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The New Yorker @NewYorker
In “If I Survive You,” a ravishing début by Jonathan Escoffery, there’s “peacocking humor, capers, and passages of shuddering eroticism,” @xwaldie writes. “The book feels thrillingly free.” https://t.co/4GM4IFlsb2 — PolitiTweet.org
The New Yorker @NewYorker
Do you know which writer introduced the phrase “for whom the bell tolls?” https://t.co/dYnlM0nisW — PolitiTweet.org
The New Yorker @NewYorker
In her early standup, Amy Schumer embodied a knowing, brassy, bemired persona—the last woman at last call. At 41, her tone has shifted. https://t.co/AysrDiB33d — PolitiTweet.org
The New Yorker @NewYorker
One of Justice Alito’s college friends recalls that, when she visited him in his chambers, he compared being on the Court to “having tenure,” noting, “You’re stuck for the rest of your career with people you can’t stand.” https://t.co/6ZagnhPd4C — PolitiTweet.org
The New Yorker @NewYorker
Books about the Biden family mention a close friend and cousin of Joe Biden, Sr. @adamentous discovered that his name was misspelled—and tracked down his son, who helped unravel a complex family history. https://t.co/dcBxsjANQX — PolitiTweet.org
The New Yorker @NewYorker
This week’s cover, “Morning Music,” is by Jean-Jacques Sempé, who died on August 11th, at the age of 89. #NewYorkerCovers https://t.co/QlPzozex9m https://t.co/qnfz09cr6H — PolitiTweet.org
The New Yorker @NewYorker
RT @billmckibben: Margaret Talbot's superb profile of Judge Alito makes clear that his opinions--his worldview--are rooted in hatred of 60s… — PolitiTweet.org
The New Yorker @NewYorker
When Samuel Alito was nominated to the Supreme Court, in 2005, he was seen as a quiet, methodical, reasonable man. Now he is the embodiment of a conservative majority that is ambitious and extreme, Margaret Talbot writes. https://t.co/lbOOUntHSI — PolitiTweet.org
The New Yorker @NewYorker
Ben Lerner’s short story in this week’s issue opens with the narrator’s fear of death. “Part of the terror of death is that you don’t get to recount it or process it after the fact, at least not in this world,” Lerner said. https://t.co/AwgzIKgfly — PolitiTweet.org
The New Yorker @NewYorker
Ben Lerner reads his story “Café Loup,” from this week’s issue. Listen here. https://t.co/M99k1PTogk — PolitiTweet.org
The New Yorker @NewYorker
“I used to have a hard time imagining how the government could possibly suppress feminism,” a longtime advocate for Chinese women’s rights said. “Now I’m watching the country erase this movement.” https://t.co/VcVWHck7jm — PolitiTweet.org
The New Yorker @NewYorker
A début graphic novel examines how Hilma af Klint’s art was shaped by the haunting loss of her younger sister, the prejudice she faced from the male artistic establishment, and her romantic relationships with women. https://t.co/e8zlP2sPyg — PolitiTweet.org
The New Yorker @NewYorker
In 2018, the Crazy Horse Memorial Foundation brought in $12.5 million from admissions and donations, and reported $77 million in net assets. Why, after decades of construction, is it still far from finished? https://t.co/BdmMenjYNM — PolitiTweet.org
The New Yorker @NewYorker
The mini-golf obstacles of 2022 include the SCOTUS windmill hazard, in which the blades of justice bend toward the past; an impossible COVID hole; and more. https://t.co/glJfGoypN4 — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor: some helpful road signs for your colleagues. https://t.co/g3kTOoW7rR — PolitiTweet.org
The New Yorker @NewYorker
“This is just such an all-around fucked-up situation”: @ericlach talks to an immigrants’-rights advocate about finding shelter for the influx of asylum seekers in New York City. https://t.co/FECfYXyG4F — PolitiTweet.org
The New Yorker @NewYorker
Jonny Greenwood, the lead guitarist of Radiohead and film composer, appreciates limits. “I like to know what I can’t do and then work inside that.” https://t.co/F6H0XQTWi7 — PolitiTweet.org
The New Yorker @NewYorker
When cruise ships first came to Stavanger, on the west coast of Norway, some residents were excited about the economic boost that tourists would bring. A new short film shows what the industry has taken away. Watch here. https://t.co/aXIJvbwMv2 — PolitiTweet.org
The New Yorker @NewYorker
“The often subtle difficulties of prioritizing rights advocacy while engaging with authoritarian regimes to provide humanitarian aid is a familiar one,” @SteveCollNY writes. “But the current Afghan case is distinctive—and unmistakably difficult.” https://t.co/p1hyvSHhQy — PolitiTweet.org
The New Yorker @NewYorker
“Perhaps I’m a cartoonist,” David Sipress thought one morning as he sat in bed drawing on a newsprint pad. “Why not?” https://t.co/Cz8Gj37bqp — PolitiTweet.org
The New Yorker @NewYorker
Wherever Jennifer Lewis performs, she tends to steal the show. Now she’s written a new book and plays a multimillionaire boss on Showtime’s “I Love That for You.” She catches up with @MJSChulman on #NewYorkerRadio. https://t.co/wBBX2ztOtr — PolitiTweet.org
The New Yorker @NewYorker
According to legal experts and former Justice Department officials, prosecuting Donald Trump for mishandling classified documents appears simpler than bringing criminal charges against him for his role in the January 6, 2021, storming of the U.S. Capitol. — PolitiTweet.org
The New Yorker @NewYorker
“The Resort,” a new mystery series streaming on Peacock, is a dense, and occasionally lush, literary conundrum. https://t.co/b0QOlJLT7z — PolitiTweet.org
The New Yorker @NewYorker
In northern Spain, a voluntary association of 95 autonomous coöperatives employs around 80,000 people. Its businesses include schools, a large grocery chain, a catering company, 14 technology R. & D. centers, and a McKinsey-like consulting firm. https://t.co/X6tfkNOFIN — PolitiTweet.org
The New Yorker @NewYorker
“ ‘Your mother is in Heaven’ I began, then paused. Lily was following along. ‘She was very sick and had to go away.’ ” A Personal History by Charles Bock. https://t.co/vxu1dkZbSh — PolitiTweet.org
The New Yorker @NewYorker
For some singers, the experience of being the acclaimed star of a Stephen Sondheim production would finally define them. That is not the case for Sara Bareilles, who plays the Baker’s Wife in the revival of Sondheim’s “Into the Woods.” https://t.co/07u0R7AA17 — PolitiTweet.org
The New Yorker @NewYorker
“It’s not that I’m against the Internet,” the writer Mary Gaitskill says. “But it does come with a price.” https://t.co/CkYCZHJTKP — PolitiTweet.org
The New Yorker @NewYorker
From 2018: Carefully balanced rock towers make a pretty picture, but the proliferation of cairns, fuelled by social media, has negative consequences for the environment. https://t.co/ygVMduVMRF — PolitiTweet.org
The New Yorker @NewYorker
If “Moonstruck” has a clear through line, it is about things that are wrong getting made right, a winding process that often involves committing some new wrongs along the way. https://t.co/bzGAxZZzu8 — PolitiTweet.org
The New Yorker @NewYorker
Kimye’s rewriting of some common cultural scripts about family might have felt like a political act, but their mission also came with a clear subtext: commerce. https://t.co/XjZwl7yFuz — PolitiTweet.org
