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Showing page 267 of 3498.
The New Yorker @NewYorker
In November, 2006, during his Presidential campaign, Rudy Giuliani was ranked the most popular politician in the country. How did he end up so reviled? https://t.co/WilC4xkaPJ — PolitiTweet.org
The New Yorker @NewYorker
On this week’s #NewYorkerRadio, @questlove and @maggierogers talk about spirituality and music. Plus, as Roger Federer plays the final competitive match of his career, we revisit his conversation with David Remnick in 2019. Listen here. https://t.co/AIcYpNLo6q — PolitiTweet.org
The New Yorker @NewYorker
How the podcaster and journalist Francesco Costa became a modernizing influence on the role of the reporter in Italian civil society. https://t.co/BswGYUObhf — PolitiTweet.org
The New Yorker @NewYorker
In his time, F. Scott Fitzgerald, who was born on this day in 1896, was thought to be a drunken naïf who occasionally stumbled on beauty; now he is an enduring legend of the West. https://t.co/6HiGUIEsyf — PolitiTweet.org
The New Yorker @NewYorker
At galleries and fashion shows, Laila Gohar’s food displays act like instant icebreakers. “People become like children, almost,” she said. Guests start talking to one another, asking, What is that? Can I eat it? https://t.co/kIiZp3cJgc — PolitiTweet.org
The New Yorker @NewYorker
Why toss a bouquet over your shoulder when you could toss a meatball or a folding chair? https://t.co/VVcJ6rFBh2 — PolitiTweet.org
The New Yorker @NewYorker
“His material still feels dangerous,” the comedian Jerrod Carmichael said, of the provocative performer Shane Gillis. “It’s because it’s truthful, right?” https://t.co/FzqAZf5UI5 — PolitiTweet.org
The New Yorker @NewYorker
Vermont has some remarkable legacy outlets that provide different and complementary ways of understanding the state. https://t.co/8htKhfHejR — PolitiTweet.org
The New Yorker @NewYorker
The aftermath of the 2008 financial crisis produced a lost decade for European economies and helped lead to the rise of anti-establishment political movements here and abroad. https://t.co/MjFqmI2OOX — PolitiTweet.org
The New Yorker @NewYorker
How learning about pattern and motion and symmetry and scale produced in one writer a sense of the divine. https://t.co/RgqKRmUADM — PolitiTweet.org
The New Yorker @NewYorker
Though twice as many Ohioans work in health care, education, and retail than in manufacturing, factory labor persists as a Rust Belt obsession—and that’s reflected in Ohio’s Senate race. https://t.co/9hzWxduRcq — PolitiTweet.org
The New Yorker @NewYorker
How learning about pattern and motion and symmetry and scale produced in one writer a sense of the divine. https://t.co/04jtbDoH3E — PolitiTweet.org
The New Yorker @NewYorker
Steven Spielberg’s œuvre is often seen as an expression of boyish wonder, but Spielberg’s latest film, “The Fabelmans,” makes clear that its primary impulse is terror and trauma. https://t.co/lZJHOxnz0n — PolitiTweet.org
The New Yorker @NewYorker
A minutes-long fashion show at the Brooklyn Museum brought into existence a teeming biome that dissolved almost as quickly as it took shape. https://t.co/8B6GnPBCOt — PolitiTweet.org
The New Yorker @NewYorker
At this year’s #NewYorkerFest, @dopequeenpheebs and @hasanminhaj talk with The New Yorker’s cartoon editor Emma Allen. Get your tickets before they’re gone. :point_down:https://t.co/0156k2Ovzx — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, some questions you should never ask a tall man. https://t.co/yUocCcsSFK — PolitiTweet.org
The New Yorker @NewYorker
It’s a standard, eight-month interview process that includes an Enneagram test, an overnight camping trip, and a 30-minute TED-style talk to an auditorium of 600 employees. https://t.co/HaK976kvqN — PolitiTweet.org
The New Yorker @NewYorker
In a few short weeks, the “S.N.L.” alums @vanessabayer and Molly Shannon take the stage at #NewYorkerFest. Secure your laughs before tickets sell out. https://t.co/cgI6WE16K7 — PolitiTweet.org
The New Yorker @NewYorker
Nationally, only 19 per cent of kids graduate high school having taken calculus. How far should those kids be required to go in math, and how much should remain optional? https://t.co/u8LNhMCZib — PolitiTweet.org
The New Yorker @NewYorker
Maisie Cousins's photography explores the body as a landscape for desire and disgust. https://t.co/ErlZL9gRLM — PolitiTweet.org
The New Yorker @NewYorker
The confusion and the lack of ideological rigor in Trumpism “is part of fascism’s nature,” @AdamGopnik writes. https://t.co/dacd7ByXBQ — PolitiTweet.org
The New Yorker @NewYorker
RT @NewYorkerFest: .@jamieleecurtis and @mgyllenhaal join @rachsyme at this year’s #NewYorkerFest. Name a better trio: we’ll wait. Get your… — PolitiTweet.org
The New Yorker @NewYorker
A pawnbroker’s viral TikTok about a wartime album he found has brought renewed attention to the Nanjing Massacre. “The sad irony here is that, as far as I can tell, none of these photographs are from Nanjing,” a professor who reviewed the images said. https://t.co/5gvLRyBs91 — PolitiTweet.org
The New Yorker @NewYorker
Since launching a war in Ukraine, Vladimir Putin is now “running a state that is poorer, less secure, and in which he’s got fewer political options,” an expert on Russian politics says. “He’s painted himself into a corner.” https://t.co/DTtQgLLuqI — PolitiTweet.org
The New Yorker @NewYorker
New York’s most enduring bialy bakery is expanding—and new eateries exploring the Jewish diaspora are opening. https://t.co/PRt6A3z82s — PolitiTweet.org
The New Yorker @NewYorker
At a certain point in the last two weeks, the reality of Russia’s failures in Ukraine must have dawned on Putin, who, like a gambler falling deeper into debt, set to overcome a losing run by doubling down, @yaffaesque writes. https://t.co/7SdUs9O9kK — PolitiTweet.org
The New Yorker @NewYorker
At this year’s #NewYorkerFest, @dopequeenpheebs and @hasanminhaj take the stage. Get your tickets right here. 👇https://t.co/ijae9TB3sB — PolitiTweet.org
The New Yorker @NewYorker
Gertrude Stein wrote “Four Saints in Three Acts,” in 1927, for the composer Virgil Thomson to set to music. In a new production, the actor David Greenspan performs it solo, as a text without a score. https://t.co/ziynaToyqf — PolitiTweet.org
The New Yorker @NewYorker
The actor, singer, and breakout star @ChloeBailey is joining us at this year’s #NewYorkerFest. See her in conversation with @proseb4bros, followed by a live performance. https://t.co/08dpIU6IwN — PolitiTweet.org
The New Yorker @NewYorker
If “Don’t Worry Darling” offered nothing but its sense of design and its performances, it would still be a sensory delight, @tnyfrontrow writes. https://t.co/UOsDeGkkye — PolitiTweet.org
