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The New Yorker @NewYorker
After Guo Wengui moved to the U.S., he declared himself an enemy of the Chinese Communist Party—a position almost unheard of among China’s élite. But some observers speculate that he never entirely broke from Chinese intelligence. https://t.co/YWpaKgP15v — PolitiTweet.org
The New Yorker @NewYorker
Recently, a new movie about Emmett Till premièred at the New York Film Festival. Jalyn Hall, the 15-year-old actor who plays Till, said his aunts “were bawling their eyes out” during the film. “That’s how you know your job was well done,” he said. https://t.co/BdTRzMHfPT — PolitiTweet.org
The New Yorker @NewYorker
In many of America’s largest cities, parents who don’t want to send their children to public school have turned to Chinese-language-immersion schools, which have none of the religious hangups of Catholic schools nor the price of private schools. https://t.co/bkKYyY8c2c — PolitiTweet.org
The New Yorker @NewYorker
The philosopher, essayist, and poet Fred Moten examines everyday life with an endlessly curious and exacting mind. https://t.co/FxjfROfYs7 — PolitiTweet.org
The New Yorker @NewYorker
The race between Ron Johnson and Mandela Barnes, in Wisconsin, has taken on national significance because unseating Johnson—among the most unpopular senators in the country—is one of few opportunities Democrats have to tip the balance of the Senate. https://t.co/vp6221ogwj — PolitiTweet.org
The New Yorker @NewYorker
On the golf range this summer, the chatter was that “there are only three types of pro—those who’ve taken Saudi money, those who are thinking about taking Saudi money, and those who aren’t good enough to be offered Saudi money,” Zach Helfand writes. https://t.co/8DdyLCLPgM — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor: It’s 1897 and Ivan Pavlov’s neighbor has had it with the incessant bell-ringing. https://t.co/su965WWRtF — PolitiTweet.org
The New Yorker @NewYorker
In 1986, Paul Newman sat down with a screenwriter and began recording on a cassette player material for an autobiography. In 1998, he took the cassettes to the dump and burned them all. https://t.co/VsYAIj9jJy — PolitiTweet.org
The New Yorker @NewYorker
The first season of “Ramy” exposes the kind of uncomfortable truths to which some Muslims are tempted to turn a blind eye, @yasminealsayyad writes. Season 3 ups the ante. https://t.co/wpOt2Vb3bG — PolitiTweet.org
The New Yorker @NewYorker
Rosie O’Donnell’s reëmergence as an edgy presence in nostalgic remakes feels like a cheeky nod to her 1990s mythos as the Miss Congeniality of daytime television–and to how far she’s migrated from that rosy reputation in the time since. https://t.co/DUneogCXPs — PolitiTweet.org
The New Yorker @NewYorker
From 2015: Remembering the attack that ended the nuclear summer of 1945. https://t.co/q5P7ko8Yso — PolitiTweet.org
The New Yorker @NewYorker
Greek and Roman statues were often painted, but assumptions about race and aesthetics have suppressed this truth. https://t.co/XWJhGnnZcW — PolitiTweet.org
The New Yorker @NewYorker
“For a little bit of time, I felt like Elvis Presley,” a star of the HBO show “The Rehearsal” said. “From the show, people might assume I’m a little maladjusted, but when they meet me they might say, ‘He’s actually looser and funnier than I thought.’ ” https://t.co/y58fWmiLMz — PolitiTweet.org
The New Yorker @NewYorker
In front of Dougie Wallace’s camera, the dogs of New York City “look resplendently human,” @jiatolentino wrote, in 2017. See more canine portraits, from Wallace’s “Well Heeled” series. https://t.co/9p9jrYznnd — PolitiTweet.org
The New Yorker @NewYorker
Have you, in the past 10 days, experienced cough, sore throat, shortness of smell, loss of throat, intergluteal elm bark, Count Scrofula, or fisherman’s lonely-eye? https://t.co/a6N4iscpqY — PolitiTweet.org
The New Yorker @NewYorker
