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The New Yorker @NewYorker
Machine learning has catapulted astrophysics research forward. “As a community, we have been dealing with super-hard problems for many, many years,” an astrophysicist said. “These problems are getting solved with machine learning.” https://t.co/p68FWul51m — PolitiTweet.org
The New Yorker @NewYorker
At the upcoming #NewYorkerFest, @BenStiller, who directed and produced the breakout series “Severance,” talks with @frynaomifry. Get your tickets before they’re gone. https://t.co/mejbVza9rM — PolitiTweet.org
The New Yorker @NewYorker
On a morning in April, Taras was ordered to leave his home in Mariupol and taken to a Russian “filtration camp,” where he was stripped of his I.D. and detained with little access to food, water, and information for 41 days. David Kortava reports. https://t.co/f6OZ2DppaR — PolitiTweet.org
The New Yorker @NewYorker
What can we learn by asking if we’ve always been who we are? https://t.co/pHE2QoeD41 — PolitiTweet.org
The New Yorker @NewYorker
In 1968, amateur archaeologists were digging in a cave in the Big Bend region of West Texas when they uncovered an ancient woman’s body. Who was she? And who should claim her remains? https://t.co/qIJBYZh9NJ — PolitiTweet.org
The New Yorker @NewYorker
After Bertrand Piccard became the first balloonist to circumnavigate the Earth, he decided to repeat the feat using solar energy. “Routine is more dangerous than adventure,” Piccard, who is also a psychiatrist, said. https://t.co/LqwzwwkEsO — PolitiTweet.org
The New Yorker @NewYorker
This week’s cover, “Sunset Catch,” by Eric Drooker. #NewYorkerCovers https://t.co/zw695qb01q https://t.co/bnntsBABiG — PolitiTweet.org
The New Yorker @NewYorker
Title for knights on “Game of Thrones:” three letters. https://t.co/p45ejDId3t — PolitiTweet.org
The New Yorker @NewYorker
“As often is the case with me, the books I needed I’d had on my bookshelves for years,” the playwright Tom Stoppard says, in a new interview. “I would see a book on the shelf and think, That’s why I bought this book 20 years earlier.” https://t.co/bdpHe2OW00 — PolitiTweet.org
The New Yorker @NewYorker
Thomas McGuane reads his story “Take Half, Leave Half,” which appears in this week’s issue of the magazine. Listen here. https://t.co/8RngnDDcpb — PolitiTweet.org
The New Yorker @NewYorker
Thomas McGuane discusses “Take Half, Leave Half,” his story from the latest issue of the magazine: “People now live with remarkable fluidity. A writer has to catch them on the fly, rather than embedded in some physical or familial circumstance.” https://t.co/aW1bkcTYUL — PolitiTweet.org
The New Yorker @NewYorker
“I didn’t think that Jeb would read what I wrote, and, even if he did, I didn’t care what he thought about me,” @adalva writes, in a new Personal History. https://t.co/FlfKxitwtx — PolitiTweet.org
The New Yorker @NewYorker
Netflix’s miniseries “Dahmer” looks to the murderer’s parents for clues to his depravity. Jeffrey Dahmer’s own father did the same. https://t.co/hI1XvmDaNP — PolitiTweet.org
The New Yorker @NewYorker
“I will talk to anyone who is serious about addressing the issue of anti-Semitism,” @deborahlipstadt says. “If you can get a government or an entity to stop othering one group of people, it’s possible that that will spill over to other groups.” https://t.co/D4IASruwtc — PolitiTweet.org
The New Yorker @NewYorker
“It’s never the last track. It’s never over.” @edcaesar profiles the d.j. Mladen Solomun, known as “the king of Ibiza.” https://t.co/e57CLfSJSM — PolitiTweet.org
The New Yorker @NewYorker
Some called her coarse, extreme, too quick to change. In fact, Adrienne Rich was always one step ahead. https://t.co/M7UJSWYM7w — PolitiTweet.org
The New Yorker @NewYorker
Two new photography exhibitions—Georgia O’Keefe, at the Denver Art Museum, and Robert Adams, at the National Gallery of Art—offer different visions to the American West. https://t.co/xr2cqUej7O — PolitiTweet.org
The New Yorker @NewYorker
“Music can be so powerful, even though it wafts away and we chase it.” Revisit @alexrossmusic’s 2020 profile of the great American composer. https://t.co/Kv4W24wKOK — PolitiTweet.org
The New Yorker @NewYorker
In 1955, the Icelandic novelist Halldór Laxness won the Nobel Prize in Literature. And yet, nearly all of Halldór’s books were unavailable in the U.S. for most of the 20th century. Why? https://t.co/VEaFUoOQoq — PolitiTweet.org
The New Yorker @NewYorker
In the 1870s, the German biologist Max Schultze, lying on his deathbed, observed that he was leaving a world where “all the important questions . . . had now been settled.” All of them, that is, “except the eel question.” https://t.co/xNg7SWIrrQ — PolitiTweet.org
The New Yorker @NewYorker
A minutes-long fashion show at the Brooklyn Museum brought into existence a teeming biome that dissolved almost as quickly as it took shape. https://t.co/256fknhV5W — PolitiTweet.org
The New Yorker @NewYorker
From 1989, a visit with the New York City chef on whom “Seinfeld” ’s “Soup Nazi” is based. #NewYorkerArchive https://t.co/BKtG8wcStv — PolitiTweet.org
The New Yorker @NewYorker
In Cate Le Bon’s music, home is sometimes remote, but it is never unreachable. https://t.co/XmQavYNrEA — PolitiTweet.org
The New Yorker @NewYorker
In “Pictures from Italian Profiles,” a project born on Facebook and recently published as a book with the same title, images are chosen for their strangeness or improbable beauty, for their absurdity or grotesqueness. https://t.co/wBngoWRcZD — PolitiTweet.org
The New Yorker @NewYorker
The Supreme Court’s new term begins on Monday and includes another set of potential landmark cases. “With this Supreme Court, it is difficult to predict how far the decisions might go,” @tnyCloseRead writes. https://t.co/KA0wIqP3Xp — PolitiTweet.org
The New Yorker @NewYorker
Ken Burns‘s three-part documentary, “The U.S. and the Holocaust,” lays bare how the United States government was mired by domestic politics during the Second World War while the American public remained largely indifferent to the ongoing Holocaust. https://t.co/WjerqckavQ — PolitiTweet.org
The New Yorker @NewYorker
RT @charlesbethea: I’ve reported on hurricanes but this is one of the crazier survival stories I’ve ever heard. From Fort Myers for @NewYor… — PolitiTweet.org
The New Yorker @NewYorker
It’s quite possible that “Dahmer”—despite brilliant performances from Niecy Nash, Evan Peters, and the great Richard Jenkins as Jeffrey Dahmer’s father, Lionel—has no real justification for its own existence, @winterjessica writes. https://t.co/LPmi9hey82 — PolitiTweet.org
The New Yorker @NewYorker
From 2018: Coding together at the same computer, Jeff Dean and Sanjay Ghemawat changed the course of the Internet. https://t.co/O76tMyqS7m — PolitiTweet.org
The New Yorker @NewYorker
“This is about basic human rights,” the scholar Fatemeh Shams says, of the protests in Iran. “This is about the bodily autonomy of women. This is about ending state oppression against ethnic and religious minority groups.” https://t.co/XUkyGbUzor — PolitiTweet.org
