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Showing page 238 of 3498.
The New Yorker @NewYorker
Annie Ernaux has become famous for pushing the boundaries of memoir. “She writes of herself, but in a flat, observational, reportorial way that relentlessly inventories the surface of things,” @AdamGopnik writes. https://t.co/oHQtwXePKM — PolitiTweet.org
The New Yorker @NewYorker
“It was hard not to cry and not to be full of wonder. How the loss remained with them. How they celebrated the kinship of remembering.” New fiction by David Gilbert. https://t.co/PKuATibCwX — PolitiTweet.org
The New Yorker @NewYorker
From 2018: Rachel Aviv reports on the case of Hannah Upp, who suffered from dissociative fugues, a rare condition in which people lose access to their memory and personal identity. https://t.co/ONLJT5ErpO — PolitiTweet.org
The New Yorker @NewYorker
“The trouble is that the reader, like the general public to which he belongs, and in spite of all the evidence telling him that he shouldn’t, wants to believe in his spies.” A Personal History by John le Carré. https://t.co/kaOW9JDoGS — PolitiTweet.org
The New Yorker @NewYorker
“I’ve been wearing a hat lately. A little bucket hat, at the beach. It’s Eileen Fisher,” Eileen Fisher says, in a new interview with @cbattan. https://t.co/ECr6auVAH6 — PolitiTweet.org
The New Yorker @NewYorker
“In some cases, Trump and his supporters make arguments that are so lame that almost any judge would turn them down,” a law professor said. Yet court rulings against the former President appear to have had little impact so far on his political base. https://t.co/Hg5LFhpwN8 — PolitiTweet.org
The New Yorker @NewYorker
“Congratulations on being about to be 80,” we said. “Save them,” P. G. Wodehouse, who was born on this day in 1881, said. “I’m going to be 79. . . . However, I am working on my 80th book.” https://t.co/aHZdshUbNh — PolitiTweet.org
The New Yorker @NewYorker
Linda Ronstadt, who left an indelible mark on the classic-rock era, reflects on her career: “It was best when I forgot about everything and just thought about the music,” she said. https://t.co/9tSeN7bPcT — PolitiTweet.org
The New Yorker @NewYorker
When Jeanne Calment was born, in 1875, the life expectancy for a French woman was 45. In 1991, Calment became the oldest person in the world. But two researchers don’t believe her story. https://t.co/cKonWS0Frs — PolitiTweet.org
The New Yorker @NewYorker
Rising costs of ingredients, hiring difficulties, and a weakening of demand for dining out are just a few of the factors contributing to a wave of restaurant closures in the U.K. https://t.co/SFrQSSC4Pr — PolitiTweet.org
The New Yorker @NewYorker
“To read is always to experience a haunting, to be alone while in the company of another consciousness, to receive messages from a person who isn’t there,” @nellstevens writes. https://t.co/PsLThS0ZWc — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor: a treasure trove of scathing reviews on clouds, books, dogs, and more. https://t.co/kEJEKNFhy1 — PolitiTweet.org
The New Yorker @NewYorker
The new short film “Night of the Living Dread,” which took more than a year to make, was shot in stop-motion—a medium that lends itself to a warm sort of playfulness—and includes hand-drawn facial features. Watch it here. https://t.co/li8huQZnII — PolitiTweet.org
The New Yorker @NewYorker
The author of the Aeneid was born on this day, in 70 B.C. Even in his lifetime, Daniel Mendelsohn writes, Virgil was revered as the greatest poet of the age. https://t.co/YemZyPQBjY — PolitiTweet.org
The New Yorker @NewYorker
“What animates ‘The Banshees of Inisherin’ and saves it from stiffness is the clout of the performances,” Anthony Lane writes. https://t.co/D16GQVv7RW — PolitiTweet.org
The New Yorker @NewYorker
“He was in countryside that seemed to have more cemeteries than it did towns. More people dead than living. But wasn’t it like that everywhere, more dead than living?” A short story by Rachel Kushner. https://t.co/cz8fVzV5LB — PolitiTweet.org
The New Yorker @NewYorker
A new book and solo exhibition of Baldwin Lee’s work makes the case that he is one of the great overlooked luminaries of American picture-making. https://t.co/s4IVkvzX44 — PolitiTweet.org
The New Yorker @NewYorker
In “Pictures from Italian Profiles,” a project born on Facebook and recently published as a book with the same title, images are chosen for their strangeness or improbable beauty, for their absurdity or grotesqueness. https://t.co/jVmC6nHSYV — PolitiTweet.org
The New Yorker @NewYorker
Ethiopia’s Prime Minister, Abiy Ahmed, promised to heal the country’s divisions when he came to power, in 2018. But in November, 2020—just 11 months after he was awarded the Nobel Peace Prize—violence erupted. https://t.co/ScrHEDSy5N — PolitiTweet.org
The New Yorker @NewYorker
Lincoln Center’s concert hall has recently undergone a near-total acoustical transformation. “The hall is itself an instrument,” one architect said. “It’s made of wood.” https://t.co/RN6OF12JEU — PolitiTweet.org
The New Yorker @NewYorker
When it comes to coronavirus infections, the third time is not the charm. What is? https://t.co/v3qxZLiQEC — PolitiTweet.org
The New Yorker @NewYorker
Tell them you value long-term commitment by wearing a shirt you’ve had since 2000. https://t.co/RySn7JdagE — PolitiTweet.org
The New Yorker @NewYorker
From 2019: A young paleontologist may have discovered a record of the most significant event in the history of life on Earth. https://t.co/uESR7j5fwo — PolitiTweet.org
The New Yorker @NewYorker
A burglar nicknamed Spider-Man robbed a Paris museum of $70 million dollars' worth of art in one night. But selling masterpieces, he found, was harder than stealing them. https://t.co/MuwvGRuRbY — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor: How David Blaine drinks coffee, writes e-mails, cooks dinner, and more. https://t.co/Gnu8I42iSY — PolitiTweet.org
The New Yorker @NewYorker
Stéphane Bourgoin riveted audiences with tales of his encounters with the “Son of Sam” murderer David Berkowitz and the “Killer Clown” John Wayne Gacy. He was revered as an expert on serial killers—until fans dug into his story. https://t.co/k3VHIz5uQq — PolitiTweet.org
The New Yorker @NewYorker
“Getting old is the second-biggest surprise of my life, but the first, by a mile, is our unceasing need for deep attachment and intimate love,” Roger Angell wrote, in 2014. https://t.co/z1AZvbuQEC — PolitiTweet.org
The New Yorker @NewYorker
“Mud” and “Drowning,” two plays at Mabou Mines, are about the strange wilderness that grows when the garden of our potential goes untended. https://t.co/Gar0ASqnUA — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor: “I hate to make a big fuss over this, but I was explicitly told that I can tell everybody—so, yes, this is my song.” https://t.co/7Xe1khHzqW — PolitiTweet.org
The New Yorker @NewYorker
When Kurt Cobain died, “the world became like the iris in old silent movies, when the picture closes up into a circle in the middle of the screen,” writes Michael Azerrad, a journalist and friend of Cobain’s. https://t.co/sNEWxbYqSG — PolitiTweet.org
