Deleted tweet detection is currently running at reduced
capacity due to changes to the Twitter API. Some tweets that have been
deleted by the tweet author may not be labeled as deleted in the PolitiTweet
interface.
Showing page 176 of 3498.
The New Yorker @NewYorker
Paul Desmond, the original saxophonist of the Dave Brubeck Quartet, wrote a piece for Audrey Hepburn. He never knew she’d heard it. https://t.co/iZjcpevKRs — PolitiTweet.org
The New Yorker @NewYorker
In the early 1980s, the single-panel comic “The Far Side” became, arguably, the smartest and most inventive daily comic of the late 20th century, @asarahlarson writes. https://t.co/CziLn0SSt1 — PolitiTweet.org
The New Yorker @NewYorker
Are we the same people at age four that we will be at 24, 44, or 74? Or do we change dramatically through time? https://t.co/Sdl9wcsw70 — PolitiTweet.org
The New Yorker @NewYorker
In 2019, Shane Gillis was fired from the cast of “S.N.L.” after a journalist unearthed a clip of him making offensive remarks. He understands why he was let go, he told the podcast host Joe Rogan. “I said wild shit. I’m going to *keep* saying wild shit.” https://t.co/uk9C6TrLVy — PolitiTweet.org
The New Yorker @NewYorker
Bob Dylan’s book of essays, “The Philosophy of Modern Song,” is “rich, riffy, funny, and completely engaging,” David Remnick writes. https://t.co/VvTAA2l7bF — PolitiTweet.org
The New Yorker @NewYorker
Greek and Roman statues were often painted, but assumptions about race and aesthetics have suppressed this truth. https://t.co/hSP1w8HBgi — PolitiTweet.org
The New Yorker @NewYorker
Thousands of women who claim that Johnson & Johnson’s talcum powder gave them ovarian cancer filed lawsuits—then the company pulled a legal maneuver that stalled their cases and prevented others from even filing. https://t.co/MN1VaJnFdU — PolitiTweet.org
The New Yorker @NewYorker
“In retrospect, there’s no way this could have worked,” said one WeWork employee, a software engineer, about the company’s failed I.P.O. https://t.co/kV45ZC4FJL — PolitiTweet.org
The New Yorker @NewYorker
In 2019, Shane Gillis was fired from the cast of “S.N.L.” after a journalist unearthed a clip of him making offensive remarks. He understands why he was let go, he told the podcast host Joe Rogan. “I said wild shit. I’m going to *keep* saying wild shit.” https://t.co/g8plc4FQai — PolitiTweet.org
The New Yorker @NewYorker
It’s taboo for mothers to express ambivalence about parenthood, and even more so for caregivers of children with limitations. The short documentary “Holding Moses” intentionally confronts that taboo. Watch here. https://t.co/tBkMoPBdy1 — PolitiTweet.org
The New Yorker @NewYorker
“There’s nothing like sitting in the park on a hot day, sprawled across a plaid blanket, enjoying a laugh with friends and feeling a gentle, cool breeze on my skin, but—counterpoint—there’s also nothing like TV.” https://t.co/tpnYDKsC1O — PolitiTweet.org
The New Yorker @NewYorker
See pictures by the iconic New York photographer Jamel Shabazz, who captured images of a cohort of carefree young people before the war on drugs. https://t.co/LqeTs2UTvq — PolitiTweet.org
The New Yorker @NewYorker
“He’s good at reinventing himself,” a friend of the gravel-racing star Colin Strickland said. But Strickland’s connection to the murder of a fellow cyclist has changed his career trajectory. “He’s not riding a bike anymore.” https://t.co/R0izRXvgnX — PolitiTweet.org
The New Yorker @NewYorker
“We say of some things that they can’t be forgiven, or that we will never forgive ourselves,” Alice Munro writes. “But we do—we do it all the time.” #NewYorkerArchive https://t.co/Dluuil3V1Y — PolitiTweet.org
The New Yorker @NewYorker
