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Showing page 219 of 3498.
The New Yorker @NewYorker
In “Nights of Plague,” Orhan Pamuk places his characters in a rich imaginary world and observes what happens to the state when an epidemic tests its tolerances. https://t.co/sefep4nroS — PolitiTweet.org
The New Yorker @NewYorker
The work to weaponize global financial systems against Putin wasn’t just informed by a long line of previous sanctions programs—it was complicated by them. https://t.co/rvcnm4aMuk — PolitiTweet.org
The New Yorker @NewYorker
“Such beliefs are belated, lapsed, overdue, like a book checked out from a library and then lost for decades; the story has moved indoors, the frontier has become one of recursion, quotation, paraphrase, allegory.” A short story by Johnathan Lethem. https://t.co/xv0k2tMuGl — PolitiTweet.org
The New Yorker @NewYorker
In the new animated short film “Death and the Lady,” a woman opens the door to Death, a rain-soaked figure cloaked in black, whom she invites in for a cup of tea. https://t.co/2zn7gcVkct — PolitiTweet.org
The New Yorker @NewYorker
The psychiatrist Bertrand Piccard—who is also a modern-day explorer—encourages his patients to embrace novel experiences. “You must overcome the past by doing something in the present that helps you in the future,” he says. https://t.co/lCrNoQR5Gj — PolitiTweet.org
The New Yorker @NewYorker
The longtime New Yorker critic Peter Schjeldahl, who died recently, “was openhearted, he knew how to praise critically, and, to the end, he was receptive to new things, new artists,” David Remnick writes. https://t.co/CKov06hgjv — PolitiTweet.org
The New Yorker @NewYorker
How a new language got off the couch and into the world. https://t.co/xDURmBUF1M — PolitiTweet.org
The New Yorker @NewYorker
In 1985, two boys from a Dublin suburb stowed away on a flight to New York. All they had for money were the coins they had stolen from some public fountains. A recent documentary recalls their escapade. https://t.co/UhGaNrQA3o — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor: a treasure trove of scathing reviews on clouds, books, dogs, and more. https://t.co/IV0t2bRvUr — PolitiTweet.org
The New Yorker @NewYorker
“I don’t want to be cheesy, but I feel like getting married and working on a relationship is my greatest accomplishment,” Ramy Youssef says, in a new interview. “That means so much more to me than popularity.” https://t.co/nU03fZ7P9e — PolitiTweet.org
The New Yorker @NewYorker
From 2019: The neurologist Oliver Sacks on steam engines, smartphones, and fearing the future. https://t.co/f6R4t5VgkO — PolitiTweet.org
The New Yorker @NewYorker
Why the economics of digital-book lending may not be sustainable for libraries without significant changes. https://t.co/fcB8HMo6iY — PolitiTweet.org
The New Yorker @NewYorker
Suzan-Lori Parks was the first Black woman to win the Pulitzer Prize for drama, and, in the two decades since, her prize-winning play “Topdog/Underdog,” now at the Golden, has become a classic. https://t.co/BhwBbCoTx0 — PolitiTweet.org
The New Yorker @NewYorker
“No one who set out to design a form of communication would ever end up with anything like English, Mandarin, or any of the more than 6,000 languages spoken today.” In 2012, Joshua Foer wrote about an amateur linguist who designed a language of his own. https://t.co/s1Fip3f7t8 — PolitiTweet.org
The New Yorker @NewYorker
The 19th-century French writer Honoré de Balzac supposedly drank 50 cups of coffee per day. What thoughts did this level of caffeine consumption inspire? https://t.co/CZqpaF0Oam — PolitiTweet.org
The New Yorker @NewYorker
“The whole phenomenon of ‘Bake Off’ is, to me, absolutely extraordinary,” Prue Leith says, in a new interview with @hels. “This is rather a cliché thing to say, but I do think that it is a force for good.” https://t.co/aXciTwuYjm — PolitiTweet.org
The New Yorker @NewYorker
These days, Okkervil River’s Will Sheff hopes to simply “embroider things with a little bit of beauty.” https://t.co/GYcs9KL6yS — PolitiTweet.org
The New Yorker @NewYorker
The battered copy of “Atlas Shrugged” in your Airbnb, Joe Manchin on a bad day, and other non-MAGA Republicans. https://t.co/JfRAbZDVuH — PolitiTweet.org
The New Yorker @NewYorker
Annie Ernaux has become famous for pushing the boundaries of memoir. “She writes of herself, but in a flat, observational, reportorial way that relentlessly inventories the surface of things,” @AdamGopnik writes. https://t.co/0FRkCmC8LW — PolitiTweet.org
The New Yorker @NewYorker
The U.S. economy has added, on average, half a million jobs per month since Joe Biden took office—a pace of job growth that is unprecedented for the first half-term of a Presidency. https://t.co/PJqZzdKzQ8 — PolitiTweet.org
The New Yorker @NewYorker
Bob Dylan is 81 years old and still at it. Why? Or, better, how? https://t.co/X947dVNweI — PolitiTweet.org
The New Yorker @NewYorker
The biochemist Nick Lane thinks that understanding metabolism could help us understand a great deal more—from cancer to the origins of life. https://t.co/KmQ0Ps6f7L — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @AdamSacks. #NewYorkerCartoons https://t.co/wRKuZ5YV1A — PolitiTweet.org
The New Yorker @NewYorker
Russia’s recent reverses on the battlefield have increased fears that Vladimir Putin will respond with nuclear escalation. “What a terrible way to observe the 60th anniversary of the Cuban missile crisis,” @sbg1 writes. https://t.co/FsmqvvCHuu — PolitiTweet.org
The New Yorker @NewYorker
The question of the Democrats’ future is usually framed as a struggle between progressives and centrists—but the races in closely contested states tell a more complicated story. https://t.co/XpIacOsjhI — PolitiTweet.org
The New Yorker @NewYorker
Fish whose name sounds like an exclamation: four letters. https://t.co/coar3VjSHp — PolitiTweet.org
The New Yorker @NewYorker
What’s all the rage this autumn. https://t.co/1G0haB3a6A — PolitiTweet.org
The New Yorker @NewYorker
“They would tell us we’re not needed by anyone, there’s no more Ukraine, we’re forgotten, no one is coming to get us,” said a Ukrainian schoolteacher who was held prisoner for months—and recently returned home. https://t.co/4nl3TmYJgd — PolitiTweet.org
The New Yorker @NewYorker
Six years ago, Orhan Pamuk started writing a historical novel about the outbreak of bubonic plague on a fictional island. Then viral reality caught up with fiction, and Pamuk was suddenly writing a book officially set in 1901 but pointing to 2020. https://t.co/msAxqygDYH — PolitiTweet.org
The New Yorker @NewYorker
“Edward Hopper’s New York,” at @whitneymuseum, “is a terrific show based on a great idea, and it’s weird that no one thought to approach his work in this way before,” Hilton Als writes. https://t.co/YGrEWMc6YF — PolitiTweet.org
