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Showing page 309 of 3498.
The New Yorker @NewYorker
If you let unopened mail pile up, sorry: you have an extreme fear of the unknown and are only marginally equipped to navigate adult life. https://t.co/g3goVzMnBV — PolitiTweet.org
The New Yorker @NewYorker
“Go Ask Alice,” the supposedly real diary of a teen drug addict, was really the work of a straitlaced stay-at-home mom. https://t.co/pp5Tb3nKYs — PolitiTweet.org
The New Yorker @NewYorker
Yoga for When You Want to Feel Like a Cat, Yoga for Forgiving Your Parents Now That You Understand, and more. https://t.co/Y1E556drkQ — PolitiTweet.org
The New Yorker @NewYorker
Critical race theory has been mischaracterized as Black-supremacist racism, false history, and the terrible apotheosis of wokeness. What did its foundational thinker, Derrick Bell, actually believe? https://t.co/orpAETOAh8 — PolitiTweet.org
The New Yorker @NewYorker
In June, 1968, Andy Warhol was shot point-blank at his Manhattan studio, the Factory. He spent two months in the hospital recovering. The shooting was a turning point in his life, and his religious life. https://t.co/JFBDdoqL4R — PolitiTweet.org
The New Yorker @NewYorker
“By now, this kid is outselling Thelonious Monk and Miles Davis,” Bob Dylan’s recording producer said in 1964, of the 23-year-old musician. “He’s speaking to a whole new generation.” https://t.co/BjiMyOwbEN — PolitiTweet.org
The New Yorker @NewYorker
Why did American policing get so big, so fast? The answer, mainly, is slavery. https://t.co/AP2ZXzExd7 — PolitiTweet.org
The New Yorker @NewYorker
Do you feel swamped in life and overwhelmed with clutter? Don’t worry! Just follow this elegant, life-simplifying rule composed of 11 sub-rules. https://t.co/sbQ4BSPBM1 — PolitiTweet.org
The New Yorker @NewYorker
The main reason that the British Empire was able to sustain itself for more than two centuries, the historian Caroline Elkins maintains, was that the British model of state violence came wrapped in a “velvet glove” of liberal reform. https://t.co/zouxnbqMWc — PolitiTweet.org
The New Yorker @NewYorker
After a sinkhole formed in central Mexico, in a town that sits on top of an aquifer, the National Water Commission issued a statement blaming it on natural causes. A scientific report came to a different conclusion. https://t.co/PWOTgikHIZ — PolitiTweet.org
The New Yorker @NewYorker
“My dad wasn’t drawn to the U.S. by any specific dream,” @huahsu writes. “He understood that American life is unbounded promise and hypocrisy, faith and greed, new spectrums of joy and self-doubt, freedom enabled by enslavement.” https://t.co/8xMKViJjph — PolitiTweet.org
The New Yorker @NewYorker
“Our eyes met, and it seemed as if we had woken from a single sleep, from the dream of our entire lives.” Fiction by Miranda July, from 2007. #NewYorkerArchive https://t.co/IOXiCPUncR — PolitiTweet.org
The New Yorker @NewYorker
Ethan Hawke’s documentary “The Last Movie Stars,” about Paul Newman and Joanne Woodward, is a study in how to remain artistically substantial and socially responsible while existing in the public eye. https://t.co/dZqy3yebA0 — PolitiTweet.org
The New Yorker @NewYorker
Charlotte Mendelson writes about finally receiving a London garden allotment after years of waiting. “Simply being there, listening to the birdsong, leaves me grinning from the moment I open the padlocked gate,” she writes. https://t.co/p50Dv7gA8J — PolitiTweet.org
The New Yorker @NewYorker
Ann Quin’s final book, “Tripticks,” is a parodic takedown of 1960s American culture that both mocks and engages seriously with the material of that culture. https://t.co/jQ0PXNSJMR — PolitiTweet.org
The New Yorker @NewYorker
Two of Charles Darwin’s early notebooks vanished, then reappeared 17 years later. The question of who took and returned the diaries—a disgruntled former employee, a larcenous academic—remains unsolved. https://t.co/rveB7A9pya — PolitiTweet.org
The New Yorker @NewYorker
After a sinkhole formed in central Mexico, in a town that sits on top of an aquifer, the National Water Commission issued a statement blaming it on natural causes. A scientific report came to a different conclusion. https://t.co/WlVWKo79We — PolitiTweet.org
The New Yorker @NewYorker
A 1987 promotion offered by Trump Plaza was part of the biggest sweepstakes fraud the country had ever seen. https://t.co/ERHFFiXxEI — PolitiTweet.org
The New Yorker @NewYorker
In 1989, a young Chinese academic spent six months travelling in the United States. His insights are now central to Xi Jinping’s cultural crackdown. https://t.co/crVgqEHXLi — PolitiTweet.org
The New Yorker @NewYorker
For decades, Anthony Fauci has maintained a simple credo: “You stay completely apolitical and non-ideological, and you stick to what it is that you do. I’m a scientist and I’m a physician. And that’s it.” https://t.co/oTVJytxJ0o — PolitiTweet.org
The New Yorker @NewYorker
In 1972, John Lennon and Yoko Ono discussed their adopted city from a big bed in their West Village studio. #NewYorkerArchive https://t.co/yA4HpCSzxm — PolitiTweet.org
The New Yorker @NewYorker
From 1979: Kenneth Tynan profiles the movie star Louise Brooks, a critical darling whose career began in 1925 and ended only 13 years later when she rebuffed the advances of the head of Columbia Pictures. https://t.co/ukTG062Qqg — PolitiTweet.org
The New Yorker @NewYorker
Revisit #NewYorkerRadio’s Edward R. Murrow Award–winning feature on the largely undocumented workforce that responds to climate-related disasters. https://t.co/97xSZ5o91x — PolitiTweet.org
The New Yorker @NewYorker
A salute to J. J. Sempé, the French cartoonist and longtime cover contributor to the magazine, who died on August 11th. https://t.co/9kCxsKopEV — PolitiTweet.org
The New Yorker @NewYorker
From 2019: Jia Tolentino explores how social media, FaceTune, and plastic surgery created a single, cyborgian look online. https://t.co/JbshF3pjYH — PolitiTweet.org
The New Yorker @NewYorker
The documentary short “Drummies” follows drum majorettes in Cape Town as they cope with COVID, fear, and the ironies inherent to being a teen. Watch here. https://t.co/MCnyqAtjmQ — PolitiTweet.org
The New Yorker @NewYorker
The music historian Richard Taruskin, who died on July 1st, was staggeringly knowledgeable about his chosen field. What made him a singular phenomenon, @alexrossmusic writes, was was not what he wrote but how he wrote it. https://t.co/HIXVFAjZ1b — PolitiTweet.org
The New Yorker @NewYorker
An interview with Mike Judge, the creator of hit shows such as “Beavis and Butt-Head” and “King of the Hill” and “one of the most prolific, needle-accurate satirists of the past few decades,” Mike Sacks writes. https://t.co/wt1E411m7A — PolitiTweet.org
The New Yorker @NewYorker
From 1997: Hilton Als profiles Missy Elliott, the then-25-year-old hip-hop performer who was energetically redefining the boundaries of rap music. https://t.co/AYzhpOqwPA — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, a few reasons why rooming with James Taylor might not be the best idea. https://t.co/kiVf3Qz1Tc — PolitiTweet.org
