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The New Yorker @NewYorker
The Presidency looms again for Luiz Inácio Lula da Silva and, with it, an enormous amount of work to fulfill the campaign pledges he made. They include solving hunger, rescuing the economy, ending homelessness, and easing global climate change. https://t.co/KT3U9M5OIN — PolitiTweet.org
The New Yorker @NewYorker
Heidi Klum’s worm costume seemed to underscore, whether consciously or not, the endless heavy lifting that a certain kind of femininity requires. https://t.co/SjVGsYlNEA — PolitiTweet.org
The New Yorker @NewYorker
The new Audio tab in our iOS app collects our latest reporting, criticism, fiction, and podcasts, plus favorites from The New Yorker’s archive, for easy listening, at home or on the go. https://t.co/ghICrL9Is2 — PolitiTweet.org
The New Yorker @NewYorker
A grill for the dads, a sandbox for the kids, and more than enough disaster projections to go around! Plus, Lizzie’s making her famous potato salad. https://t.co/DcfZFI1M5v — PolitiTweet.org
The New Yorker @NewYorker
.@accommodatingly on the rise of the multiverse, and its aesthetic implications: “If all potential endings come to pass, what are the consequences of anything? What matters?” https://t.co/Gfjtr6wnQI — PolitiTweet.org
The New Yorker @NewYorker
What can hunter-gatherer societies reveal about the frustrations of contemporary work? “Our ancestors were adapted to do hard things well,” Cal Newport writes. “The modern office, by contrast, encourages a fragmented mediocrity.” https://t.co/2eXnw5elMk — PolitiTweet.org
The New Yorker @NewYorker
Many of H.D.’s post-Imagist writings were unpublished in her lifetime, likely because of their lesbian content. The poet’s autobiographical novel “HERmione”—published in 1981, 20 years after her death—is one of the most vivid works she ever produced. https://t.co/eJ9Hqzsmge — PolitiTweet.org
The New Yorker @NewYorker
“I do wonder if this is going to be a cohort of kids whose puberty was more rapid because they were in a critical window of susceptibility during a time of great social upheaval,” a pediatric endocrinologist said, about the recent uptick in early puberty. https://t.co/vSSCWWyMQX — PolitiTweet.org
The New Yorker @NewYorker
The historical family drama “Interview with the Vampire,” AMC’s reimagining of a 1976 novel, is a gothic domestic soap—Lifetime themes gussied up in Southern finery, @inkookang writes. https://t.co/4zs78znLEa — PolitiTweet.org
The New Yorker @NewYorker
An anthropologist discusses what is unique about the recent protests in Iran, and what her experience in prison taught her about the Iranian regime. https://t.co/T0MjxAjNp6 — PolitiTweet.org
The New Yorker @NewYorker
“He was like tissue paper coming apart in water. Like smoke in my hands. It had nothing to do with you, baby. You left when you had to.” A poem by @edgarjameskunz. https://t.co/5EKlRunS7Z — PolitiTweet.org
The New Yorker @NewYorker
“We have to make sure Row N is perfect,” one acoustical engineer said wryly, of the New York Philharmonic’s latest renovation. “That is where music critics tend to sit.” https://t.co/ttufiiqerD — PolitiTweet.org
The New Yorker @NewYorker
The 23-year-old British musicians Rosa Walton and Jenny Hollingworth, together known as the pop-duo “Let’s Eat Grandma,” have reconnected for a new album and a show at Webster Hall, this Friday. https://t.co/Mi9Jzd32YY — PolitiTweet.org
The New Yorker @NewYorker
In the past few years, predator-hunter videos have become a minor YouTube phenomenon. They tend to follow the formula made famous by the TV segment “To Catch a Predator,” in the early 2000s, “but with a more chaotic, D.I.Y. energy,” @rachmonroe writes. https://t.co/K6tsSveRhh — PolitiTweet.org
The New Yorker @NewYorker
