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The New Yorker @NewYorker
A cartoon by @MadelineHorwat1. #NewYorkerCartoons https://t.co/wEeN4sQFEJ — PolitiTweet.org
The New Yorker @NewYorker
For the cover of this week’s issue, the artist Chris Ware turns his gaze to the ongoing tragedy of gun violence in schools, which has forced students, teachers, and parents to accept active-shooter drills as a routine part of the school year. https://t.co/nMcxqEYAZn — PolitiTweet.org
The New Yorker @NewYorker
That’s a wrap on our 23rd annual #NewYorkerFest! Thanks for joining us. If you missed this year’s celebration, it’s not too late to take part. Replay select events right here on Twitter, thanks to our #sponsor @Google. https://t.co/5Q2eckgAC2 — PolitiTweet.org
The New Yorker @NewYorker
In September, the photographer @gregmillerfoto travelled to Uvalde, Texas, to take portraits of kids who were waiting for the bus—a morning ritual that, for many parents, was now tinged with worry. See more of his images: https://t.co/O4KjVp3zXj https://t.co/frvP9Y5LFv — PolitiTweet.org
The New Yorker @NewYorker
This week’s cover, “Lockdown,” by Chris Ware. #NewYorkerCovers https://t.co/WJaNS1z5su — PolitiTweet.org
The New Yorker @NewYorker
E. Nesbit’s books eschewed the moralizing that was native to young people’s literature of the time, in favor of privileging a child’s logic and point of view. https://t.co/CjnBPUdwKq — PolitiTweet.org
The New Yorker @NewYorker
Journalists, writers, poets, and artists in exile from Russia are using their work to grapple with the condition of being citizens of a country waging a genocidal colonial war. https://t.co/pP4rTyr516 — PolitiTweet.org
The New Yorker @NewYorker
David Gilbert reads his story “Come Softly to Me,” which appears in this week’s issue of the magazine. https://t.co/ouHKmCzsbr — PolitiTweet.org
The New Yorker @NewYorker
For 60 years, Duncan Grant’s erotic drawings were passed in secret from friend to friend. The works are finally on display at Charleston, in East Sussex. https://t.co/P4qnXXIBJ6 — PolitiTweet.org
The New Yorker @NewYorker
The first exhibit at the new Molina Family Latino Gallery, at the Smithsonian, attempts to fit hundreds of years of Latino history in the U.S.—a narrative arcing from Spanish colonization to this day—into a single 4,500-square-foot room. https://t.co/UBe0du5wzc — PolitiTweet.org
The New Yorker @NewYorker
“I’ve been wearing a hat lately. A little bucket hat, at the beach. It’s Eileen Fisher,” Eileen Fisher says, in a new interview with @cbattan. https://t.co/PXrhoJ9KIY — PolitiTweet.org
The New Yorker @NewYorker
For Iran, #WomanLifeFreedom is a turning point. “Iranian women have been waiting for four decades for this moment when they could take matters into their own hands,” a former director of the Wilson Center’s Middle East program said. https://t.co/rBoBKHNfsL — PolitiTweet.org
The New Yorker @NewYorker
.@IChotiner speaks to a journalist about the historical roots of the current problems in Alabama’s prisons, why conditions have deteriorated in the past several years, and divisions among the prisoners about how far to take their current protest. https://t.co/tQHTGccXfP — PolitiTweet.org
The New Yorker @NewYorker
Donald Bolduc, who won the Republican nomination for U.S. Senate in New Hampshire last month, was clear about his conviction that the election had been stolen from Donald Trump. Then he explained that he’d had a change of heart. https://t.co/bj47CBmGpw — PolitiTweet.org
The New Yorker @NewYorker
As a fashion editor, Hanya Yanagihara celebrates idiosyncratic forms of beauty. As a novelist, she explores dark themes of abuse and shame. In both cases, she’s worried only about pleasing herself. https://t.co/wVmphsDJ5M — PolitiTweet.org
The New Yorker @NewYorker
“The woman, then, existed to be forgiven, not blamed; not understood, forgiven.” Read a short story by Shirley Jackson, from her college years. https://t.co/ypwCnpyfON — PolitiTweet.org
The New Yorker @NewYorker
Dexter Filkins writes about Masih Alinejad, an Iranian journalist who was driven into exile 13 years ago and is now pressuring the Iranian regime from the outside using social media. https://t.co/0cyZjgEEOI — PolitiTweet.org
The New Yorker @NewYorker
“I started thinking about the responsibilities that women hold, the nature of being a woman, and what it means to contain the complexity of life,” the artist Maira Kalman said, of the inspiration behind her new book and exhibit. https://t.co/BmrjNJp42p — PolitiTweet.org
The New Yorker @NewYorker
Two current shows in New York weigh in on the usefulness of political argument. The musical “1776” looks askance at our nation’s founding conversation, while the play “Baldwin and Buckley at Cambridge” makes the whole mechanism of debate seem suspect. https://t.co/HxrU6prD84 — PolitiTweet.org
The New Yorker @NewYorker
Carrie Goldberg started her practice to “be the lawyer I’d needed” after she was harassed online by a vengeful ex. https://t.co/pXohrzVQZx — PolitiTweet.org
The New Yorker @NewYorker
“This is how to love a man, and if this doesn’t work there are other ways.” Fiction by Jamaica Kincaid, from 1978. #NewYorkerArchive https://t.co/mXGOTkOE0x — PolitiTweet.org
The New Yorker @NewYorker
The absolute knockout on Marlon Williams’s new album, “My Boy,” is “Thinking of Nina,” which is synth-heavy and just plain fun, @Rumaan writes. https://t.co/yvxRcQZKwm — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, some untested solutions to the housing crisis. https://t.co/6wg5qRg32Y — PolitiTweet.org
The New Yorker @NewYorker
.@IChotiner interviews @a_stille, the author of several books about Italian history and politics, about why the Italian center and left were unable to keep the far right out of power in the recent election. https://t.co/yS0w9v4w3j — PolitiTweet.org
The New Yorker @NewYorker
Quratulain Bakhteari, an indomitable social worker who was nominated for the 2005 Nobel Peace Prize, has made her lifework helping the underserved in the neglected province of Balochistan, Pakistan. Now she’s on a mission to help its flood survivors. https://t.co/8ZxbomlZzy — PolitiTweet.org
The New Yorker @NewYorker
How Keiko, the killer whale who starred in “Free Willy,” became free himself, after 20 years of captivity. #NewYorkerArchive https://t.co/BbHf1XO4j4 — PolitiTweet.org
The New Yorker @NewYorker
Happening now: @kumailn and @andrewmarantz, live from New York City, at this year’s #NewYorkerFest. Tune in right here. https://t.co/GYfrpa8b6T — PolitiTweet.org
The New Yorker @NewYorker
Annie Ernaux has become famous for pushing the boundaries of memoir. “She writes of herself, but in a flat, observational, reportorial way that relentlessly inventories the surface of things,” @AdamGopnik writes. https://t.co/13ZoKSok06 — PolitiTweet.org
The New Yorker @NewYorker
At the funeral for Collarwali (2005-2022), the enormous tigress was covered with carnations and shrouded in white. A line of mourners approached the wooden pyre one by one and offered her flowers before she was cremated. https://t.co/ESVZ0akEcm — PolitiTweet.org
The New Yorker @NewYorker
@Daniels @emilynussbaum We want to hear from you. Tell us what you thought of this #NewYorkerFest livestream: https://t.co/7x9yIj0eoo — PolitiTweet.org