“If big change is hard, bigger change is even harder,” @ElizKolbert writes, of the climate crisis. “How are we going to build a whole new economic system if we can’t even enact a carbon tax?” https://t.co/GVNA8T9dYq — PolitiTweet.org
The New Yorker @NewYorker
On his YouTube channel, Stephen Findeisen dissects the tricks of self-proclaimed financial gurus who target people like himself and his friends—young men who are distrustful of the traditional financial system but hungry for some kind of edge. https://t.co/eab3CTO6pM — PolitiTweet.org
The New Yorker @NewYorker
The new film “Women Talking” illustrates how survivors of sexual assault can be made to feel crazy. We’ve only recently developed a language to talk about sexual abuse, the director Sarah Polley said. https://t.co/aUOlTA6cHz https://t.co/IK3gXk8Z6b — PolitiTweet.org
The New Yorker @NewYorker
Shortly before the World Cup, the British broadcaster Piers Morgan aired an interview with Ronaldo in which the star bashed Manchester United—a transparent attempt to force his way out of the club. https://t.co/Sktrb1kdxJ — PolitiTweet.org
The New Yorker @NewYorker
For some novelists, writing is “a way of going up toward something,” Annie Ernaux said. “For me, it’s the absolute opposite. Not going underground, exactly. But into a well.” What draws her down? An idea of some kind? No: “An obsession.” https://t.co/hw3i2IG6a6 — PolitiTweet.org
The New Yorker @NewYorker
The comedian Rob Delaney’s new book coaxes the reader up to the edge of grief’s abyss, and does what it takes—even telling jokes—to get you to peer inside a little longer than you might have otherwise. https://t.co/VrOpIGqYV4 — PolitiTweet.org
The New Yorker @NewYorker
Jonathan Franzen on Charles M. Schulz’s “Peanuts,” the only comic strip that dealt with stuff that really mattered, he writes. Schulz was born on this day in 1922. https://t.co/JuXe3NeKA6 — PolitiTweet.org
The New Yorker @NewYorker
In 2013, Newtown, Connecticut, formed a volunteer commission of a dozen local residents to discuss if, and how, they could design a memorial to the Sandy Hook victims. Parents requested gardens and solemnity and serenity. https://t.co/tjUpModnoD — PolitiTweet.org
The New Yorker @NewYorker
“The real pressure in this World Cup has been not to win but to impress, to play with promise and some style,” @louisahthomas writes. https://t.co/jhcVggevsq — PolitiTweet.org
The New Yorker @NewYorker
On a recent afternoon at L’Ami Pierre, a new French café in midtown, Hannah Goldfield watched a man walk down the street with baguette in his mouth. “The bread had been genuinely irresistible,” she writes. https://t.co/Od9uPcRUs9 — PolitiTweet.org
The New Yorker @NewYorker
In the new documentary “The Treasure of His Youth” (opening on Dec. 9, at Film Forum), Bruce Weber celebrates the extraordinary life and work of the photographer Paolo Di Paolo. https://t.co/ukqDHoYyGT — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, the movies do not compare to real life. In the movies, Dennis Quaid is your dad. In real life, you wish he was your dad, but also kind of your husband. It’s complicated! https://t.co/SuhsBuWJXi — PolitiTweet.org
The New Yorker @NewYorker
“Lady Bird” director Gerwig (five letters). https://t.co/rlKUjxnepS — PolitiTweet.org
The New Yorker @NewYorker
“My dream barber would have a good sense of humor, but never laugh when I show him a photo of a hilariously handsome man like Jude Law.” — PolitiTweet.org
The New Yorker @NewYorker
.@lsjamison on the best-selling children’s-book series that offered multiple endings, reconciling two conflicting desires of childhood: autonomy and protection. https://t.co/SvXYiLThZs — PolitiTweet.org
The New Yorker @NewYorker
From 1996: Before Barack Obama ran for office, he and Michelle Obama discussed their relationship and the pitfalls of entering politics. https://t.co/Km7R9Upuhy — PolitiTweet.org
