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The New Yorker @NewYorker

On a new episode of The Political Scene, @sbg1, @JaneMayerNYer, and @eosnos discuss the profound consequences of th… https://t.co/NFF7Z1kF1g — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

With “Beginnings,” the photographer Tina Barney is regrouping and going back to her roots, through works that she d… https://t.co/2oIgV7Pb1p — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

From @newyorkerhumor, some new Airbnb Experiences, specifically catering to tired adults. https://t.co/6O6aId14j4 — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

“Rewind & Play: ‘It’s Not Nice?’,” a new documentary about Thelonious Monk by the French Senegalese director Alain… https://t.co/u9NkwrCH6d — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

Governmental interventions in Haiti have a terrible track record. How can the world do right by a nation it’s so of… https://t.co/N6wj8oWBPJ — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

Evandro Teixeira’s pictures of the aftermath of a military coup offer glimpses of both the brutality of illegitimat… https://t.co/W1wL8miFvv — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

The 1962 movie “The Manchurian Candidate” was a flop. But the true artifact of Cold War culture, Louis Menand write… https://t.co/OoeI1xeY6D — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

On John Updike’s birthday, revisit classic moments from the writer’s contributions to The New Yorker, from fiction… https://t.co/fk8BDrvRHa — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

A new book argues that conversation can change our minds while sustaining our souls. https://t.co/R0ppwvgbIV — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

Eartha Kitt didn’t want to attend the White House luncheon that wound up derailing her career. “Those luncheons—wha… https://t.co/HKhAxaHGoH — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

The question of what Jamie Lloyd’s production of the 1879 drama “A Doll’s House” is about has much to do with its s… https://t.co/IH680GE68m — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

People are born and they die. The ambient prayer inside everything hip-hop has ever been or said or left unsaid is… https://t.co/yWx6cr19gk — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

Is A.I. image generation “like the invention of the electric light bulb or like the coming of the lava lamp?”… https://t.co/SAbmjgoqYw — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

A new show at the Zwirner gallery features recent works by Gerhard Richter, one of the most important artists worki… https://t.co/1oza5TCHJr — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

.@NYT_first_said, a bot that tweets whenever the Times uses a word that it has never used before, reactivates “our… https://t.co/PCQRhSCLIm — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

When Jamie Dack was 17, she started dating a 33-year-old man she met on an Amtrak train. The protagonist of her fir… https://t.co/GVvg7UWYdv — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

Once, the VW bus sparked dreams of community and counterculture. What’s gained—and lost—when flower power is electr… https://t.co/LPPnC595Kx — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

As the director of Kharviv’s Literary Museum, it’s Tetyana Pylypchuk’s job to think historically and narratively in… https://t.co/ArlgAsQwCN — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

The warped extremity of Cronenbergian body horror has kept the director at a distance from the mainstream, but it’s… https://t.co/Qokdxi30E0 — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

A.I.’s ineptitude at generating realistic-looking hands “is comforting, in a way,” @chaykak writes. https://t.co/zVqAbPTtPn — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

“The night Renzo died, he cried out in the night,” Matthew Schnipper writes, in a new Personal History. “This was t… https://t.co/VdjKQdoUmw — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

In Chris Rock’s new comedy special, much of the material feels like mere pretense, a half-thought prelude to the sh… https://t.co/GiE692jJfL — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

Sterling HolyWhiteMountain discusses his story from this week’s issue, about a young Blackfeet man undergoing a sor… https://t.co/CpsNxyg61Z — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

The “Party Down” revival does not disappoint, @inkookang writes. It sets a new standard for series resurrections by… https://t.co/n3fvJJEsfW — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

“The long night is over—you’ll never carry your own bags or professional weight again.” In @newyorkerhumor, a man g… https://t.co/zB6KW8OJZU — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

Swarm,” a new horror-thriller series about a fan’s violent devotion to a Beyoncé-like pop star, succeeds neither as… https://t.co/BCy73VhBav — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

The Willow project will produce roughly 575 million barrels of oil over the course of the next 30 years. By the Bid… https://t.co/s42xQTq2dh — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

The theme of today’s crossword is interior designers. Can you solve it? https://t.co/lpsHvv9YZ1 — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

This auteur declined George Lucas’s offer to direct “Return of the Jedi.” Can you guess who it is? https://t.co/yF0bHXoZ4D — PolitiTweet.org

Posted March 18, 2023
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The New Yorker @NewYorker

“These days a feather hung from a mirror is a common thing but at that time it struck me as having a meaning larger… https://t.co/7F7ssGD8cD — PolitiTweet.org

Posted March 18, 2023