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The New Yorker @NewYorker
At first listen, a @WeyesBlood song might remind you of “some long-lost track from the 1970s,” Margaret Talbot writes. Yet much of what makes the music feel contemporary is its ironic relationship to the past. https://t.co/yqb1zt3Ttq — PolitiTweet.org
The New Yorker @NewYorker
“We are talking about a genius,” the Iranian actress Taraneh Alidoosti said, of the filmmaker Asghar Farhadi—“but he is also a genius in the ways that he has to suck the people around him out of their ideas.” https://t.co/JvuifzJnZ9 — PolitiTweet.org
The New Yorker @NewYorker
Over the course of eight sometimes emotional months, the architects of the Biden Administration's sanctions program found that reining in Putin was harder than anticipated. https://t.co/OzF2as2EcS — PolitiTweet.org
The New Yorker @NewYorker
For @SteveMartinToGo and @Blisscartoons, finding inspiration is no joke. https://t.co/9VWq8fQSXS — PolitiTweet.org
The New Yorker @NewYorker
“People want you to know who their child was. People want you to know what they’re going through. They don’t want to die in silence,” @andersoncooper says, in a new interview. https://t.co/bLqgAOh1qW — PolitiTweet.org
The New Yorker @NewYorker
Bob Dylan is 81 years old and still writing and performing. “In his own way, he is reminiscent of Verdi, Monet, Yeats, O’Keeffe,” David Remnick writes: “a freak of creative longevity.” https://t.co/SYSM8tDV1y — PolitiTweet.org
The New Yorker @NewYorker
“People talk about trying to change society,” a young Bob Dylan said, in 1964. “All I know is that so long as people stay so concerned about protecting their status and protecting what they have, ain’t nothing going to be done.” https://t.co/WPa6pROUyl — PolitiTweet.org
The New Yorker @NewYorker
“Israel is on tenterhooks, fearing that divisions exacerbated by recurring elections may spin into violence,” Bernard Avishai writes. “Each bloc has positioned itself to win by swallowing, respectively, a rightist and an ultra-rightist poison pill.” https://t.co/ayDBLXQdDB — PolitiTweet.org
The New Yorker @NewYorker
Andrew Cuomo is using his new podcast, which premièred two weeks ago, to dip a toe back into the public arena. His crusade against wokeness has required some strange alliances. https://t.co/jpgtIqhGW0 — PolitiTweet.org
The New Yorker @NewYorker
Nick Paumgarten catches up with King Gizzard & the Lizard Wizard, the pretty-much-every-genre rock band from Australia, on its tour stop in New York. https://t.co/LDa5HSFPmb — PolitiTweet.org
The New Yorker @NewYorker
Recently, a group of university students convened to award the first-ever U.S. Goncourt Prize, a Stateside version of the Prix Goncourt, France’s biggest literary honor. Heated deliberations ensued. https://t.co/c4xNLYIBCn — PolitiTweet.org
The New Yorker @NewYorker
In its most compelling moments, AMC’s “Interview with the Vampire,” a lustily unfaithful adaptation of Anne Rice’s 1976 novel, explores which powers a Black vampire can or cannot wield in a segregated America. https://t.co/fvRyQSE71n — PolitiTweet.org
The New Yorker @NewYorker
“Armageddon Time,” a new film by the writer and director James Gray, is, in effect, a naturalistic horror story of a practical crime and a moral crime. https://t.co/xDI4YuqZMw — PolitiTweet.org
The New Yorker @NewYorker
Even if Elon Musk isn’t too concerned about getting his money back after his takeover of Twitter, outside investors in the company certainly will be. https://t.co/vVrElTVfhK — PolitiTweet.org
The New Yorker @NewYorker
The subject of today’s Name Drop is one of only four writers to have won two Pulitzer Prizes for fiction. Can you guess who it is? https://t.co/UbZq73AQtk — PolitiTweet.org
The New Yorker @NewYorker
The HBO series “The White Lotus” became a pop-cultural phenomenon for its exploration of class anxieties. Will the second season manage to sustain our interest in the idling rich? https://t.co/StnkKg9Hsf — PolitiTweet.org
The New Yorker @NewYorker
Marlon Brando was often credited as the first Method movie star. But it was John Garfield that pioneered the approach and held the door open for Brando, Montgomery Clift, James Dean, Paul Newman, and others to walk through. https://t.co/QPnD6ge4tt — PolitiTweet.org
The New Yorker @NewYorker
“Mamma Mia” band: four letters. https://t.co/LfnhzdyV1G — PolitiTweet.org
The New Yorker @NewYorker
”Shuna’s Journey,” by the celebrated children’s animator Hayao Miyazaki, is a tale of ecological collapse that reflects our present moment and predicts our near future. https://t.co/d02HXgKoWV — PolitiTweet.org
The New Yorker @NewYorker
The Pennsylvania gubernatorial candidate Doug Mastriano is one of the most extreme candidates currently running for office, and his methods are highly unconventional. “Mastriano is waging a classic PsyOps campaign,” a former C.I.A. operative said. https://t.co/RR3bgxOhWk — PolitiTweet.org
The New Yorker @NewYorker
“Most of my life, I’ve looked at it in the same way—through the eyes of a ten-year-old child,” @andersoncooper says. Creating his podcast, “All There Is,” opened the CNN anchor up to other ways of looking at grief. https://t.co/Fek3IssPQl — PolitiTweet.org
The New Yorker @NewYorker
.@KeeangaYamahtta considers the ways that the U.S. has reckoned, or failed to reckon, with the ongoing legacy of American slavery. https://t.co/yrLmOObPpm — PolitiTweet.org
The New Yorker @NewYorker
The photographer Robert Hickerson’s series “The Mother of Sighs” adopts the visual language of “Suspiria” to present a sumptuous retelling of the film’s creation, starring his mothers. https://t.co/biUZvCGthT — PolitiTweet.org
The New Yorker @NewYorker
“Tangled Up in Blue” is the one song in Bob Dylan’s vast catalogue that he has never seemed to be finished with. https://t.co/vLcNsbdhgf — PolitiTweet.org
The New Yorker @NewYorker
The economic sanctions deployed against Russia have led to a range of unintended consequences, from global inflation to crop shortfalls in impoverished countries. Have they deterred Putin? https://t.co/CoIJGzb4HR — PolitiTweet.org
The New Yorker @NewYorker
Last week, members of the Congressional Progressive Caucus released a letter—which was later retracted—urging President Biden to “engage in direct talks with Russia.” What happened? https://t.co/uZpPIWl80R — PolitiTweet.org
The New Yorker @NewYorker
Facebook seems to be moving away from its traditional focus on text and images, spread among people who know one another, to instead adopt TikTok’s emphasis on pure distraction. This shift is not surprising, but it is shortsighted, Cal Newport writes. https://t.co/OXAyFJW75t — PolitiTweet.org
The New Yorker @NewYorker
On this week’s episode of the Fiction Podcast, the author Jamil Jan Kochai reads and discusses “All Will Be Well,” by Yiyun Li. Listen here. https://t.co/ZqYXfWZ9RK — PolitiTweet.org
The New Yorker @NewYorker
“My busy season starts in the fall and doesn’t end until spring.” In @newyorkerhumor, a beanie chronicles its modern life. https://t.co/FG7SKMhZtg — PolitiTweet.org
The New Yorker @NewYorker
Claiming that it is protecting children and American values, the right-wing group Moms for Liberty is trying to shape curricula—and public education—across the country. https://t.co/vWFRMSfujF — PolitiTweet.org
