars. https://t.co/HkrzM0bYQh — PolitiTweet.org
The New Yorker @NewYorker
Why are Ron DeSantis and the Florida legislature pushing changes to libel laws? @fabiobertoni2 explores how two new bills could drastically restrict the protections provided by the actual-malice standard. https://t.co/uy8JxwSxO6 — PolitiTweet.org
The New Yorker @NewYorker
“I wasn’t really cast for a skill set as much as a je ne sais quoi, or an energy,” the actor Jemima Kirke said, about her early roles in “Girls” and “Tiny Furniture.” “It was a weird spot to be in . . . I felt, like, Am I an actor, or am I a personality?” https://t.co/2rbk9xT18c — PolitiTweet.org
The New Yorker @NewYorker
Jennifer Egan’s output—she has published seven books of fiction—is notable for its ever-shifting ambitions and obsessions. “I feel such a hunger to do things that I don’t feel I’ve done before,” she says, in a new interview. https://t.co/L0Et9lgkTO — PolitiTweet.org
The New Yorker @NewYorker
Can we come to see wetlands as desirable landscapes that protect the earth while refreshing our joy in existence? “For conservationists the world over, finding this joy is central to having a life well lived,” Annie Proulx writes. https://t.co/nQooJM8LWd — PolitiTweet.org
The New Yorker @NewYorker
RT @newyorkerhumor: @lizadonnelly Michelle Yeoh wins Best Actress: “This is history in the making.” #Oscars https://t.co/ylAzangD9o — PolitiTweet.org
The New Yorker @NewYorker
Michelle Yeoh accepts the #Oscar for Best Actress in a Leading Role. “Dreams do come true!” https://t.co/jAZRdWL6VM https://t.co/n1iPWRxIpG — PolitiTweet.org
The New Yorker @NewYorker
Daniel Kwan and Daniel Scheinert accept the Academy Award for Directing for their sci-fi comedy “Everything Everywhere All at Once.” “Could there have been sweeter-natured, more millennial speech?” @frynaomifry writes, on our #Oscars blog: https://t.co/iBmx6SPu4p https://t.co/VGO8asZN9z — PolitiTweet.org
The New Yorker @NewYorker
RT @newyorkerhumor: @lizadonnelly Sarah Polley accepts the award for Best Adapted Screenplay, and gives credit where credit is due. #Oscars… — PolitiTweet.org
The New Yorker @NewYorker
Sarah Polley won the Oscar tonight for Best Adapted Screenplay for “Women Talking.” Revisit a Profile of the feminist auteur and her film, which contends with the aftermath of sexual assault: https://t.co/HwOjRV7agw https://t.co/eiVHMwAkyh — PolitiTweet.org
The New Yorker @NewYorker
Daniel Kwan and Daniel Scheinert took home an Academy Award for Best Original Screenplay for “Everything Everywhere All at Once.” The film is this year’s Oscar unicorn, @MJSchulman writes: “a defiantly weird non-franchise crowd-pleaser.” https://t.co/t1C6tuknKv — PolitiTweet.org
The New Yorker @NewYorker
.@alexbarasch writes about the divisive ending of “The Last of Us.” https://t.co/Gdxmt889iS — PolitiTweet.org
The New Yorker @NewYorker
The choreographer who worked on “RRR,” Prem Rakshith, “is one of the best Indian choreographers ever,” the director S. S. Rajamouli said, in a recent interview. https://t.co/JyJhBuZKHT — PolitiTweet.org
The New Yorker @NewYorker
Ruth Carter has won the Oscar for Best Costume Design for her work in “Black Panther: Wakanda Forever.” Throughout her career, Carter has created visions of black identity, past and future, @dstfelix wrote, in 2018. https://t.co/LiiIUdkYz8 — PolitiTweet.org
The New Yorker @NewYorker
“Jimmy Kimmel has brought out the donkey from ‘The Banshees of Inisherin,’ ” @dstfelix writes, on our #Oscars live blog. “Where's the donkey from ‘EO’?” https://t.co/KdFE0QZTnt — PolitiTweet.org
The New Yorker @NewYorker
RT @newyorkerhumor: @lizadonnelly David Byrne and his hot-dog fingers performed the Oscar-nominated song “This is a Life.” #Oscars https://… — PolitiTweet.org
The New Yorker @NewYorker
RT @tnyfrontrow: Should have won for Freaky Friday — PolitiTweet.org
The New Yorker @NewYorker
“Navalny” has won Best Documentary Feature. “Navalny does not suffer from false modesty,” Anthony Lane writes, in a review of the film, “but he is also smart enough to mock his own swagger.” https://t.co/ADZpPDu9rh https://t.co/Lz8JKVC63S — PolitiTweet.org
The New Yorker @NewYorker
RT @michaelluo: Must read. https://t.co/PShmpuZUdU — PolitiTweet.org
The New Yorker @NewYorker
RT @newyorkerhumor: @lizadonnelly “I know it looks like I’m standing up here by myself, but I’m hundreds of people,” Jamie Lee Curtis said,… — PolitiTweet.org
The New Yorker @NewYorker
RT @newyorkerhumor: @lizadonnelly Ke Huy Quan accepts his Oscar for Best Supporting Actor: “This is the American dream.” #Oscars https://t.… — PolitiTweet.org
The New Yorker @NewYorker
Ke Huy Quan, who won an Oscar for his performance in “Everything Everywhere All At Once,” gave a moving acceptance speech. “I’m tearing up watching the Oscars,” @frynaomifry writes: https://t.co/b1H4vnNZT1 https://t.co/t72q5gMd6Y — PolitiTweet.org
The New Yorker @NewYorker
Read our critics’ live #Oscars commentary right here: https://t.co/wbMf6sCbi8 — PolitiTweet.org
The New Yorker @NewYorker
Guillermo del Toro’s “Pinocchio” has won the Oscar for Best Animated Feature. Revisit our 2011 Profile of del Toro, who discussed his formative influences and his efforts to bring creatures to life onscreen. https://t.co/D3IXOVbh7U — PolitiTweet.org
The New Yorker @NewYorker
Even as Jimmy Kimmel is meant to fill in “the middle-aged-father mold, he doesn’t possess the authority or cool of a Bob Hope,” @dstfelix writes. Follow our critics’ showtime banter on our Oscars blog. https://t.co/gfRo79TBiA — PolitiTweet.org
The New Yorker @NewYorker
Umberto Eco’s enduringly popular manual “How to Write a Thesis” is more than a guide for undergraduates; the book is a celebration of the magical process of self-realization. https://t.co/fpsOqSNfDw — PolitiTweet.org
The New Yorker @NewYorker
“Boned corseting has not seen this much action since my senior prom (when everyone who was anyone had a Jessica McClintock corset dress from the JCPenney Juniors department),” @rachsyme writes. https://t.co/ST3PpXlosq https://t.co/BjNwodAlOp — PolitiTweet.org
The New Yorker @NewYorker
An update from the #Oscars: “More sparkles!” @rachsyme writes. “More and more and more!” See more red-carpet looks: https://t.co/dsvN01r3jS https://t.co/4TEHByal21 — PolitiTweet.org
The New Yorker @NewYorker
@rachsyme Pink is a perennial Oscars color, and it’s making a strong showing this year—Hong Chau’s custom Prada, Allison Williams’s rococo Giambattista Valli, and Stephanie Hsu’s strapless princess gown in the shade of ripe guava. https://t.co/7KMX9iEHbh https://t.co/4JVf7klu7y — PolitiTweet.org
