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The New Yorker @NewYorker
On a new episode of #NewYorkerRadio, Jonathan Freedland talks about his new book, which tells the true story of a Holocaust survivor who escaped from Auschwitz. Plus, the Sudanese American poet Safia Elhillo talks about her latest collection. Listen here. https://t.co/9g9e2fOgFB — PolitiTweet.org
The New Yorker @NewYorker
The evangelical theologian Russell Moore reflects on his split from the Southern Baptist Convention and the politicization of religion. Christian nationalism, he says, is a danger to Christians. https://t.co/kXOToUiGsS — PolitiTweet.org
The New Yorker @NewYorker
See images from a new collection of Roe Ethridge’s photographs, which features more than 450 pages of pictures made between 1999 and 2022, including many that audiences haven’t seen before. https://t.co/zgU2VeAkeh — PolitiTweet.org
The New Yorker @NewYorker
A Profile of the Oscar-nominated composer Carter Burwell, who has written scores for the Coen brothers, Catherine Hardwicke, Sidney Lumet, David Mamet, Mike Nichols, and Spike Jonze, among others. https://t.co/OjjvHSJ5M9 — PolitiTweet.org
The New Yorker @NewYorker
“Your hand-me-downs are better than your marital advice,” and other revelations. https://t.co/5lNoCNcSot — PolitiTweet.org
The New Yorker @NewYorker
Eric Finkelstein and Matt Ross, the sandwich experts and playful nostalgists behind Court Street Grocers and the HiHi Room, have taken over the former Eisenberg’s diner, now called S&P Lunch. https://t.co/2QMKNgkEq1 — PolitiTweet.org
The New Yorker @NewYorker
Despite the threats to this election, democracy prevailed, @JohnCassidy writes. And, in many closely watched races, voters repudiated Republican proponents of the Big Lie. https://t.co/yfmT8o41Xa — PolitiTweet.org
The New Yorker @NewYorker
According to a new book, we should speak not of “colonial America” but of “an Indigenous America that was only slowly and unevenly becoming colonial,” and recognize that the central reality of the period was ongoing Indigenous resistance. https://t.co/u7Aqvhpr8W — PolitiTweet.org
The New Yorker @NewYorker
On our Politics and More podcast, @ericlach discusses the legacy of Andrew Cuomo, New York’s redistricting saga, and the Republicans’ unlikely electoral victory in the state. Listen here. https://t.co/VHK43cSOiu — PolitiTweet.org
The New Yorker @NewYorker
In Seoul, after a crowd of mostly young people were crushed to death on the weekend leading up to Halloween, the nation’s abiding emotion is grief. “But there is also blood-boiling rage,” E. Tammy Kim writes. https://t.co/Y5YRRIFd3Z — PolitiTweet.org
The New Yorker @NewYorker
Anthony Lane reviews “The Fabelmans,” Steven Spielberg’s portrait of a budding filmmaker’s childhood, and “Bones and All,” Luca Guadagnino’s visceral yet graceful movie about two young cannibals in love. https://t.co/RjWN1BEAiv — PolitiTweet.org
The New Yorker @NewYorker
About 50 of the Metamorphoses’ tales—one out of five—center on rapes or attempted rapes. The translator Stephanie McCarter argues that the nature of this violence has often been dulled by evasive or euphemistic translations—“ravish,” “plunder.” https://t.co/muO5RcbFAY — PolitiTweet.org
The New Yorker @NewYorker
“The tone of our visit was playful and kind. The other tone, the violence from when I was fifteen, would not return.” A story by the Nobel laureate Annie Ernaux. https://t.co/g3gjwL3gnF — PolitiTweet.org
The New Yorker @NewYorker
In “Ousmane,” an award-winning short film by Jorge Camarotti, an unexpected connection emerges between an immigrant and a woman with dementia. Watch here. https://t.co/pqU3kFeTHF — PolitiTweet.org
The New Yorker @NewYorker
“But I don’t know how to edit videos!” you say. That’s not our problem. Our only problem is deciding how we’re going to mess with you next. https://t.co/nAIGvw0jLx — PolitiTweet.org
