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Showing page 196 of 3498.
The New Yorker @NewYorker
It takes a village to raise a child. It also takes a village to move the big rocks to Easter Island, to satisfy Oglo the Hungry Giant, and to host the Olympics. https://t.co/0WGPHepgZp — PolitiTweet.org
The New Yorker @NewYorker
“He’s good at reinventing himself,” a friend of the gravel-racing star Colin Strickland said. But Strickland’s connection to the murder of a fellow cyclist has changed his career trajectory. “He’s not riding a bike anymore.” https://t.co/3oL5SSAbIc — PolitiTweet.org
The New Yorker @NewYorker
This week on #NewYorkerRadio, Jonathan Freedland talks about his new book, which chronicles the life of Rudolf Vrba, who escaped from Auschwitz as a teen. Listen here. https://t.co/04gjGy1Znx — PolitiTweet.org
The New Yorker @NewYorker
“Farhadi gives us a sense of power and progress,” one Iranian said, of the acclaimed filmmaker Asghar Farhadi. “People just don’t want to listen to any story that might make our idol, our hero, come down.” https://t.co/Ml3TDfmtdy — PolitiTweet.org
The New Yorker @NewYorker
Rereading Joan Didion, “you find her astringency relentless, undimmed by age,” Zadie Smith writes. “Maybe this is why it remains easier to look at pictures of Didion than to read her. The look is undoubtedly a vibe. But the reading is a dissection.” https://t.co/cYDKIrMSlB — PolitiTweet.org
The New Yorker @NewYorker
“Most artists in pop culture are very serious. And I’m serious about what I do, as well, but it’s a different kind of thing. I’m serious about being silly.” In a new Interview @alyankovic talks about parodying others, as well as himself. https://t.co/JK2jvCK2la — PolitiTweet.org
The New Yorker @NewYorker
If traders can’t wager on elections, they will take their business to unregulated crypto exchanges or offshore bookmakers—or find something new to bet on. https://t.co/rk6lHiAc0A — PolitiTweet.org
The New Yorker @NewYorker
“Back at the office, refugees from the land of death squads waited for us and apologized in Spanish, fingering eviction notices in hieroglyphics.” A poem by @mespadapoet. https://t.co/XbMGAr8gj9 — PolitiTweet.org
The New Yorker @NewYorker
A new translation of Ovid’s Metamorphoses confronts the tricky issues associated with both the poet and his epic. https://t.co/gI5kC9dfzH — PolitiTweet.org
The New Yorker @NewYorker
“The Fabelmans” explores and expands on the double impulse that has continually tugged at Steven Spielberg: the need for roots, versus the risks and the rapturous promise of uprooting. https://t.co/wEoMvpVUkc — PolitiTweet.org
The New Yorker @NewYorker
After she heard “Do It Again,” @ChelseaLeu became entranced with Steely Dan. “What was with these harmonies, so strange and so addictive?” she writes. “Who would make a song like this?” https://t.co/uKJlLJFKCN — PolitiTweet.org
The New Yorker @NewYorker
“It was as if there were two Bevs: the one who experienced the day for the first time, and this one, the one she regarded as herself, trapped inside the other.” Fiction by J. Robert Lennon, from 2019. https://t.co/AJB4MDwsbz — PolitiTweet.org
The New Yorker @NewYorker
Fiction by John Cheever, from 1964: “Making his way home by an uncommon route gave him the feeling that he was a pilgrim, an explorer, a man with a destiny.” #NewYorkerArchive https://t.co/haPUv27dnE — PolitiTweet.org
The New Yorker @NewYorker
Markus Brunetti’s pictures of historic cathedrals are comprised of thousands of images each, digitally stitched together while erasing pesky signs of modern life—to strange and breathtaking effect. See more: https://t.co/TbJa9meVcK https://t.co/6G3FGT3pmq — PolitiTweet.org
The New Yorker @NewYorker