Anticipation for Thomas Ostermeier’s production of “Hamlet,” now at @BAM_Brooklyn, has been sky high. “I saw this show in Berlin more than a decade ago, and I’ve been dreaming of it ever since,” @Helen_E_Shaw writes. https://t.co/a9RwekCqll — PolitiTweet.org
The New Yorker @NewYorker
“We are on vacation, from life and from struggle both. We are ‘going with the flow.’ ” A short story by Zadie Smith, from 2017. https://t.co/WZ3TNJPKUL — PolitiTweet.org
The New Yorker @NewYorker
How can you be sure the name you choose for your child is good? There are experts for that. https://t.co/o3H09Tx95x — PolitiTweet.org
The New Yorker @NewYorker
“More than at any time of my life, I no longer have that voice that says, ‘You’re fucking up.’ That’s a tremendous blessing, really.” Revisit David Remnick on Leonard Cohen’s introspective final days. https://t.co/ext7OgcLVR — PolitiTweet.org
The New Yorker @NewYorker
“It’s a word I am still grappling with,” Bono says, about the title of his new memoir, “Surrender.” “I’m quite a defiant character. But I’m working on it.” Listen to a live conversation between Bono and David Remnick on #NewYorkerRadio. https://t.co/TPfVNby6SF — PolitiTweet.org
The New Yorker @NewYorker
The Criterion Channel is hosting a retrospective of films featuring the late John Garfield, a superstar of the 1940s whose body of work has long gone under-recognized. https://t.co/A80m8B6ixM — PolitiTweet.org
The New Yorker @NewYorker
“Dinosaurs,” a new novel by Lydia Millet, belongs to a cadre of recent novels that link characters’ suffering to the creeping terminality of the natural world. https://t.co/MTgVQonfEA — PolitiTweet.org
The New Yorker @NewYorker
Taylor Swift’s fans treat her every song as a decoder ring, but it’s the artist’s vocal technique that gives her new album, “Midnights,” its power. https://t.co/xfNPZqgACn — PolitiTweet.org
The New Yorker @NewYorker
On Saturday, 156 people were crushed in a crowd in Seoul’s Itaewon neighborhood. As the numbers of dead rose over the weekend, government officials responded poorly or not at all. https://t.co/NOhgdqo2z8 — PolitiTweet.org
The New Yorker @NewYorker
Political destabilization is a dynamic process, in which acts and threats of violence build on one another, Benjamin Wallace-Wells writes. The electoral system, which produced this bad situation, probably won’t be able to fix it. https://t.co/wIPV6FzqQd — PolitiTweet.org
The New Yorker @NewYorker
This past Sunday, having secured early release from prison with a court-ordered suspension of the charges against him, Luiz Inácio Lula da Silva won Brazil’s Presidency for the third time. https://t.co/3TEEDPfbaJ — PolitiTweet.org
The New Yorker @NewYorker
The new book “Stroller” explores how the ubiquitous tool came to sit at the intersection of natural parental anxiety, consumerism run amok, and the outsized weight we place on the choices of individual parents. https://t.co/7DMtnUFW83 — PolitiTweet.org
The New Yorker @NewYorker
The case of the headless goats in the Chattahoochee River, which runs through metro Atlanta, is a mystery. It’s also a public-health hazard, and a nightmare for a stretch of river that’s newly safe for recreation. https://t.co/x5oYoWyn41 — PolitiTweet.org
The New Yorker @NewYorker
Looking at how modern labor differs from our ancient past highlights why work has become so alienating and exhausting—and surfaces ideas about how to fix it. https://t.co/L8PBZ7ArpW — PolitiTweet.org
The New Yorker @NewYorker
Jack Welch, the former C.E.O. of General Electric, turned the manufacturing behemoth into a financial house of cards. Why was he so revered? https://t.co/mY8AlHh1hI — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @WardSutton. #NewYorkerCartoons https://t.co/Zoa5Z3zCe3 — PolitiTweet.org