The New Yorker @NewYorker
What musician collaborated with the writer Picander on a work in which a father fails to curb his daughter’s obsession with coffee, a drink that was relatively new to Europe at the time? https://t.co/7X0W4voRqU — PolitiTweet.org
The New Yorker @NewYorker
Where to get bread in a bodega? (Three letters.) https://t.co/0A5BJA2ZNt — PolitiTweet.org
The New Yorker @NewYorker
Dostoevsky was born on this day in 1821. The Russian author’s disturbingly visionary protagonist Raskolnikov lives on in a new kind of American crime. https://t.co/JZVctynSvs — PolitiTweet.org
The New Yorker @NewYorker
A new book and solo exhibition of Baldwin Lee’s work makes the case that he is one of the great overlooked luminaries of American picture-making. https://t.co/Z4OjyZmwqn — PolitiTweet.org
The New Yorker @NewYorker
On Kurt Vonnegut’s birthday, revisit Salman Rushdie on how Vonnegut’s antiwar novel “Slaughterhouse-Five” allows, at the end of the horror that is its subject, for the possibility of hope. https://t.co/XBC5sqbxG4 — PolitiTweet.org
The New Yorker @NewYorker
After Moriah Wilson was killed, the gravel racer Colin Strickland released a statement that said that he had a brief romantic relationship with her. The police questioned Strickland’s longtime girlfriend and released her. Then she disappeared. https://t.co/qsQGkAA43S — PolitiTweet.org
The New Yorker @NewYorker
As an actor and a writer, Emma Thompson looks for ways to dramatize female heroes as more than just a support team for men. In her life and career, she said, she has felt “viciously angry, viscerally enraged by the belittling of women”: https://t.co/dH5gWX6tX0 https://t.co/yduoBYxGps — PolitiTweet.org
The New Yorker @NewYorker
Judith Thurman’s 2003 piece on the “tall and cadaverous” Luisa Casati, a Milanese aristocrat who, having probably spent more money on clothes and jewels than any queen in history, died penniless, in 1957. https://t.co/XsEuJu8dYs — PolitiTweet.org
The New Yorker @NewYorker
“I’m surrounded by people I’ve known since I was a child,” said Emma Thompson, who still lives on the West Hampstead street where she grew up. “They’re not going to put up with me being grand.” https://t.co/nk440XBDcT — PolitiTweet.org
The New Yorker @NewYorker
Anyone who has ever seen a Charlie Chan movie, or played Clue, or read a detective story of the past half century will recognize the classic whodunnit scenario created by Agatha Christie. https://t.co/0u2HypkMjV — PolitiTweet.org
The New Yorker @NewYorker
The new book “Stroller” explores how the ubiquitous tool came to sit at the intersection of natural parental anxiety, consumerism run amok, and the outsized weight we place on the choices of individual parents. https://t.co/GONwNKDFes — PolitiTweet.org
The New Yorker @NewYorker
“Only the moonlight interrupts this near-nothingness, the play of it on the glossy swell like a music you can feel, or like the mapping of something happening to me on another level” A poem by @tbfxdonnelly. https://t.co/owGTXvRuBN — PolitiTweet.org
The New Yorker @NewYorker
A series of tender black-and-white pictures show Julia Child before books, before cooking on television, before fame. https://t.co/Y9i5y4Y0PB — PolitiTweet.org
The New Yorker @NewYorker
From the #NewYorkerArchive: Nora Ephron’s 2002 love letter to the hot pastrami sandwich at Langer’s Delicatessen, in downtown Los Angeles. “It’s soft but crispy, tender but chewy, peppery but sour, smoky but tangy,” she writes. “It’s a symphony orchestra.” https://t.co/3s5vdnYzPH — PolitiTweet.org
The New Yorker @NewYorker
One keyboard enthusiast, like many others, traces his interest in the hobby to the beginning of the pandemic. “I was looking for something to do anyway, and keyboards quickly became a pretty large part of my life,” he said. https://t.co/ASdl6lGPaa — PolitiTweet.org
