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The New Yorker @NewYorker
In role after anodyne role—including his latest, in the DC Comics blockbuster “Black Adam”—Dwayne “The Rock” Johnson slips in and out of racial categories at will. The only fixed aspect of his onscreen presence is his own singular stardom. https://t.co/CbGiZJobJ4 — PolitiTweet.org
The New Yorker @NewYorker
In Sweden, every Saturday is effectively a national holiday, called lördagsgodis, which means “Saturday candy.” https://t.co/kH2YCN9jQ7 — PolitiTweet.org
The New Yorker @NewYorker
At FESTAC ’77, a landmark cultural festival in Lagos, Marilyn Nance created “a giant family album” for Africa and its diaspora. https://t.co/fkA8jsHN2N — PolitiTweet.org
The New Yorker @NewYorker
How E. Nesbit used her grief, her politics, and her imagination to make a new kind of book for kids. https://t.co/qwz3GcaeXa — PolitiTweet.org
The New Yorker @NewYorker
In the U.S., we’re told to love work, and to find meaning in it, as if work were a family, or a religion. Jill Lepore chronicles how the unravelling of the labor movement ushered in a new era of work as life. https://t.co/uUWHKiUL9r — PolitiTweet.org
The New Yorker @NewYorker
“At a bar, Matt Damon and one of the Afflecks (the one you like less) both order a Sam Adams, the only beer legally allowed to be served on tap in Massachusetts.” https://t.co/AwYOmfR1IX — PolitiTweet.org
The New Yorker @NewYorker
A series of tender black-and-white pictures show Julia Child before books, before cooking on television, before fame. https://t.co/JGdtSHUKFX — PolitiTweet.org
The New Yorker @NewYorker
“Tár,” starring Cate Blanchett, is “a regressive film that takes bitter aim at so-called cancel culture and lampoons so-called identity politics,” @tnyfrontrow writes. https://t.co/0oajTG5WVG) — PolitiTweet.org
The New Yorker @NewYorker
In July, Saudi Arabia's new golf league held a tournament at Donald Trump’s club in New Jersey. Many at the event failed to notice the golf at all. “It’s so dope,” a young man in a MAGA hat remarked. “There are so many hot bitches here.” https://t.co/RQTBkYVGro — PolitiTweet.org
The New Yorker @NewYorker
“House of the Dragon” focusses squarely on women exercising power. Yet what makes the prequel stand out is not its political maneuverings but its convincingly knotty interpersonal dynamics, @chaykak writes. https://t.co/yCrKHq0Crd — PolitiTweet.org
The New Yorker @NewYorker
A series of tender black-and-white pictures show Julia Child before books, before cooking on television, before fame. https://t.co/BVGQz5lasV — PolitiTweet.org
The New Yorker @NewYorker
Prison inmates being held in solitary confinement experience prolonged lack of human contact and sensory deprivation. A volunteer-run program sends them the images they would most like to see. https://t.co/s1MobTF1JS — PolitiTweet.org
The New Yorker @NewYorker
In the winter months, communities close to the North Pole experience a phenomenon known as polar night: a period of uninterrupted darkness. In Utqiagvik, this lasts for approximately two months. https://t.co/oDY3QDD2dX — PolitiTweet.org
The New Yorker @NewYorker
If Vladimir Putin were to use nuclear weapons against Ukraine, the attack would terrorize the country’s population and shatter a seven-decade-old international taboo, all while bringing few benefits on the battlefield, an expert says. https://t.co/5MTYDlkE6D — PolitiTweet.org
The New Yorker @NewYorker
Tuesday’s election in Israel—the fifth since April of 2019—seems unlikely to settle things down any more than the previous four have. https://t.co/9aEPNSK4eL — PolitiTweet.org
The New Yorker @NewYorker
The tantalizing text every New Yorker dreams of receiving: “My improv show got cancelled.” https://t.co/RnQWn9HbBZ — PolitiTweet.org
The New Yorker @NewYorker
The artist Anne Truitt began keeping a journal in 1974, at 53. Her writing became something of a touchstone for aspiring artists and writers. Recently, a fourth volume of her diaries, “Yield,” was published posthumously. https://t.co/a1qZXzmlXk — PolitiTweet.org
The New Yorker @NewYorker
A new short film by Winter Dunn follows a family through the day of Tupac Shakur’s death, in a poignant story of public and private grief. Watch here. https://t.co/9sNguy9PUt — PolitiTweet.org
The New Yorker @NewYorker
There have been several cultural texts recently that depict the coddled super-rich and the underclass that scrambles to serve them. But “Triangle of Sadness” might go the hardest. https://t.co/qLJAIL98Fp — PolitiTweet.org
The New Yorker @NewYorker
.@winterjessica examines balanced literacy, an enormously influential pedagogy that determined how generations of students learned—or didn’t learn—to read. https://t.co/9GkUqvbF7N — PolitiTweet.org
The New Yorker @NewYorker
“Grief enables you to love more fully, to experience things more fully,” @andersoncooper says, in a new interview with @amandapetrusich, on life, death, and what it means to be human. https://t.co/PIt0MhaHGl — PolitiTweet.org
The New Yorker @NewYorker
It’s amazing to see, in @whitneymuseum’s exhibition “Edward Hopper’s New York,” “how he mined his relatively narrow experience to produce work that still feels wide-ranging and universal,” Hilton Als writes. https://t.co/8uiXqMBpfO — PolitiTweet.org
The New Yorker @NewYorker
This week in @newyorkerhumor, some pre-Halloween spells to ward off the Sunday Scaries. https://t.co/BMo9OXymZR — PolitiTweet.org
The New Yorker @NewYorker
One writer embarks on a 9,000-mile roadtrip across America in the footsteps of the photographer Robert Frank, who captured the iconic images in his photography book “The Americans” on a similar trip in 1955. https://t.co/NNqSjCvgPD — PolitiTweet.org
The New Yorker @NewYorker
“Show me the lie,” @frynaomifry writes, of “Triangle of Sadness,” the new black comedy from the Swedish director Ruben Östlund. “The willful obliviousness of the ultra-wealthy is something that we see and experience and become numb to on a daily basis.” https://t.co/KbWSH9JBnk — PolitiTweet.org
The New Yorker @NewYorker
For the documentary “In Silico,” a filmmaker set out to track the creation of a simulated brain. He ended up capturing a more complicated story. https://t.co/wxbr7H1IV4 — PolitiTweet.org
The New Yorker @NewYorker
“Through Bollywood, India tells itself stories about itself,” @samanth_s writes. “Many of those stories are now starkly different, in lockstep with the right wing’s bigotry.” https://t.co/tc9gHAjvB6 — PolitiTweet.org
The New Yorker @NewYorker
The end of Prime Minister Liz Truss’s premiership—the shortest in British history—illustrates that the Conservative Party “is an utter mess, a collapsed heap, with warring factions within its factions,” @JohnCassidy writes. https://t.co/AnoenHDdWh — PolitiTweet.org
The New Yorker @NewYorker
The work to weaponize global financial systems against Putin wasn’t just informed by a long line of previous sanctions programs—it was complicated by them. https://t.co/Vsb34N5R9C — PolitiTweet.org
The New Yorker @NewYorker
A permanent exhibit celebrating the stenographic arts, on Long Island, traces shorthand’s history back to the origins of written language. https://t.co/b7bTCd4MTt — PolitiTweet.org
