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The New Yorker @NewYorker
Dwayne “The Rock” Johnson has leveraged the elasticity of his racial identity to free himself from sexual baggage, Lauren Michele Jackson writes. He has sacrificed his natural intrigue and virtuosity at the altar of bankability. https://t.co/gCR2XvBuIk — PolitiTweet.org
The New Yorker @NewYorker
The literary scholar and cultural theorist Lauren Berlant saw the American Dream as cruel optimism, a condition “when something you desire is actually an obstacle to your own flourishing.”https://t.co/gsSgVdeAgD — PolitiTweet.org
The New Yorker @NewYorker
“The company culture is going to change a lot under Elon,” a Twitter employee told The New Yorker. “When he brought his own people in, it felt like Obama employees must have felt when they were going through the Trump transition.” https://t.co/gXM5qgZR7s — PolitiTweet.org
The New Yorker @NewYorker
One could frame the Alaska Senate race as one of warring visions for the future of the Republican Party, or as a referendum on whether Alaska is open to Senator Lisa Murkowski’s break with the G.O.P. https://t.co/L6gpZ10N6L — PolitiTweet.org
The New Yorker @NewYorker
Rachel Aviv writes about a man who, at 34, learned his abusive childhood was part of an experiment. https://t.co/fkDWG3TLk8 — PolitiTweet.org
The New Yorker @NewYorker
“I don’t want to be cheesy, but I feel like getting married and working on a relationship is my greatest accomplishment,” Ramy Youssef says, in a new interview. “That means so much more to me than popularity.” https://t.co/wQd3PKFMhI — PolitiTweet.org
The New Yorker @NewYorker
If you don’t like Our Pick, a licensed carpenter, try Our Upgrade Pick, an established creative—if you can bear stepkids named Django and Samuel L. https://t.co/dHDBL02XSi — PolitiTweet.org
The New Yorker @NewYorker
“How heedless you’d loved them after all, as they’d loved who- ever it was, was you.” A poem by @JoyceCarolOates. https://t.co/sUqFfRzT9v — PolitiTweet.org
The New Yorker @NewYorker
A 9,000-mile roadtrip across America in the footsteps of the photographer Robert Frank, who captured the iconic images in his photo book “The Americans” on a similar trip in 1955. https://t.co/ZGuVZgG9iZ — PolitiTweet.org
The New Yorker @NewYorker
“Don’t Worry Darling,” one of many films to use a modern home as a villain’s lair, dramatizes the gap between the dream of perfect order and the reality of human behavior—a gap that haunted the architectural vanguard from the start. https://t.co/Hf4UA0u3Xa — PolitiTweet.org
The New Yorker @NewYorker
A new book traces the impact and influence of Samuel Adams, who inaugurated the American tradition of show-business politics. https://t.co/cm52XGsfQa — PolitiTweet.org
The New Yorker @NewYorker
There have been several cultural texts recently that depict the coddled super-rich and the underclass that scrambles to serve them. But “Triangle of Sadness” might go the hardest. https://t.co/LGGo4sgkBQ — PolitiTweet.org
The New Yorker @NewYorker
The politics of Beijing had prepared Guo Wengui for navigating Trump’s Washington—another realm where money bought influence, business mixed with government, and truth merged with fiction. What is he after? https://t.co/a2VFxssma1 — PolitiTweet.org
The New Yorker @NewYorker
“Straight Line Crazy,” a new play about the tsarist urban planner Robert Moses, scrupulously declines to portray its subject as blinkered and corrupt. https://t.co/mAoRADmXBM — PolitiTweet.org
The New Yorker @NewYorker
What’s all the rage this autumn. https://t.co/1IPrMQ9cC3 — PolitiTweet.org
The New Yorker @NewYorker
On Friday, layoffs began in earnest at Twitter. One employee spoke anonymously with The New Yorker about the atmosphere at the company, and shared their predictions for what the Musk-run platform will look like in the future. https://t.co/Ke4HHNdjlX https://t.co/WtLtYze6Vy — PolitiTweet.org
The New Yorker @NewYorker
Many @WeyesBlood tracks have a curious effect, Margaret Talbot writes. When hearing them for the first time, “you feel the swell of bittersweet emotion that usually comes from songs that you already know and have overlaid with memories.” https://t.co/iqRdZiN83a — PolitiTweet.org
The New Yorker @NewYorker
گلشیفته فراهانی، بازیگر ایرانی، گفت: «ما چون در دیکتاتوری زندگی میکنیم، غریزهمان به ما میگوید که برای بقا دروغ بگوییم. ولی ممکن است گاه تا جایی پیش برویم که یادمان برود حقیقت چیست.» https://t.co/tBq7rhdqoR — PolitiTweet.org
The New Yorker @NewYorker
“What animates ‘The Banshees of Inisherin’ and saves it from stiffness is the clout of the performances,” Anthony Lane writes. https://t.co/ShljaAKl0G — PolitiTweet.org
The New Yorker @NewYorker
.@benwallacewells speaks to Republican pollsters and consultants about their predictions for Tuesday’s election. “The word that kept coming up in these conversations was ‘bloodbath.’ ” https://t.co/gdfCfpbS5q — PolitiTweet.org
The New Yorker @NewYorker
Asghar Farhadi’s films portray characters who lie to protect their social status and are terrified about their secrets being uncovered. How do these themes reflect the details of the filmmaker’s own life? https://t.co/yz0wY5gW73 — PolitiTweet.org
The New Yorker @NewYorker
Above all, Quentin Tarantino’s new book “Cinema Speculation” is “a vision, in motion, of a Hollywood-centric mind,” @tnyfrontrow writes. https://t.co/FJkHMCflY5 — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, a few other training garments. https://t.co/8NVc78KHnZ — PolitiTweet.org
The New Yorker @NewYorker
“West Side Story” heroine: five letters. https://t.co/kyu6UP6OnF — PolitiTweet.org
The New Yorker @NewYorker
As things stand, Arab citizens of Israel, who make up 21 per cent of Israel’s population, will have no representation in the next government. This, despite the historic participation of an Islamist party in Israel’s last ruling coalition. https://t.co/KolNbfFPh2 — PolitiTweet.org
The New Yorker @NewYorker
If traders can’t wager on elections, they will take their business to unregulated crypto exchanges or offshore bookmakers—or find something new to bet on. https://t.co/d8l1xnat78 — PolitiTweet.org
The New Yorker @NewYorker
The multiverse first appeared in fiction as a plot device or a philosophical notion that could power interesting stories. But in the second half of the 20th century it evolved from a storytelling tool to a business tactic. https://t.co/18Fx3jH3cB — PolitiTweet.org
The New Yorker @NewYorker
Ju Qi, in Flushing, Queens, showcases the cultural history of Beijing with dishes both traditional and theatrical. https://t.co/lOWNERDsF5 — PolitiTweet.org
The New Yorker @NewYorker
On this week’s #NewYorkerRadio, @drmoore speaks with David Remnick about Christianity and American Politics; @elizagriswold reports on Christian nationalism in Pennsylvania; and the “White Lotus” director Mike White tells tales of privilege. https://t.co/4KXp7BBm41 — PolitiTweet.org
The New Yorker @NewYorker
Native American voters helped swing Arizona for the Democrats in 2020—in response, the Republican governor and state legislature have curtailed ballot access for an already marginalized constituency. https://t.co/pV0AcX9YhZ — PolitiTweet.org
