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The New Yorker @NewYorker
In the spirit of revision and reappropriation and hubris—the spirit of folk music—@amandapetrusich compiles a companion to Bob Dylan’s “The Philosophy of Modern Song”: her own list of formative records. https://t.co/LGLN4ZgclH — PolitiTweet.org
The New Yorker @NewYorker
The Sandy Hook memorial’s spatial poetics—the balance between circular pathways and blocks of granite, its enduring engravings of names in stone and perennials for texture and color through the seasons—ground its intent. https://t.co/pNqdEFUJ4G — PolitiTweet.org
The New Yorker @NewYorker
From 2020: The photographer Brittany M. Powell set about photographing 99 Americans who owe money and asked them to handwrite accompanying text about how much they owe, and to whom. https://t.co/ReWLzgQAcW — PolitiTweet.org
The New Yorker @NewYorker
“I don’t like to dwell on it much, but I think everybody’s terrified,” Neil Young said, of climate change. “We have to get to the point where we all come together, and we realize that we’re all on the same Earth.” https://t.co/f1o6sW1mAF — PolitiTweet.org
The New Yorker @NewYorker
See some of the best TV shows of 2022, including “Hacks,” “My Brilliant Friend,” “This Fool,” and “This is Going to Hurt.” https://t.co/HevXyZyQTw — PolitiTweet.org
The New Yorker @NewYorker
.@amandapetrusich profiles Metallica—a progenitor of thrash metal with legions of devoted fans—in its 41st year. https://t.co/7daLj6D8OE — PolitiTweet.org
The New Yorker @NewYorker
“There’s never been a cohort quite this creative in American soccer,” @huahsu writes. “Maybe there’s no reason to wait until 2026 for them to gel.” https://t.co/X0j2wkJbed — PolitiTweet.org
The New Yorker @NewYorker
.@edcaesar recaps Tuesday’s match between England and Wales: “a local derby, played on foreign soil, and the first time two British nations have faced each other in a World Cup.” https://t.co/afzLLDu3eI — PolitiTweet.org
The New Yorker @NewYorker
A U.N. report on the Xinjiang region found that China’s government had committed violations that may amount to “crimes against humanity.” Some activists think it didn't go far enough. https://t.co/eX6xo20WkO — PolitiTweet.org
The New Yorker @NewYorker
The longtime legal copy editor Mick Herron, who does not drive a car or own a smartphone, writes spy novels—the best in a generation, by some estimations, and irrefutably the funniest. Where does his inspiration come from? https://t.co/k0vvQn4932 — PolitiTweet.org
The New Yorker @NewYorker
“I actually wanted to get laid off. It would have given some finality to everything.” A Twitter employee speaks anonymously to The New Yorker about the atmosphere at the company. https://t.co/4t39dv59tX — PolitiTweet.org
The New Yorker @NewYorker
Stéphane Bourgoin riveted audiences with tales of his encounters with the “Son of Sam” murderer David Berkowitz and the “Killer Clown” John Wayne Gacy. He was revered as an expert on serial killers—until fans dug into his story. https://t.co/VQYm78rh5m — PolitiTweet.org
The New Yorker @NewYorker
Constance Debré’s new book, “Love Me Tender,” suggests that the love between mother and son can crack in a million, sometimes irreparable, places. “But it is still love, and Debré is still vulnerable to its power,” @alexis_ok writes. https://t.co/oIEZPgnqrU — PolitiTweet.org
The New Yorker @NewYorker
“who loved the baby instantly who fed the baby until she passed out who gave up sleep and time and mind and heart she who gave so generously of her body over and over only to have them say it was never hers to give” A poem by @HeyLizzieHarris. https://t.co/sbDZl7Pt3q — PolitiTweet.org
The New Yorker @NewYorker
“Wild turkeys have returned to New England,” Jill Lepore writes. “They’re strutting on city sidewalks, nesting under park benches, roosting in back yards.” https://t.co/znzCf4XATi — PolitiTweet.org
The New Yorker @NewYorker
Humpback whales seem to produce sound largely with their vocal folds. Songs typically range in length from 10 minutes to half an hour, and they evolve over time, and differ across populations. https://t.co/92acbUJ1NW — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @danmisdea. #NewYorkerCartoons https://t.co/ukuRCmfKgj — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by Tom Toro. #NewYorkerCartoons https://t.co/yFcvbizlqy https://t.co/l9TiU1MhVf — PolitiTweet.org
The New Yorker @NewYorker
Rating that Roger Ebert gave “Armageddon” and “Zoolander”: seven letters. https://t.co/sqZq1TTCqk — PolitiTweet.org
The New Yorker @NewYorker
In his new play, “Evanston Salt Costs Climbing,” Will Arbery broaches a host of hyper-relevant issues: a climate that grows less clement every year, American municipal underinvestment, untreated mental illness. https://t.co/DXCirFl8ky — PolitiTweet.org
The New Yorker @NewYorker
.@elizabbarber visits the Trap History Museum, in Ohio, which houses what is very likely the world’s largest collection of mousetraps. “They all do pretty much the same thing,” the owner said. “They get the mice in there, and they whack ’em.” https://t.co/6BVv8lWR0v — PolitiTweet.org
The New Yorker @NewYorker
This writer’s best-known poem famously opens, “April is the cruellest month.” Who is it? Guess here. https://t.co/oVQ37YTi7g — PolitiTweet.org
The New Yorker @NewYorker
On Louisa May Alcott’s birthday, revisit Joan Acocella on the feminist legacy of “Little Women”: “The book’s fans didn’t merely like it; it gave them a life.” https://t.co/XzNH8AoFmS — PolitiTweet.org
The New Yorker @NewYorker
The late artist Greer Lankton sewed, constructed, and painted exquisitely ragtag and ever-evolving, often human-size characters; her portraits of these dolls are the subject of a new exhibition. https://t.co/TG1kHNy4KN — PolitiTweet.org
The New Yorker @NewYorker
Kathy Acker’s fiction asked not “Who am I?” but, rather, in a more philosophical key, what it meant to have an “I”—or several, @magsrdoherty writes. https://t.co/e6oH6fp2P7 — PolitiTweet.org
The New Yorker @NewYorker
Over the course of 2022, our writers read hundreds of new books—and revisited some old ones. See a collection of rereads that felt simultaneously fresh and familiar during a tumultuous year. https://t.co/Fb7sstdTDm — PolitiTweet.org
The New Yorker @NewYorker
“The long night is over—you’ll never carry your own bags or professional weight again.” In @newyorkerhumor, a man gets welcomed into his new status as a seven. https://t.co/EoZSM2MjIA — PolitiTweet.org
The New Yorker @NewYorker
“The solution seems relatively simple: abandon the apprenticeship model and all its sentimental trappings, and simply treat and pay graduate workers as professionals first, students second.” @jaycaspiankang writes about the University of California strike. https://t.co/YMJJZ4fi19 — PolitiTweet.org
The New Yorker @NewYorker
Humans have been getting bored for centuries, if not millennia. Now there’s a whole field to study the sensation, at a time when it may be more rampant than ever. https://t.co/mp0ClULYIT — PolitiTweet.org
The New Yorker @NewYorker
“I hate capitalism—I guess we can start there,” the board-game designer Isaac Childres said. Early on, Childres made it easy—and legal—for fans to create their own custom content for his game. https://t.co/Ewc7lcPtdx — PolitiTweet.org
