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The New Yorker @NewYorker

.@elizagriswold reports on the consequential Pennsylvania midterms, which may determine the balance of power in the Senate and the future of reproductive access and voting rights in the state. https://t.co/gd6SkYIhKZ — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

A cartoon by @lynnihsu. #NewYorkerCartoons https://t.co/6Z7mAXkRwJ — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

.@RachelAviv investigates the multiple accusations of intellectual theft levelled against Asghar Farhadi, the Oscar-winning director and darling of Iranian cinema. https://t.co/nefA85KtH3 — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

Inside this week’s issue of The New Yorker: https://t.co/ILImCETW4M https://t.co/RrFGmZ5Th1 — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

The photographer Robert Hickerson’s project “The Mother of Sighs” is an ode to the campy brutality of “Suspiria,” the 1977 giallo classic directed by the Italian auteur Dario Argento. https://t.co/Trh8e4HE17 — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

This is the pandemic-backlash election, @benwallacewells writes. https://t.co/fyZFX333iA — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

A pedal-to-the-metal, German-language “Hamlet” has come to New York at last, after a 14-year wait: the Schaubühne Berlin production was first shown in Athens in 2008. https://t.co/LqN8QH1b3o — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

Our Midterms Sale is here. Cast a vote for award-winning journalism. Subscribe and save, plus get a free tote. https://t.co/dZKAJSqKX9 https://t.co/vUg15u8eUT — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

Today’s Name Drop subject is a famous comedian who was nominated for a Tony Award in 2018. Can you figure out who it is in 100 seconds or less? https://t.co/xwOopaLICo — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

On #NewYorkerRadio, Bono discusses his new memoir, “Surrender,” which deals with the early loss of his mother, finding religion in music, and navigating the Troubles as a member of a rock band from Dublin. Listen here. https://t.co/NvO0vtHQz3 — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

How the right-wing group Moms for Liberty is bringing fears about “critical race theory” to the elementary-school level—and working to reshape America’s public education system. https://t.co/ag3rBPzQmF — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

In Pennsylvania, the midterm election is not just a fight to win the vote—it’s a fight to safeguard the integrity of the electoral system, @elizagriswold writes. https://t.co/HD0UH4P1ML — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

Margaret Talbot profiles @WeyesBlood, whose new record is out in November. “One of the rewards of a Weyes Blood album is the sense that, beneath the transistor-radio prettiness, something stranger lurks,” she writes. https://t.co/VuHzeugzCQ — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

Is the acclaimed Iranian filmmaker Asghar Farhadi an artistic genius or a liar who uses others’ ideas? Or is he both? https://t.co/witT1jcIVF — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

Six-time Emmy winner Alan: four letters. https://t.co/z74AVAHgxA — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

Drawing covers for The New Yorker has “changed my notion of what constitutes an ‘idea,’ ” the artist Adrian Tomine said. “I used to always be looking for stories or characters or dialogue, and now I can just zero in on a moment.” https://t.co/nocfDl8lKm — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

This week’s cover, “Fall Sweep,” by Adrian Tomine. #NewYorkerCovers https://t.co/SMTs2Vqvq4 https://t.co/vf0dcnB7a9 — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

In “Nuisance Bear,” a new documentary short, polar bears share space with the people who’ve come to see them, walking cautiously between parked vehicles, being watched and watching back. https://t.co/oz0Gwtr7dv — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

T. Coraghessan Boyle discusses “Princess,” his story from the new issue of the magazine: “The magic of fiction is that it allows us to project ourselves into the point of view of characters whose perceptions and belief systems are different from our own.” https://t.co/H8IbLmWBWY — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

T. Coraghessan Boyle reads his story “Princess,” which appears in the latest issue of the magazine. Listen here. https://t.co/ZvsIsMUzGk — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

Getting Americans motivated to cast a ballot is difficult in any midterm election, @etammykim writes. With inflation, a voter finds herself internally at war: the anxious consumer versus the struggling wage laborer. https://t.co/xHnOEtaNFu — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

“A kind of rapid triangulation through bits of online information—I call it Reddit profiling—has become the Internet’s emergency response for understanding men who do terrible things,” @jaycaspiankang writes. https://t.co/BZi2GhcJF0 — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

Jerry Lee Lewis, the foundational rock-and-roll pianist, singer, and songwriter, was always true to his nickname, the Killer. https://t.co/lDAHtlOoI4 — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

“Sanctions involve costs. There’s no way around it,” an official who works with the U.S. Treasury Department said. “We are cutting ourselves off from the Russian market. We have a responsibility to make sure we are not doing more than we have to.” https://t.co/NgCaOXKFKv — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

“We hoped and trusted that we would be stimulated by placing ourselves in a new context, that there would be value for us in seeing the world from a new vantage point,” @Rebeccamead_NYC writes, in a new Personal History. https://t.co/TCS4OmP2oT — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

What has been contested since Brown v. Board of Education is what, exactly, “discrimination on the basis of race” means, @JeannieSGersen writes. https://t.co/ToZqWedf7j — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

The screening writing guru Robert McKee will devote the final day of his famous “Story” seminar to a six-hour, scene-by-scene analysis of “Casablanca,” which he considers a paragon of excellent writing. https://t.co/qFgKiMdsKN — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

At the original Jalao restaurant, in Santo Domingo, live music is a major draw. During Hannah Goldfield’s recent visit to the Washington Heights location, there was no band, but a manager could not help dancing among the tables as he made his rounds. https://t.co/43YX8qlZX0 — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

Recently, the brand Diesel “upped its already considerable horniness quotient by sending, as part of the invitation to its Milan fashion show, a butt plug tucked inside an elegant tomato-red box,” @frynaomifry writes. https://t.co/7FINXItT5k — PolitiTweet.org

Posted Oct. 31, 2022
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The New Yorker @NewYorker

“What is it about asafetida that so haunts the senses? Many spices and seasonings change when they are toasted,” Madhur Jaffrey writes. “But something almost miraculously transformative happens to asafetida when it hits hot oil or ghee.” https://t.co/hUz9fHFlNN — PolitiTweet.org

Posted Oct. 31, 2022