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The New Yorker @NewYorker
Where’s the birthday girl? Oh, she’s napping. She’ll be down in a few hours, probably. https://t.co/QOAIBEeO8k — PolitiTweet.org
The New Yorker @NewYorker
“The more time I spent with my father-in-law’s books, the more profoundly they seemed to be not revealing him but h… https://t.co/4cr9j8dGtu — PolitiTweet.org
The New Yorker @NewYorker
I am aging like the New York City subway system. Expect delays on nights and weekends. https://t.co/uXNRkWLzuF — PolitiTweet.org
The New Yorker @NewYorker
HAGS, which opened last summer in the East Village, is an experiment in queering fine dining. But determining wheth… https://t.co/we6t5gfd2l — PolitiTweet.org
The New Yorker @NewYorker
On the latest episode of our Fiction Podcast, Saïd Sayrafiezadeh reads “Ill Seen Ill Said,” by Samuel Beckett. https://t.co/zMiEJE5E34 — PolitiTweet.org
The New Yorker @NewYorker
“My interest grew into a compulsion,” Shirley Baker wrote in 1989, about her decades-long practice of street photog… https://t.co/3c5uNVX0D7 — PolitiTweet.org
The New Yorker @NewYorker
“I don’t think that having a uterus is what makes someone a woman,” Anna Holmes writes. “But I’ve come to the concl… https://t.co/BjkMwE31gH — PolitiTweet.org
The New Yorker @NewYorker
On the latest episode of our Political Scene podcast, @sbg1, @eosnos, and @JAneMayerNyer discuss the unprecedented… https://t.co/7W1ITpIENy — PolitiTweet.org
The New Yorker @NewYorker
Read the full short story, “Alisa,” by Lyudmila Ulitskaya: https://t.co/QOJhNRmUJP https://t.co/ivGL7XVaUQ — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, a wisened tennis ball offers hard-earned wisdom to the new hot game in town—Pickleball. https://t.co/pgxBfHuksX — PolitiTweet.org
The New Yorker @NewYorker
The original I♥️NY logo not only advocated for New York; it advocated in a New Yorkish kind of way. The new design… https://t.co/HcKs9JuGHX — PolitiTweet.org
The New Yorker @NewYorker
From 1960: John Updike watches Ted Williams’s last game with the Boston Red Sox, at Fenway Park. #NewYorkerArchive https://t.co/1qnQvyUkpO — PolitiTweet.org
The New Yorker @NewYorker
“Abortion is often talked about as a grave act that requires justification,” @jiatolentino writes, “but bringing a… https://t.co/oISXYvM2u3 — PolitiTweet.org
The New Yorker @NewYorker
The historian Jon Meacham on Donald Trump’s prospects for 2024, and his own reason for turning down a formal role i… https://t.co/cgVHBTDe3l — PolitiTweet.org
The New Yorker @NewYorker
On boygenius’s much-anticipated new record, no two tracks have much in common. Its “grab-bag approach to genre feel… https://t.co/iChMvn4qND — PolitiTweet.org
The New Yorker @NewYorker
In her new book “Bottoms Up and the Devil Laughs,” Kerry Howley explores how government surveillance affects the wa… https://t.co/0ig968popJ — PolitiTweet.org
The New Yorker @NewYorker
From @newyorkerhumor, some new Airbnb Experiences, specifically catering to tired adults. https://t.co/l3HfKnWMho — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by Roz Chast, from 2007. #NewYorkerCartoons https://t.co/dm8HLr6KSB https://t.co/yEhL9wWb5k — PolitiTweet.org
The New Yorker @NewYorker
Ed Park writes about the new movie “Dungeons & Dragons: Honor Among Thieves”—and traces his own personal history wi… https://t.co/hsVZpmTDE7 — PolitiTweet.org
The New Yorker @NewYorker
In honor of #NationalPoetryMonth, we’ll share a poem a day throughout the month of April. Today's poem is “The Pala… https://t.co/QdLbNoWxMW — PolitiTweet.org
The New Yorker @NewYorker
“Digman!,” Andy Samberg’s new animated show for adults, is set in an alternate world, where archeologists are celeb… https://t.co/XfUAMaCk8n — PolitiTweet.org
The New Yorker @NewYorker
In 2018, @RonanFarrow wrote about A.M.I.’s use of "catch and kill," a tabloid tactic for purchasing stories in orde… https://t.co/r2fEfSNmxC — PolitiTweet.org
The New Yorker @NewYorker
S. S. Rajamouli discusses crossover success, taking inspiration from “Braveheart,” and the critics who say his movi… https://t.co/jSMDTlblyj — PolitiTweet.org
The New Yorker @NewYorker
As a doorstop, as a way to signal to your parents that you still want to be included in the will, and other uses fo… https://t.co/b0FDoRB19z — PolitiTweet.org
The New Yorker @NewYorker
Revisit Calvin Tomkins’s piece, from 1962, on Gerald and Sara Murphy—the couple who inspired F. Scott Fitzgerald’s… https://t.co/XqKh2VXqkN — PolitiTweet.org
The New Yorker @NewYorker
Pamela Paul’s writing generally circles the subject of online outrage—and is often greeted with the same. https://t.co/4d2ekrdW3M — PolitiTweet.org
The New Yorker @NewYorker
“We need to get to the other side of this in a way that gives Ukraine a chance to be the country that they want to… https://t.co/WzZl5mXYtB — PolitiTweet.org
The New Yorker @NewYorker
In the Victorian era, the long exposures required by cameras meant that children needed to be kept still for consid… https://t.co/n5sqTzCuUf — PolitiTweet.org
The New Yorker @NewYorker
If persons A, B, and C are all ready to leave the house, and person D just needs two minutes to send an e-mail, how… https://t.co/292qsssvuE — PolitiTweet.org
The New Yorker @NewYorker
The Taiwanese photographer Annie Wang’s series “Mother as Creator” depicts the grand creative endeavor of motherhoo… https://t.co/9dvlvbmRnV — PolitiTweet.org
