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Showing page 173 of 3498.
The New Yorker @NewYorker
“It was April, the full moon, that weird blood moon—that’s when I was writing these songs, writing all the words.” Neil Young discusses his latest album, which came to him as an almost metaphysical experience, he says. https://t.co/mWhqpKFlJs — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor: one woman’s quest to bring back the word “poser.” https://t.co/lWEtArwlE6 — PolitiTweet.org
The New Yorker @NewYorker
The Taiwanese photographer Annie Wang’s series “Mother as Creator” depicts the grand creative endeavor of motherhood, showing a succession of layered images that give viewers the experience of looking down a time-tunnel. https://t.co/UM8KRzTUd9 — PolitiTweet.org
The New Yorker @NewYorker
Mike Disfarmer’s small-town portraits first attracted attention because art collectors took it upon themselves to make and publish prints. Now the photographer’s heirs want control of the estate. https://t.co/55NkapOqDr — PolitiTweet.org
The New Yorker @NewYorker
Defending Darwinism from both clerical and scientific opponents, T. H. Huxley and his grandson Julian shaped how we think about the past and future of our species. https://t.co/rtvby4xVQo — PolitiTweet.org
The New Yorker @NewYorker
“I wish I could give a sense of how perfect ‘Catch as Catch Can’ is,” @Helen_E_Shaw writes, in her review of Mia Chung’s eerie drama. https://t.co/fTuBSKtkkH — PolitiTweet.org
The New Yorker @NewYorker
Will Arbery tackles the climate crisis with a funny nightmare about human and environmental fragility. https://t.co/EeqRPFPz6v — PolitiTweet.org
The New Yorker @NewYorker
How to sell, donate, and give away that which no longer sparks joy. https://t.co/MQn7C4zG27 — PolitiTweet.org
The New Yorker @NewYorker
Through “Peanuts,” Charles Schulz wanted to tell hard truths about, as he said, “intelligent things.” But the main truth he tells is that there are no answers to the big questions. https://t.co/fVfeY7bgjj — PolitiTweet.org
The New Yorker @NewYorker
The American public appears to dread a rematch between its two oldest Presidents, and both of them are viewed unfavorably by a majority of the public. https://t.co/cDEmUyY7mE — PolitiTweet.org
The New Yorker @NewYorker
Mastodon is the most talked-about alternative to Twitter. In comparison, “you don’t feel the same level of hostility there,” an editor at an Irish Web site said, and there’s no “swathe of American bullshit to cut through.” https://t.co/nwjw3BNKST — PolitiTweet.org
The New Yorker @NewYorker
“This is much better than reading a boring paper will, right? I feel like the host of a reality show called ‘What You Deserve.’ ” In @newyorkerhumor, the screening of one man’s last wishes, via VCR. https://t.co/YSbA1BjqUM — PolitiTweet.org
The New Yorker @NewYorker
From 2018: From Hippocrates’ four humors to the omnipresent Myers-Briggs, personality assessments and predictions promise to categorize human nature. https://t.co/yN6sa7Oe00 — PolitiTweet.org
The New Yorker @NewYorker
“But I don’t know how to edit videos!” you say. That’s not our problem. Our only problem is deciding how we’re going to mess with you next. https://t.co/Eoy1a31Fny — PolitiTweet.org
The New Yorker @NewYorker
A new animated short about the fraught friendship between a Jewish woman from Israel and a Black German woman asks: Can we reckon with our histories while refusing to be defined by them? Watch here. https://t.co/DvTyEdd8fZ — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @asherperlman. #NewYorkerCartoons https://t.co/gUXpMf3w2K — PolitiTweet.org
The New Yorker @NewYorker
Companies in the hospice business can expect some of the biggest returns for the least amount of effort of any sector in American health care, @avakofman reports. Between 2011 and 2019, the number of hospices owned by private-equity firms tripled. https://t.co/qiey9211Ev — PolitiTweet.org
The New Yorker @NewYorker
“I get up there and sing, and I watch people change,” James Hetfield, the lead singer of Metallica, told @amandapetrusich. Today the band announced plans to release its 11th record. https://t.co/egViuF8FgP — PolitiTweet.org
The New Yorker @NewYorker
To the extent that people remain active on Twitter, they preserve the fragile viability of Elon Musk’s gambit. The illusory sense of community that still lingers on the platform is one of Musk’s most significant assets. https://t.co/S30eJlu65D — PolitiTweet.org
The New Yorker @NewYorker
The recent protests in China, against the gruelling effects of Xi Jinping’s signature “zero COVID” strategy, represent the boldest domestic political challenge to the country’s government in decades. https://t.co/qprEcwR4Ae — PolitiTweet.org
The New Yorker @NewYorker
Kathy Acker “wasn’t interested in sharing stories about herself so that others might marvel or relate,” @magsrdoherty writes. “Nor did she see first-person writing as cathartic. Her aim was always to dissolve her own identity.” https://t.co/WBS48CDwAJ — PolitiTweet.org
The New Yorker @NewYorker
.@drawingolive illustrates the freelance life. https://t.co/HXddqscAg9 — PolitiTweet.org
The New Yorker @NewYorker
Our 30 per cent sale has been extended for one more day—shop now and save. https://t.co/PWSVJeYDK3 — PolitiTweet.org
The New Yorker @NewYorker
“Although I do sit alone at a desk to write, I’m never working in isolation. I’m always reaching out to other stories, paintings, lives, etc.” Danielle Dutton discusses her story from this week’s issue. https://t.co/o9qLfIMPXV — PolitiTweet.org
The New Yorker @NewYorker
This seven-time Emmy nominee fell in love with acting as a teen, during a trip to see “Of Mice and Men.” Can you guess who it is? https://t.co/4wwUFakFMc — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @jonadams. #NewYorkerCartoons https://t.co/mMLQm0g1ak — PolitiTweet.org
The New Yorker @NewYorker
Jill Lepore profiles the novelist Mick Herron, whose wildly popular “Slough House” series has turned the spy thriller on its head. https://t.co/VnroDBIyCF — PolitiTweet.org
The New Yorker @NewYorker
Greer Lankton brought her dolls to life in window displays, in diorama-like sets and gallery installations, or in her own apartment. In a series of enthralling, funny, and gutting photos, the late artist captured the worlds she built. https://t.co/FO1UjkeTdS — PolitiTweet.org
The New Yorker @NewYorker
.@mollyhfischer profiles the illustrator Yam Karkai, whose N.F.T. collection, World of Women, became a celebrity sensation, and who is now hoping her company can weather the current “crypto winter.” https://t.co/vk76IhcUZl — PolitiTweet.org
The New Yorker @NewYorker
Northernmost city in the United States: nine letters. https://t.co/RzonM6NHwn — PolitiTweet.org
