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Showing page 272 of 3498.
The New Yorker @NewYorker
With “The Lord of the Rings,” J. R. R. Tolkien created a mythic world that has now grown vast enough to conquer television. https://t.co/2NwCTTkWZ0 — PolitiTweet.org
The New Yorker @NewYorker
The modern case for a flat Earth derives largely from “Zetetic Astronomy: Earth Not a Globe,” a book published, in 1865, by a smooth-talking religious fundamentalist. https://t.co/mA8r1ETXXd — PolitiTweet.org
The New Yorker @NewYorker
“Daytime talk shows always have a gloss of self-help to them,” @rachsyme writes. “The Drew Barrymore Show,” though, “is too chaotic and destabilizing to feel manufactured.” https://t.co/QRZThZSQzm — PolitiTweet.org
The New Yorker @NewYorker
Andy Warhol obsessively documented his life, but he also lied constantly, almost recreationally. https://t.co/LJsIYUz192 — PolitiTweet.org
The New Yorker @NewYorker
In “My Son Hunter,” released by Breitbart, “reënactments” of Hunter Biden’s dealings with Ukraine and China “appear like a combo of Wikipedia-style summaries with really bad wigs,” @frynaomifry writes. https://t.co/hgN5asUuOx — PolitiTweet.org
The New Yorker @NewYorker
“My mother heard me sing publicly just once,” Bono writes, of his childhood in Dublin. “She seemed surprised that I could sing, that I was musical.” https://t.co/7PghZsjkvs — PolitiTweet.org
The New Yorker @NewYorker
Many of Laila Gohar’s pieces—a swan made of artichoke leaves, a rope of braided mozzarella the length of a banquet table—are arresting enough that it is not immediately apparent how or whether to go about eating them. https://t.co/bMVYEMiNcp — PolitiTweet.org
The New Yorker @NewYorker
The job of secretary of state has been repurposed from a mainly administrative office to a linchpin in the right-wing effort to manipulate elections, @suehalpernVT writes. https://t.co/thwKgreTjx — PolitiTweet.org
The New Yorker @NewYorker
Bono remembers his musical influences against the backdrop of the sudden death of his mother, Iris, when he was 14 years old. https://t.co/KEYiwJMZZq — PolitiTweet.org
The New Yorker @NewYorker
The mourners captured in the documentary “Her Majesty’s Queue” may have had a solemn purpose, but they were mostly jolly, chatting with neighbors about their memories and impressions of the monarch. Watch here. https://t.co/ahi6GD5lDw — PolitiTweet.org
The New Yorker @NewYorker
Kelefa Sanneh profiles the comedian Shane Gillis, whose career reflects a cultural and political divide within comedy. https://t.co/JaQ1GWKdvR — PolitiTweet.org
The New Yorker @NewYorker
On Upton Sinclair’s birthday, revisit David Denby on the muckraker, socialist, and author of the 1906 novel “The Jungle,” who believed the scramble for profits degrades American life. https://t.co/HYBgeZCvMk — PolitiTweet.org
The New Yorker @NewYorker
.@mollyhfischer profiles the designer Laila Gohar, whose surreal tablescapes and assemblages have become fixtures in the world of high fashion, providing both snack and spectacle. https://t.co/reiHODdPTB — PolitiTweet.org
The New Yorker @NewYorker
On this day in 1973, more than 30,000 people piled into the Houston Astrodome to see Billie Jean King take on Bobby Riggs—at the time the largest crowd ever to watch a tennis match. https://t.co/SRuI5SHIL7 — PolitiTweet.org
The New Yorker @NewYorker
.@samknightwrites delves into the byzantine world of art authentication, following a collector who is certain that he’s the owner of a Lucian Freud—despite repeated denials by the artist and his estate. https://t.co/fxcImRXB67 — PolitiTweet.org
The New Yorker @NewYorker
Inside the Fall Style & Design Issue of The New Yorker: https://t.co/0O7LueUeqV https://t.co/PByRsR6cLF — PolitiTweet.org
The New Yorker @NewYorker
“It’s been hotter than usual this summer, no?” and other posts that could get you in trouble on Truth Social. https://t.co/ODLwECdL5c — PolitiTweet.org
The New Yorker @NewYorker
After 20 years of dead ends, an art collector remains determined to prove that a painting he purchased is by Lucian Freud—something the artist himself denied. What is the truth? https://t.co/xZXlboAgeV — PolitiTweet.org
The New Yorker @NewYorker
The atrocities committed by the Japanese Army in Nanjing during the Second World War have been overlooked and even denied. An antiques dealer believed he found photographic evidence—then he took it to TikTok. https://t.co/JqCWhxq3r5 — PolitiTweet.org
The New Yorker @NewYorker
Showtime’s new “American Gigolo” is neither a clever reimagining of the original nor a faithful tribute, @dstfelix writes. https://t.co/iVcS0zuRHS — PolitiTweet.org
The New Yorker @NewYorker
At a rally on Saturday night, Donald Trump played background music that recalled a song associated with QAnon. Many people in the crowd responded with a one-armed salute, with their index finger raised. https://t.co/j4p6ia7CFw — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @sophielucidojo. #NewYorkerCartoons https://t.co/uAGkkq7Sfs — PolitiTweet.org
The New Yorker @NewYorker
The new play “Remember This: The Lesson of Jan Karski” is “nakedly didactic theatre,” @vcunningham writes. It’s spiced up here and there by the simplest effects of light and sound: a bang here, a flash there. “But all the meat’s in the words.” https://t.co/Nw6zJ7uvpt — PolitiTweet.org
The New Yorker @NewYorker
If you can’t guess this painter right away, don’t give up—persistence is key. https://t.co/P0Apw5qsV9 — PolitiTweet.org
The New Yorker @NewYorker
Author of “Either/Or”: 11 letters. https://t.co/IKuWT9meyN — PolitiTweet.org
The New Yorker @NewYorker
In his new column, Notes on Hollywood, @MJSchulman considers the Oscar-worthiness of Steven Spielberg’s latest film, “The Fablemans.” https://t.co/c40UYBZhup — PolitiTweet.org
The New Yorker @NewYorker
An observational film by the photographer @mattustu captures camaraderie in the queue of mourners waiting to pay their final respects to the Queen. Watch here. https://t.co/DLI4ZuW5XR — PolitiTweet.org
The New Yorker @NewYorker
Ken Burns‘s three-part documentary, “The U.S. and the Holocaust,” lays bare how the United States government was mired by domestic politics during the Second World War while the American public remained largely indifferent to the ongoing Holocaust. https://t.co/vpnxV2PKA7 — PolitiTweet.org
The New Yorker @NewYorker
The comedian, director, producer, and Emmy winner Jerrod Carmichael is headed to this year’s #NewYorkerFest. Get your tickets. https://t.co/dGONdOZ5tz — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor: 77 COVID tests, ranked. https://t.co/LqpQgAglPJ — PolitiTweet.org
