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The New Yorker @NewYorker

The artist Aline Kominsky-Crumb, who died on November 29th, at the age of 74, “was a true original—a force of nature and a radiant light for all who encountered her or read her work,” Françoise Mouly writes. https://t.co/xZrw5nEkz2 — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

At Wednesday’s DealBook Summit, which featured appearances by Mike Pence and Mark Zuckerberg, people chattered about whether the FTX founder Sam Bankman-Fried would cancel at the last minute. (Spoiler alert: He didn’t.) https://t.co/9siG03jbnD — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

See what books our writers revisited over the last year: @rachsyme shares her “take a penny” book, @nathanheller returns to a Tolstoy classic, @frynaomifry reviews a 1971 jewel of an L.A. novel, and more. https://t.co/HBKxgN8pgm — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

“Something is waiting to happen, I think. This is just the lull.” Read a short story by Danielle Dutton. https://t.co/1Gf5UyJ0KS — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

A cartoon by @jimmytried. #NewYorkerCartoons https://t.co/MdB5joXle7 — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

On #NewYorkerRadio, a retired judge discusses how a Supreme Court case could impact our democracy, and the authors Steven Levitsky and Daniel Ziblatt talk about the threat of authoritarianism in the U.S. Plus, @susanorlean on the death of a snack food. https://t.co/G8h8ph7Vyt — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

In the Broadway musical “KPOP,” “waves of noise and excitement whirl around the theatre’s curved architecture, and a staggered observer can feel like an accelerated particle, carried along by forces beyond her comprehension,” @helen_e_shaw writes. https://t.co/01Bf4Pu71o — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

If Herschel Walker loses his Senate race, it will further erode the notion that know-nothing celebrities can easily follow in Donald Trump’s footsteps, @benwallacewells writes. https://t.co/UYGLQNqznR — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

“The flattening of protest images happens almost instantly,” @jaycaspiankang writes, “both because we come across hundreds of images a day, and because we have grown comfortable not really understanding their context.” https://t.co/G938txlUoz — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

.@zoesees imagines her losses and gains in a new comic on life after laser vision correction. https://t.co/9VWGw9WTq0 https://t.co/snnG5u5cuq — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

Literary experts, this is the puzzle for you—today’s themed crossword highlights the year in books. https://t.co/ZzH1T8Y3QI — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

“The Fed is playing in a kind of high-stakes game with Wall Street even as it engages in an even higher-stakes effort to manage the economy as a whole and avoid a recession,” @JohnCassidy writes. https://t.co/aaxiixZOzC — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

Christian Cargill’s documentary short “Heart Valley” follows a septuagenarian shepherd in western Wales, illustrating the simplicity of his routines. Watch here. https://t.co/GcnFj0XsBA — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

The media startup Puck was built to reveal the backstory, to take readers into back rooms, and to display the back-scratching that takes place within them. Does the reporting live up to the hype? https://t.co/6zn7DyPRf4 — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

In a 2020 Super Bowl ad for Squarespace, this person wears a trapper hat and reclines in a snowbank. Who is it? Guess here. https://t.co/II086cuAIz — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

“ ‘The Whale’ is laughably earnest,” Anthony Lane writes. “The film presents us with obesity as tragedy, and as a preventable scourge inflicted on the hero by a hostile and traumatizing world.” https://t.co/xjoLTxnh2n — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

A cautionary tale, in @newyorkerhumor. https://t.co/YP5VYqmrt1 — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

Despite mounting commercial pressures, artists continued to produce enchanting video games in 2022. Here are some of the year’s best. https://t.co/CcmrYXh2t3 — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

The media startup Puck isn’t squeamish in declaring its fixation on the rich and powerful. “Élite journalists are our influencers,” Jon Kelly, its editor-in-chief and co-founder, said. https://t.co/FFK2XKObS5 — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

“I can get onstage and perform. But I can’t give a toast at a dinner, or give a speech, or even tell a joke to, like, four people,” the Interpol frontman Paul Banks said, discussing his upcoming wedding anxieties. https://t.co/m89GdiXtmo — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

To W. H. Auden, all kinds of madness were lack of discipline. #NewYorkerArchive https://t.co/EBHBDydoKa — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

In the aftermath of Hurricane Ian, residents of Sanibel Island, Florida, are now figuring out how to pay for rebuilding—and some essential questions are not yet answered. Should the government help, or should it instead be helping people to leave? https://t.co/EaWMVyoYzR — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

In a new book of Roe Ethridge’s pictures, “American Polychronic,” two sides of the photographer’s career inform, spark, and subvert each other. https://t.co/P6CYRhFwGw — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

A cartoon by Harry Bliss. #NewYorkerCartoons https://t.co/Q1x7PqFghq — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

Don’t settle for anything less than a man who would literally defy all laws of gravity, science, and logic for you, plus actual laws. https://t.co/jhUJ2FJtXH — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

“The Patient Gloria,” a play by Gina Moxley, examines the sexual and behavioral strictures on women through the lens of psychotherapy circa 1964. https://t.co/0rEvgygg1p — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

For some novelists, writing is “a way of going up toward something,” Annie Ernaux said. “For me, it’s the absolute opposite. Not going underground, exactly. But into a well.” What draws her down? An idea of some kind? No: “An obsession.” https://t.co/WZ9LSHK3SS — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

In @newyorkerhumor, the movies do not compare to real life. In the movies, Dennis Quaid is your dad. In real life, you wish he was your dad, but also kind of your husband. It’s complicated! https://t.co/nbCsK3JTRA — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

The new film “Women Talking” illustrates how survivors of sexual assault can be made to feel crazy. We’ve only recently developed a language to talk about sexual abuse, the director Sarah Polley said. https://t.co/qEqXIN0rTu — PolitiTweet.org

Posted Dec. 2, 2022
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The New Yorker @NewYorker

The case of the headless goats in the Chattahoochee River, which runs through metro Atlanta, is a mystery. It’s also a public-health hazard, and a nightmare for a stretch of river that’s newly safe for recreation. https://t.co/aK0Y0DTorP — PolitiTweet.org

Posted Dec. 2, 2022