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The New Yorker @NewYorker
RT @newyorkerhumor: At this year’s #NewYorkerFest, @dopequeenpheebs and @hasanminhaj take the stage. Get your tickets right here. 👇https://… — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @lila__ash. #NewYorkerCartoons https://t.co/eH8fU6OPjm https://t.co/2GK5Ogarpt — PolitiTweet.org
The New Yorker @NewYorker
@cxhnow Get your tickets here: https://t.co/p5KXv4EgcI — PolitiTweet.org
The New Yorker @NewYorker
RT @cxhnow: Chloe Bailey will have a sit-down talk with Lauren Michele Jackson from the @NewYorker and perform as part of the #NewYorkerFes… — PolitiTweet.org
The New Yorker @NewYorker
When photographing the West, Georgia O’Keeffe captured beautiful forms, while Robert Adams focussed on their desecration. Two new exhibitions show the artists’ different approaches to the land. https://t.co/zVwji0dkSi — PolitiTweet.org
The New Yorker @NewYorker
Suddenly, spotted lanternflies are all over the place. If they keep spreading, the insects could cause hundreds of millions of dollars of losses annually in agriculture and forestry, scientists say. https://t.co/A9mN5zxBvm — PolitiTweet.org
The New Yorker @NewYorker
Barry Blitt’s latest Kvetchbook: a guide to pedestrian gridlock. https://t.co/BqW1w6Ozg5 https://t.co/2N5yRdOkNz — PolitiTweet.org
The New Yorker @NewYorker
The acclaimed writer Sandra Cisneros discusses her first poetry collection in 28 years, the power of the word, and her infamous blurb for “American Dirt.” https://t.co/thgUZm3aWx — PolitiTweet.org
The New Yorker @NewYorker
By sending asylum seekers to sanctuary states, red-state leaders such as Ron DeSantis and Greg Abbottt intend to call the Democrats’ bluff. https://t.co/zAe8IV74hL — PolitiTweet.org
The New Yorker @NewYorker
In Marlen Haushofer’s cult-classic “The Wall,” the narrator creates a new life so fulfilling and engrossing that it is not clear she would wish to rejoin the old, ordinary, damaged society, even if she could. https://t.co/qtvbw6ytok — PolitiTweet.org
The New Yorker @NewYorker
After the September 11th attacks, Rudy Giuliani came to be regarded as a paragon of leadership. His political career crashed spectacularly in the years following—but how far did he really fall? https://t.co/lWsaFyY5P7 — PolitiTweet.org
The New Yorker @NewYorker
The tradition of a monarch lying in state is a way for the population to pay its respect, @samknightwrites notes—“to reaffirm its submission to an ancient and unequal way of doing things—and, in return, to claim a moment of history for ourselves.” https://t.co/iFDRivJbRq — PolitiTweet.org
The New Yorker @NewYorker
Hilary Mantel has died, at age 70. Revisit a 2012 Profile of the author of “Wolf Hall,” who said the Man Booker Prize-winning novel unscrolled before her: “I knew from the first paragraph that this was going to be the best thing I’d ever done.” https://t.co/1uPgRLPrbD — PolitiTweet.org
The New Yorker @NewYorker
.@ClareMalone reviews “Smart Brevity,” a book written by the founders of Axios, which is essentially about how to write a good e-mail. https://t.co/thmR5ZS2pt — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor: a simple guide to making your Italian mother’s secret pasta sauce. https://t.co/nbevj0a104 — PolitiTweet.org
The New Yorker @NewYorker
RT @NewYorkerFest: Get your tickets and see the full schedule of events for this year’s #NewYorkerFest, October 7-9: https://t.co/YGh1fhBD0… — PolitiTweet.org
The New Yorker @NewYorker
With “Blonde,” Andrew Dominik “doesn’t only outdo the ostensibly crass showmen of classic Hollywood in overt artistic ambition but also in cheap sentiment, brazen tastelessness, and sexual exploitation,” @tnyfrontrow writes. https://t.co/c4xWpVMPNK — PolitiTweet.org
The New Yorker @NewYorker
Throughout his career, Lucian Freud became angry when substandard works found their way to the market or forgotten canvases resurfaced. Is “Standing Male Nude” one of these paintings? And does it matter, if it can’t be authenticated? https://t.co/OK9cVwm9qi — PolitiTweet.org
The New Yorker @NewYorker
On Wednesday, Vladimir Putin announced a draft to dramatically increase Russia’s fighting force. @IChotiner speaks with an expert on Russian politics about what the implications of Putin’s declaration, and how to gauge the sentiments of the Russian people. https://t.co/g9JHC7wUSF — PolitiTweet.org
The New Yorker @NewYorker
The popular Italian journalist Francesco Costa sees his podcast as partly an effort to build, if only on a small scale, a community that represents the kind of conscientious civil society he’d like to see. https://t.co/lXguOu6mPX — PolitiTweet.org
The New Yorker @NewYorker
Kate Beaton’s new graphic memoir chronicles two years the Canadian cartoonist spent working in the Athabasca oil sands, in northeastern Alberta. https://t.co/zWrR0udvsu — PolitiTweet.org
The New Yorker @NewYorker
Thousands of women who claim that Johnson & Johnson’s talcum powder gave them ovarian cancer filed lawsuits—then the company pulled a legal maneuver that stalled their cases and prevented others from even filing. https://t.co/Wj52uAEboS — PolitiTweet.org
The New Yorker @NewYorker
Like countless comedians before him, Shane Gillis has long relished the sense of surprise generated by saying something socially inappropriate. But not all of Gillis’s followers seem to understand what he’s doing. https://t.co/IZFFRdsZOx — PolitiTweet.org
The New Yorker @NewYorker
“A miniature sunset: burnished hazy red, within its bleeding hues, there lodged the stone, undulated as a brain, dormant yet alive.” A poem by Cindy Frenkel. https://t.co/5PYprCZJDC — PolitiTweet.org
The New Yorker @NewYorker
“It was strange to pull a sheet over someone else, the way one did for oneself when one wanted to disappear.” Read a short story by Caleb Crain. https://t.co/hWtoedT1hd — PolitiTweet.org
The New Yorker @NewYorker
From 1968: Stanley Clifford Weyman impersonated everyone from a doctor to an official with the U.S. State Department. How did he do it? #NewYorkerArchive https://t.co/XZhdFqIDuy — PolitiTweet.org
The New Yorker @NewYorker
A new book by the philosopher Olúfẹ́mi O. Táíwò critiques the variety of ways that the concept of “identity politics” has been transformed from a radical invention into a placid appeal to racial and gender representation. https://t.co/wpXyRYPkVO — PolitiTweet.org
The New Yorker @NewYorker
The 17th-century artist Artemisia Gentileschi, who was raped as a young woman, is often portrayed as a two-dimensional mythological figure—a victim exacting revenge through brushwork. Her personal history paints a more complex portrait. https://t.co/gymbUU9OvZ — PolitiTweet.org
The New Yorker @NewYorker
“The more time I spent with my father-in-law’s books, the more profoundly they seemed to be not revealing him but hiding him, like some word-wreathed, untranslatable mausoleum.” https://t.co/bBhzAERPku — PolitiTweet.org
The New Yorker @NewYorker
The job of the monarchy is “to provide a kind of space and style, a kind of mystique, a kind of secular religion, if you like, in which people can feel some sort of kinship and community with each other,” the historian Simon Schama says. https://t.co/Ro9VrI0UA1 — PolitiTweet.org
