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The New Yorker @NewYorker
The Mexican activist Verónica Cruz is on a mission to get abortion pills to Americans who need them. Her supply chain is growing: once trust is established, one person can be a network of her own. https://t.co/Xlc1NLmdja — PolitiTweet.org
The New Yorker @NewYorker
Our film critic Richard Brody selects the best performances of the 21st century, from Lindsay Lohan to Mahershala Ali. https://t.co/0yredi344n — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, a new mother enumerates what she no longer has space for. https://t.co/HwNQb6IneZ — PolitiTweet.org
The New Yorker @NewYorker
The Swedish director of “Triangle of Sadness” set sail from New York Harbor with two of his actors, Dolly De Leon and Zlatko Burić, to talk about seasickness and class warfare. https://t.co/XY3mDv5X7q — PolitiTweet.org
The New Yorker @NewYorker
Some quarter million people may have left Russia after the full-scale invasion of Ukraine began, in February. The current wave of escapees may prove even bigger. https://t.co/85iOwRIa3E — PolitiTweet.org
The New Yorker @NewYorker
“Oh, so now you like pumpkin-flavored everything?” Peter Peter Pumpkin Eater would like a word. https://t.co/uaFP8V0sny — PolitiTweet.org
The New Yorker @NewYorker
“These are permanent memories,” a former detainee of a Russian “filtration camp” said. “You just live with them and that’s it. You try to distract yourself, you try to live your life.” https://t.co/1nRXLP4XhH — PolitiTweet.org
The New Yorker @NewYorker
In the Internet age, it can seem as if there’s no reason to remember anything. But information doesn’t always amount to knowledge. https://t.co/mlTESHzSPX — PolitiTweet.org
The New Yorker @NewYorker
After she heard “Do It Again,” @ChelseaLeu became entranced with Steely Dan. “What was with these harmonies, so strange and so addictive?” she writes. “Who would make a song like this?” https://t.co/9YAgbqNlJi — PolitiTweet.org
The New Yorker @NewYorker
The U.S. economy has added, on average, half a million jobs per month since Joe Biden took office—a pace of job growth that is unprecedented for the first half-term of a Presidency. https://t.co/w7GoG0kWWO — PolitiTweet.org
The New Yorker @NewYorker
“They paused for a moment in their adorableness, which was also sad, to be adorable, to be adored . . .” Read a short story by David Gilbert. https://t.co/mHnSVz84hC — PolitiTweet.org
The New Yorker @NewYorker
The women on the softball team Las Diablillas chose the name as a nod to their rebellion. “Playing sports—only boys were allowed to do that,” their captain says, in a new short documentary. “When I go on the field, I feel free.” https://t.co/rwSZ1juNqs — PolitiTweet.org
The New Yorker @NewYorker
Will the former President, with his Houdini-like powers of escape, ever face accountability for what happened on January 6th, 2021? https://t.co/E9DX4b021z — PolitiTweet.org
The New Yorker @NewYorker
The final Consumer Price Index before the midterms came in higher than expected. With the election just weeks away, politicians from both parties were quick to react to the inflation numbers. https://t.co/QhzuNURSFb — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, it’s never too early to start preparing your child for Harvard. https://t.co/Ab85BVE001 — PolitiTweet.org
The New Yorker @NewYorker
When Katsu Naito, a newcomer to Harlem, worked up the courage to ask if he could take his neighbors’ pictures, no one said no. https://t.co/R1DawvDZt8 — PolitiTweet.org
The New Yorker @NewYorker
Read “Dad Poem X,” by Joshua Bennett, in full: https://t.co/7wb2KyLoNV https://t.co/2X6h5OOtO2 — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor: the average contestant on British baking shows vs. the average contestant on American cooking shows. https://t.co/OlnehsH1xo — PolitiTweet.org
The New Yorker @NewYorker
Miss @chloebailey at this year’s #NewYorkerFest? Watch the replay right here. https://t.co/fGa90NTQcV — PolitiTweet.org
The New Yorker @NewYorker
For the documentary “In Silico,” a filmmaker set out to track the creation of a simulated brain. He ended up capturing a more complicated story. https://t.co/GD57yowgGj — PolitiTweet.org
The New Yorker @NewYorker
The new docuseries “I Love You, You Hate Me” uses a polarizing cultural figure—Barney, the purple dinosaur and ’90s kids’ TV sensation—to examine a broader phenomenon. https://t.co/RJ2fVgIbvx — PolitiTweet.org
The New Yorker @NewYorker
Why has it been so easy to disconnect the pall cast by the threat of evictions, food insecurity, and job loss—among the many afflictions brought on by the pandemic—from falling test scores? https://t.co/IrIagZZary — PolitiTweet.org
The New Yorker @NewYorker
When wikiHow seems to know you a little too well. https://t.co/JhAvfLrEBu — PolitiTweet.org
The New Yorker @NewYorker
“If I had to give a concise definition of what it means to be operatic, I might point to the tour de force of tenor genius that Lawrence Brownlee delivered in Act II of ‘Otello,’ ” @alexrossmusic writes, in a review of Opera Philadelphia’s new production. https://t.co/9T8VSKHcPy — PolitiTweet.org
The New Yorker @NewYorker
A cover by Merle Nacht, from this day in 1986. #NewYorkerCovers https://t.co/lPzkLHN5xo https://t.co/IgbDjiLj0W — PolitiTweet.org
The New Yorker @NewYorker
In North Carolina, Democrats have a chance to flip a Republican seat. Meanwhile, the state legislature is fighting to reduce judicial oversight in federal elections. https://t.co/aMQeQKcBwQ — PolitiTweet.org
The New Yorker @NewYorker
What would you make if you could build your own town? If you are King Charles III, it looks like Poundbury—a planned community that has been called a “feudal Disneyland,” and “fake, heartless, authoritarian, and grimly cute.” https://t.co/RaHz9ub8yR — PolitiTweet.org
The New Yorker @NewYorker
Thousands of women who claim that Johnson & Johnson’s talcum powder gave them ovarian cancer filed lawsuits—then the company pulled a legal maneuver that stalled their cases and prevented others from even filing. https://t.co/l2Ayrqf6FP — PolitiTweet.org
The New Yorker @NewYorker
Henry James decried 19th-century historical novels as “loose baggy monsters,” but a new translation of Alessandro Manzoni’s “The Betrothed” demonstrates the genre’s power. https://t.co/u0vAuX4OF5 — PolitiTweet.org
The New Yorker @NewYorker
Rosie O’Donnell’s reëmergence as an edgy presence in nostalgic remakes feels like a cheeky nod to her 1990s mythos as the Miss Congeniality of daytime television–and to how far she’s migrated from that rosy reputation in the time since. https://t.co/JXDGjjdybp — PolitiTweet.org