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The New Yorker @NewYorker

Katherine Rundell titles her new biography of the modernist poet John Donne “Super-Infinite.” “It’s an ingenious way of making his difficulty sound exciting as well as formidable,” Adam Kirsch writes. https://t.co/SIhF1Z0AAD — PolitiTweet.org

Posted Oct. 5, 2022
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The New Yorker @NewYorker

A pawnbroker’s viral TikTok about a wartime album he found has brought renewed attention to the Nanjing Massacre. “The sad irony here is that, as far as I can tell, none of these photographs are from Nanjing,” a professor who reviewed the images said. https://t.co/99hvJVSs2e — PolitiTweet.org

Posted Oct. 5, 2022
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The New Yorker @NewYorker

Get tickets to see the outstanding writer, actress, and comedian @quintabrunson at this year’s #NewYorkerFest. https://t.co/92ZmIGDghZ — PolitiTweet.org

Posted Oct. 5, 2022
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The New Yorker @NewYorker

In recent years, a small group of scholars has focussed on war-termination theory—that is, the study of how wars end. They see reason to fear the possible outcomes in Ukraine. https://t.co/1Qxl3bajpb — PolitiTweet.org

Posted Oct. 5, 2022
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The New Yorker @NewYorker

Short of a massive shift in public attitude toward public and affordable housing—and a streamlined process for it to actually be built—temporary homeless encampments will be effectively permanent fixtures of California’s cities, @jaycaspiankang writes. https://t.co/cim5Xhcrrh — PolitiTweet.org

Posted Oct. 5, 2022
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The New Yorker @NewYorker

“Using laws intended to bolster election integrity to, instead, willfully undermine it, is a fundamentally cynical and dangerous gambit,” @suehalpernVT writes. “We will soon find out if American democracy is robust enough to withstand it.” https://t.co/jPOQyAC7Wh — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

“As he looked for the right word, several wrong words appeared in his window.” Three poems by Billy Collins. https://t.co/qF2o4LdxG0 — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

The new Wolfgang Tillmans retrospective at @MuseumModernArt “persuades me that the man is a genius,” Peter Schjeldahl writes. https://t.co/PLH8hoJPav — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

Warning: tickets to see @billyeichner and @HarveyFierstein at this year’s #NewYorkerFest are almost sold out. Get yours before they’re gone. https://t.co/fusntigyst — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

Even as exhaustion and cynicism dull the senses, the option of simply ignoring Donald Trump’s utterances isn’t really viable, @johncassidy writes, attractive as it may seem. https://t.co/zd9KghWEJV — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

At this year’s #NewYorkerFest, see the @Daniels behind “Everything Everywhere All at Once,” “Swiss Army Man,” and the “Turn Down for What” music video. Get tickets here. https://t.co/TSAunGbxXe — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

On a new episode of our Politics and More podcast, @yaffaesque speaks to David Remnick from Kyiv, about the latest news from Russia—including threats of nuclear attack and reports of political upheaval. Listen here. https://t.co/4nqZklSQuJ — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

It’s a standard, eight-month interview process that includes an Enneagram test, an overnight camping trip, and a 30-minute TED-style talk to an auditorium of 600 employees. https://t.co/UwQjLM360Q — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

The musicians in the latest micro-generation are more TikTok-savvy and self-promotional than their predecessors, but also more winking about this approach. https://t.co/XmkcAU57Vb — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

Batter up! #NewYorkerCartoons 🖋️ Harry Bliss https://t.co/7HxXbsUJmV — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

In @newyorkerhumor: how to survive on Twitter in 2022. https://t.co/BWApXyIrO3 — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

Loretta Lynn, whose string of early-1960s hits helped launch a golden age for women on country radio, has died, at age 90. In 2018, @dlcantwell wrote about the country star’s lasting legacy. https://t.co/p4aiVNSzQz — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

This writer counts Barack Obama among her fans. Can you figure out who it is in 100 seconds or less? https://t.co/ClrOW8W3eS — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

In his inaugural column, @jaycaspiankang grapples with the crisis of homelessness in California and the limits of raising awareness. https://t.co/ZgmiOy2akG — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

“Technology has turned us all into voyeurs of each other’s climate catastrophes,” @pitchaya writes. “I’ve seen these scenes before, and we will see them again.” https://t.co/lLZG3farUO — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

Prominent Michigan Democrats are moving reproductive rights to the center of their campaigns, testing the potency of an issue that has put Republican candidates on the defensive for the first time in years. https://t.co/c0DgTPShPr — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

Mountain that grew approximately 100 feet taller in 2021 due to volcanic activity: four letters. https://t.co/WhfA0l31P9 — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

“The Mother and the Whore” is a film of rage and self-punishment, of arrogance and humiliation and, ultimately, of ferocious irony about pleasure and power, desire and submission, @tnyfrontrow writes. https://t.co/hBNYMgDsbs — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

When a group of Ukrainians detained at a Russian “filtration camp” called a missing-persons hotline, to report themselves, the operator responded that the men had already been released from custody and returned home to Mariupol. What happened? https://t.co/BPfwv3xDEv — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

Following four encores in 1968, Janis Joplin came back onstage. “I love you, honey,” the singer said, gasping, “but I just got nothing left.” Joplin died on this day in 1970. https://t.co/wYgK9md7hK — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

The Center for Christian Virtue, a nonprofit organization, appears to be the true sponsor of some of Ohio’s most extreme right-wing bills. “We’re going to have a voice on the direction of the state—and the nation, God willing,” the group’s president said. https://t.co/D54G9V8w4b — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

“He takes a deep breath in. Aspiration. A nebula of gold stars swarms into his open mouth. Gold spangles the moving darknesses of his blood, his lungs.” A poem by @MonicaYoun. https://t.co/7bbop1Dk0a — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

Seventeenth-­century pottery, horn buttons, and a burial ground have been found at Sylvester Manor, on Shelter Island. So have a stack of mint 45s from the golden age of the American teen-ager. https://t.co/ABrqAUXwCz — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

Anderson Cooper, the CNN anchor, walked into the David Zwirner Gallery, in Chelsea, the other day to see the retrospective of Diane Arbus photographs. Cooper was particularly interested in a picture titled “A Very Young Baby, N.Y.C.,” for he is that baby. https://t.co/5K0lSM9Qy7 — PolitiTweet.org

Posted Oct. 4, 2022
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The New Yorker @NewYorker

“I think now, looking back, when I read back our conversations, he must’ve known, and he was just trying to do . . . as many things as he could do before he left,” the musician Leezy said, of the late designer Virgil Abloh. https://t.co/ZQCha95htg — PolitiTweet.org

Posted Oct. 4, 2022