The French crime novelist Georges Simenon was a high-living libertine; his greatest character, Inspector Maigret, was a man of moral restraint. Yet the writer’s excesses are a clue to his detective’s successes. https://t.co/5VVuxmxNXv — PolitiTweet.org
The New Yorker @NewYorker
On “Nothing Special,” the artist Will Sheff, now 46, surveys the ecstasies and the devastations of getting older and giving up on some things. https://t.co/MlmYUuUMCF — PolitiTweet.org
The New Yorker @NewYorker
The artist Peter Doig’s use of figuration and narrative seemed out of date—until the art world decided otherwise. https://t.co/8l0qfU3KwF — PolitiTweet.org
The New Yorker @NewYorker
In a new book of Roe Ethridge’s pictures, “American Polychronic,” two sides of the photographer’s career inform, spark, and subvert each other. https://t.co/8soXM5DiNH — PolitiTweet.org
The New Yorker @NewYorker
The members of the conservative group Moms for Liberty like to say that “We don’t co-parent with the government.” “Don’t we though?” Jessica Winter writes. https://t.co/eH04Z9hv2x — PolitiTweet.org
The New Yorker @NewYorker
The writer Calvin Trillin, a self-professed “collector of ledes,” describes one of his all-time favorites: a single, unpunctuated sentence about a 600-pound camel who was bit in the genitalia by a woman trying to rescue her deaf dog. https://t.co/DZgTaJuv7s — PolitiTweet.org
The New Yorker @NewYorker
“Across the country, Election Day tends to involve a certain amount of managed chaos,” @rachmonroe writes. But what happens when technical issues crop up in Maricopa County, which has been the epicenter of election conspiracies for the past two years? https://t.co/a1eXTXS7MN — PolitiTweet.org
The New Yorker @NewYorker
At S&P Lunch, formerly Eisenberg’s Sandwich Shop, the classics have not been updated so much as painstakingly honed—the menu has been pared down, but it still feels encyclopedic, featuring roughly three dozen sandwiches. https://t.co/XrKIfeG4HQ — PolitiTweet.org
The New Yorker @NewYorker
In Barry Blitt’s latest Kvetchbook, Jackson Pollock splashes out on the electoral map. https://t.co/lsjTww9B8A https://t.co/GuyQkicUKF — PolitiTweet.org
The New Yorker @NewYorker
When @FrancoiseMouly first met Art Spiegelman, he was putting together “Breakdowns,” an anthology of comic strips that she thought were “dazzling examples of formalist works.” https://t.co/6auD5mT0B7 — PolitiTweet.org
The New Yorker @NewYorker
The Democrats won an outsized share of independent voters in this year’s midterm races, Nate Cohn, the chief political analyst at the New York Times, says. “There’s a ton of crossover happening right now.” https://t.co/FmBIwcl08s — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, the eyes might be the windows to the soul, but the under-eye bags are the window-box planters to the soul. https://t.co/KSixOR4zG1 — PolitiTweet.org
The New Yorker @NewYorker
The Justices in the Supreme Court majority today, while repeating Antonin Scalia’s cries, are doing precisely what he claimed to loathe: they’re ruling like kings. https://t.co/jz2ezbG3vW — PolitiTweet.org
The New Yorker @NewYorker
“I was half alive,” Emma Thompson said, of the collapse of her marriage to Kenneth Branagh, in 1995. “Any sense of being a lovable or worthy person had gone completely.” https://t.co/0QWvpdUC0c — PolitiTweet.org
The New Yorker @NewYorker
Since Elon Musk took the reins at Twitter, the platform has descended into chaos. But how will users know when it’s time to jump ship? https://t.co/6yD1RJcDWu — PolitiTweet.org
The New Yorker @NewYorker
“The woman thought, That isn’t a dog. It’s a human being on its hands and knees!” Fiction by Joyce Carol Oates, from 2013. https://t.co/OQ8iUVWUOa — PolitiTweet.org
