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Showing page 274 of 3498.
The New Yorker @NewYorker
Countless cookbooks instruct readers to “season to taste,” but few of us know what we’re tasting for. https://t.co/R4Quzn0dzw — PolitiTweet.org
The New Yorker @NewYorker
For 20 years, an art collector has striven to prove that a painting he owns is by Lucian Freud. Every attempt to have it authenticated—or even looked at—resulted in a mysterious dead end. https://t.co/37Cf7C3nka — PolitiTweet.org
The New Yorker @NewYorker
Film that depicts scenes from “The Abduction from the Seraglio”: seven letters. https://t.co/veNOeR4Slg — PolitiTweet.org
The New Yorker @NewYorker
“I have very few memories of my mother,” Bono writes, in a new Personal History. “The simple explanation is that, in our house, after she died she was never spoken of again.” https://t.co/nUJ44fANYE — PolitiTweet.org
The New Yorker @NewYorker
Laila Gohar has made a career out of elevating something functional—food—to rarefied aesthetic heights. https://t.co/V7cmNOPJrJ — PolitiTweet.org
The New Yorker @NewYorker
This week’s cover, “#fallstyle,” by Victoria Tentler-Krylov. #NewYorkerCovers https://t.co/XysFzpK857 https://t.co/iNxW3vm6R0 — PolitiTweet.org
The New Yorker @NewYorker
At 13, this politician and attorney led a successful protest against a policy that banned children from playing on the lawn of her family’s apartment complex. Who is it? https://t.co/dtckT7w9QQ — PolitiTweet.org
The New Yorker @NewYorker
In 1926, hundreds of journalists descended on New Jersey for a double murder trial. Among the writers was a 27-year-old named Morris Markey, writing for a one-year-old weekly magazine called The New Yorker. https://t.co/4suDfWThYH — PolitiTweet.org
The New Yorker @NewYorker
“The act of photographing is totally counter to being in the here and now,” the artist Wolfgang Tillmans says, in a new interview. “Billions of people are constantly mediating the here and now rather than living it.” https://t.co/IADUAqWM4B — PolitiTweet.org
The New Yorker @NewYorker
Caleb Crain reads his story “Easter,” from this week’s issue. Listen here. https://t.co/6PScFhCidn — PolitiTweet.org
The New Yorker @NewYorker
“What interests me, as a writer, is the way that people continue to be themselves . . . even when the worst is happening.” A conversation with Caleb Crain, whose short story “Easter” appears in this week’s issue. https://t.co/VE39gPeapg — PolitiTweet.org
The New Yorker @NewYorker
“Smart Brevity” is the “sort of book you might give to a recent college graduate headed into corporate America, along with a pair of pearl earrings and a silk hankie for stairwell crying,” @ClareMalone writes. https://t.co/AcH7zI4dkj — PolitiTweet.org
The New Yorker @NewYorker
Nayib Bukele is now the most popular leader in Latin America. In part, this is the result of his war on gangs, public-infrastructure projects, and his handling of the pandemic. It is also the product of a mammoth propaganda campaign. https://t.co/9TxsgpPdvW — PolitiTweet.org
The New Yorker @NewYorker
On American college campuses, history has been declining in popularity more rapidly than any other major. https://t.co/PK0YuAWViX — PolitiTweet.org
The New Yorker @NewYorker
The fire season, once confined roughly to the span between May and October, is becoming increasingly year-round in some parts of California, causing many homeowners to face agonizing decisions. https://t.co/y2zbJOaAgZ — PolitiTweet.org
The New Yorker @NewYorker
“Because I like to remain silent. Because our breath is speaking all on its own. Because I’m keeping a secret larger than words. Because my heart is in my mouth.” Poetry by Harkaitz Cano. https://t.co/WC4QuVXnF5 — PolitiTweet.org
The New Yorker @NewYorker
Texas Republicans’ pandering to their radical fringe has offered Beto O’Rourke an opportunity to position himself as the reasonable alternative. The state’s extreme new abortion law provides him with a particularly strong case. https://t.co/GseoDT8NUc — PolitiTweet.org
The New Yorker @NewYorker
In Elizabeth Strout’s new novel, the plainness of her prose stretches to accommodate the bewilderment of her title character, Lucy Barton, as Lucy goes about her life’s great project: attempting to understand the people around her. https://t.co/sxkaNTUE9Y — PolitiTweet.org
The New Yorker @NewYorker
If selfies could talk. https://t.co/Xnx35TKHwG — PolitiTweet.org
The New Yorker @NewYorker
Charles III could pressure Coutts, a bank used by his family, to speed up the disconnection of royal holdings from all fossil fuels. “It would send a strong signal,” @billmckibben writes. https://t.co/Kcl2d5H9Re — PolitiTweet.org
The New Yorker @NewYorker
June and Jennifer Gibbons withdrew into a private world, with its own language. Then they went on an arson spree. #NewYorkerArchive https://t.co/o10qkbr6Ec — PolitiTweet.org
The New Yorker @NewYorker
Awards for delegating work projects, playing it by ear, and other deviations from your meticulously regimented plans. https://t.co/C1r3qdA1lE — PolitiTweet.org
The New Yorker @NewYorker
Since he’s left office, Donald Trump’s desire for personal loyalty above all other qualities has only grown. “He has made willingness to go along with his election denialism a litmus test for Republican candidates in this year’s midterms,” @sbg1 writes. https://t.co/ufKG62qrjW — PolitiTweet.org
The New Yorker @NewYorker
“The artists who feel like they can’t talk about what they believe, they’re probably more stressed than I am—they’re afraid they’re going to lose fans,” the R. & B. singer @johnlegend says, about his outspoken political views. “I don’t feel that fear.” https://t.co/jOhHDRNije — PolitiTweet.org
The New Yorker @NewYorker
“You tell me why someone’s bottle is worth $80 and mine’s worth $2,” Fred Franzia said of the wine brand, in 2009. “Do you get 40 times the pleasure from it?” #NewYorkerArchive https://t.co/sLYuve7fUf — PolitiTweet.org
The New Yorker @NewYorker
Revisit Debbie Reynolds’s 1980s exercise video, a wacky item of cultural ephemera that reflects the way so many women felt about their bodies at the time. https://t.co/feij695sWU — PolitiTweet.org
The New Yorker @NewYorker
False-allegation prosecutions offer a frightening counternarrative to the imperative to believe women, insisting instead that women are vindictive and desperate for attention, and believing them is a waste of public resources. https://t.co/rg9NOjIILO — PolitiTweet.org
The New Yorker @NewYorker
“My dad wasn’t drawn to the U.S. by any specific dream,” @huahsu writes. “He understood that American life is unbounded promise and hypocrisy, faith and greed, new spectrums of joy and self-doubt, freedom enabled by enslavement.” https://t.co/VSNWeTb94q — PolitiTweet.org
The New Yorker @NewYorker
A series of tender black-and-white pictures show Julia Child before books, before cooking on television, before fame. https://t.co/DTZ7niCzjG — PolitiTweet.org
The New Yorker @NewYorker
Holocaust memory seems well established today, but Ken Burns’s new documentary arrives at a moment when the nature—and the future—of historical truth, about the Holocaust but also about everything else, is in acute jeopardy. https://t.co/CH21uBBjUk — PolitiTweet.org
