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The New Yorker @NewYorker

“I travel around the world, eat a lot of shit, and basically do whatever the fuck I want.” Revisit a Profile of Anthony Bourdain, from 2017. https://t.co/wzce9vqMhm — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

The well-known conservative jurist J. Michael Luttig has joined the respondents opposing the election-law challenge Moore v. Harper, which he describes as “without question the most significant case in the history of our nation for American democracy.” https://t.co/MKzIBVaZdO — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

In the past 80 years, the U.S. has deployed sanctions against the Soviet Union, China, Cuba, Vietnam, Iran, and Iraq, among many others. How effective have they been? https://t.co/tC6ynfvpqI — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

For their new short documentary, “The Silent Shore,” the directors Timothée Corteggiani and Nathalie Giraud spent two weeks with a couple whose daughter died at age 17, unravelling the story of their lives on camera. Watch here. https://t.co/dMR82lEhaq — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

“On Quality,” a collection of Robert M. Pirsig’s speeches, fiction, letters, and musings that was posthumously published last month, reads like a notebook from a life spent pondering: Why are some things better than others? https://t.co/NEJa6KElwN — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

.@thomasbeller’s father died at 52. “Up to the age of 52, I could, if I wanted, pause and wonder, What was my father doing when he was my age?” Bellar writes. After, “I was on my own. In a way, you could say I was without a father, again.” https://t.co/4srbpQrQej — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

Most episodes of the podcast “Rumble Strip,” about life in Vermont, are adventuresome, reported sound portraits: we hear about road-crew workers, a town meeting, taxidermists, college girls getting ready for a party. https://t.co/F6II49t8RO — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

The startup Protégé combines elements of MasterClass and Cameo to match would-be stars with mentors. Recently, an aspiring sitcom star (day job: writer) requested virtual tutelage from ”Seinfeld” ’s Jason Alexander. https://t.co/TAojDpR1yn — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

It’s always been hard to amend the U.S. Constitution. But, in the past half century, it’s become much harder—so hard that people barely bother trying anymore. What impact does this have on our democracy? https://t.co/Pu01PpvJZJ — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

It’s always been hard to amend the U.S. Constitution. But, in the past half century, it’s become much harder—so hard that people barely bother trying anymore. What impact does this have on our democracy? https://t.co/oObs4VFxZh — PolitiTweet.org

Posted Oct. 26, 2022 Just a Typo
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The New Yorker @NewYorker

In @newyorkerhumor, a very chill episode of “Game of Thrones.” https://t.co/4aF2mLn1NR — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

The secret of life has to do with how we pull energy out of the world—with our ongoing, lifelong slow burn. Understanding the Krebs cycle, @jsomers writes, helps you better understand what it means to be alive. https://t.co/hVAIpYN7UW — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

Many of H.D.’s post-Imagist writings were unpublished in her lifetime, likely because of their lesbian content. The poet’s autobiographical novel “HERmione”—published in 1981, 20 years after her death—is one of the most vivid works she ever produced. https://t.co/3E9GqhIgfB — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

“If we have learned one thing in the past five years (from “The Inheritance” on Broadway, from Taylor Swift), it is that cardigans mean sorrow.” @Helen_E_Shaw reviews the stage adaptation of Hanya Yanagihara’s novel, “A Little Life,” at BAM. https://t.co/xv0nmm3yX0 — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

Harry Styles embodies the throwback cool of the classic pinup boy and the something-for-everyone ambiguity of the 21st century sex symbol. The problem is that, for all his natural charisma, he hasn’t grabbed the screen the way that a leading man needs to. https://t.co/ywJMRhbSNq — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

In “Nuisance Bear,” a new documentary short, polar bears share space with the people who’ve come to see them, walking cautiously between parked vehicles, being watched and watching back. https://t.co/B6S7XaRSW5 — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

“Anyone well acquainted with Korea might tell me that I don’t need a utopia, only to move to Seoul, where shops specializing in banchan, small, cold side dishes eaten with just about every Korean meal, abound,” Hannah Goldfield writes. https://t.co/fQvmlgaaSc — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

Across the country during this campaign cycle, Republican candidates have demonized Democrats on crime. But crime rates, and the trends behind them, often hinge on circumstances that defy political control. https://t.co/ARwnOm6wsm — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

The Senate likely hinges on the outcomes of races in six states: Arizona, Georgia, Nevada, Ohio, Pennsylvania, and Wisconsin. https://t.co/BXg5xtuEXq — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

In @newyorkerhumor, a new mother enumerates what she no longer has space for. https://t.co/RgTNSnXZDz — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

Alexander Grothendieck was revered for revealing connections between seemingly unrelated realms. Then he dropped out of society. https://t.co/XyZGqSLgbZ — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

The average television audience for a Formula 1 race is around 70 million people—four times that of the typical N.F.L. game—and the best drivers earn soccer-star salaries and lasting fame. In the U.S., the sport is surging in popularity. https://t.co/xKbY2kvfbH — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

“Life, in ‘Ulysses,’ is the experience of the body, from tip to toe, as it wanders through the world,” @mervatim writes. “It is sensation mediated by language, and language refined by sensation.” https://t.co/WdZyuAUCfW — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

In @newyorkerhumor, your landlord lists the reasons you’ll be paying more for exactly the same apartment this year. https://t.co/86O6elRWkQ — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

The pictures that Stephen Barker took inside New York City night clubs are “strong images about movement—people moving toward other people, glances that convey the desire to connect,” Hilton Als writes. https://t.co/dn3Ck6i46d — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

The Broadway musical “Kimberly Akimbo” is set, in part, on ice: two scenes are at a local rink, and some of the actors skate onstage. To train, the director and choreographer held “skate camp” at the ice-skating rinks at Chelsea Piers. https://t.co/FIHD379u01 — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

How Stanley Tucci helped make spaghetti alla Nerano—spaghetti spiffed up with zucchini, cheese, and basil—an international sensation. https://t.co/rDV5CKOUX4 — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

Dillie—a blind, white-tailed deer who died this year, at age 18—moved in with a veterinarian after her mother refused to nurse her. “She was a perfect guest,” @susanorlean writes. https://t.co/J1DHPit4Ak — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

At Sean Sherman’s restaurant in Minneapolis, every dish is made without wheat flour, dairy, cane sugar, black pepper, or any other ingredient introduced to this continent after Europeans arrived. https://t.co/zo8DadSDQq — PolitiTweet.org

Posted Oct. 26, 2022
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The New Yorker @NewYorker

From “A Little Life” to “Ted Lasso,” the trauma plot has taken over our pages and our screens. “Characters are now created in order to be dispatched into the past, to truffle for trauma,” Parul Sehgal writes. https://t.co/a4RaUZzV6x — PolitiTweet.org

Posted Oct. 26, 2022