“I’ve got a passenger a few rows up and his crying is disturbing the people around him,” a flight attendant told David Sedaris, on a 2007 flight from J.F.K. to Paris. “Do you think it would be O.K. if he moved and sat here?” https://t.co/4QsqiAufHN — PolitiTweet.org
The New Yorker @NewYorker
“Tár,” starring Cate Blanchett, is “a regressive film that takes bitter aim at so-called cancel culture and lampoons so-called identity politics,” @tnyfrontrow writes. https://t.co/dKjnBqEdYv — PolitiTweet.org
The New Yorker @NewYorker
“I was thinking about the weight of all of history’s unconsummated queer longing, the appalling silence of it,” writes Nell Stevens. “How else could I embody it but in the disembodied form of a ghost?” https://t.co/8RjVFVaGm8 — PolitiTweet.org
The New Yorker @NewYorker
In 2019, Shane Gillis was fired from the cast of “S.N.L.” after a journalist unearthed a clip of him making offensive remarks. He understands why he was let go, he told the podcast host Joe Rogan. “I said wild shit. I’m going to *keep* saying wild shit.” https://t.co/B2OYYt9cFd — PolitiTweet.org
The New Yorker @NewYorker
Are we the same people at age four that we will be at 24, 44, or 74? Or do we change dramatically through time? https://t.co/YRSR55Eya9 — PolitiTweet.org
The New Yorker @NewYorker
A photograph known as “Double Standard,” captured by Dennis Hopper in the early 1960s, resides in the permanent collection of the Museum of Modern Art, and, as visual distillations of L.A. go, it’s one of the greats. https://t.co/5Mmgpp4vHM — PolitiTweet.org
The New Yorker @NewYorker
The new movie “Amsterdam” is a historical fantasy that is written and acted like a comedic tall tale, but it’s all the more remarkable for its basis in reality, @tnyfrontrow writes. https://t.co/mYTwxS9i3q — PolitiTweet.org
The New Yorker @NewYorker
The large-scale catastrophe of Lydia Millet’s new novel, “Dinosaurs,” is only as obvious as our own, @xwaldie writes—which is to say, ecological ruin lurks in the background, but the story clings to characters’ muted lives. https://t.co/11zXX2Nnl0 — PolitiTweet.org
The New Yorker @NewYorker
Was Liz Truss’s economic plan and subsequent reversal simply a case of reckless self-immolation, or a demonstration of the potential fragility of the global financial system? https://t.co/YHXoduowUD — PolitiTweet.org
The New Yorker @NewYorker
If the line on the rapid test shows up slowly and faintly, does that mean that you’re less infectious than when it appears right away and is the color of a Flamin’ Hot Cheeto? https://t.co/A75kj0Yuxn — PolitiTweet.org
The New Yorker @NewYorker
Abdulrazak Gurnah, whose 10th novel is now available in the U.S., has spent more than three decades chronicling the Swahili coast and its diaspora, in wry, wandering fiction whose understated style belies its narrative sophistication. https://t.co/lF7rQ9Am9S — PolitiTweet.org
The New Yorker @NewYorker
A little after dawn on Monday, Kyiv again fell under Russian bombardment, this time from a swarm of drones, several of which exploded in the city center. See photographs from the Ukrainian capital. https://t.co/3kUG1OVXD7 — PolitiTweet.org
The New Yorker @NewYorker
The Wisconsin Senate hopeful Mandela Barnes is running against Ron Johnson’s corporate-friendly agenda and the past of his own party. “He’s the kind of candidate the Democrats should have been running for the last 25 years,” a union organizer said. https://t.co/91C5Ooo2hU — PolitiTweet.org
The New Yorker @NewYorker
The documentary “Third Avenue,” which was completed in 1980, seems virtually prehistoric, @tnyfrontrow writes—because its subjects, thrust in relentless struggles for mere survival, appear to be cut off from their own future. https://t.co/qk3La2Hesc — PolitiTweet.org
The New Yorker @NewYorker
RT @yaffaesque: For this week's @NewYorker, I spoke to officials in Washington and Kyiv, tracing the story of how U.S. military support has… — PolitiTweet.org
