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The New Yorker @NewYorker
Against all logic and legal advice, the disgraced FTX founder Sam Bankman-Fried didn’t cancel his scheduled appearance at this week’s DealBook Summit. “I’m deeply sorry about what happened,” he said, hanging his head. https://t.co/ZK2N0c5UVJ — PolitiTweet.org
The New Yorker @NewYorker
What’s the point of starting something new when you know you’ll never be much good at it? Sheer delight. https://t.co/B2jL17Ou98 — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, Nancy Pelosi might be ending her tenure as Speaker of the House, but that doesn’t mean she won’t D.M. you at 3 A.M. the next time that A.O.C. tries to pass the Purple New Deal. https://t.co/oIyxbvTRvo — PolitiTweet.org
The New Yorker @NewYorker
Joseph Conrad was born on this day in 1857. Is his novel “Heart of Darkness” a critique of colonialism, or an example of it? https://t.co/UVufT4aiSs — PolitiTweet.org
The New Yorker @NewYorker
The Qatari World Cup “was born in corruption, paid for with hydrocarbons, and built on the labor of hundreds of thousands of workers,” @samknightwrites. For every game, the political subtexts are many, and updated by the hour. https://t.co/oFzeuWSiKm — PolitiTweet.org
The New Yorker @NewYorker
“It’s kind of like the housing market in L.A., trying to cast movie stars these days,” the “Knives Out” director @rianjohnson says. “There’s a lot of work and not a lot of houses.” https://t.co/Rf1Vsv64r1 — PolitiTweet.org
The New Yorker @NewYorker
In the U.S., there are some 200,000 children who have lost a parent or caregiver to COVID. There is currently no systematic means to identify them. “We need a way to find these kids,” a professor of pediatrics said. https://t.co/MunouwNvKK — PolitiTweet.org
The New Yorker @NewYorker
In an essay that would make up the bulk of his book “The Fire Next Time,” James Baldwin mines the relationship between religion and race in America. https://t.co/rbTeBstpal — PolitiTweet.org
The New Yorker @NewYorker
Jim Woodring’s graphic novel, “One Beautiful Spring Day,” is 400 pages long, a series of narrative nesting dolls that begins and ends on more or less the same note, but with a symphony of uncanny menace in between. https://t.co/UCnLklQOvn — PolitiTweet.org
The New Yorker @NewYorker
The flooding of Glen Canyon was a crime, Edward Abbey, one of several writers and artists to float through the canyon before its inundation, once wrote. “Imagine the Taj Mahal or Chartes Cathedral buried in mud.” Now, drought is causing it to reëmerge. https://t.co/ybsfChEjBg — PolitiTweet.org
The New Yorker @NewYorker
No matter what becomes of Donald Trump, the forces of intolerance, racism, and belligerence he harnessed in American politics will persist, @jelani9 writes. https://t.co/2NyhXEMMzP — PolitiTweet.org
The New Yorker @NewYorker
Steve-O visits the Whitney and discusses his new book, which offers wisdom drawn from his 14 years of sobriety and the regret-laden bacchanalia that preceded them. https://t.co/pm2DJKYmDk — PolitiTweet.org
The New Yorker @NewYorker
The relative plausibility of impossible beings tells you a lot about how the mind works. https://t.co/YikUfV5yri — PolitiTweet.org
The New Yorker @NewYorker
In 2010, Qatar was a repressive autocracy with a thin soccer tradition and barely any sports infrastructure. Yet it beat established footballing nations that offered indisputably stronger bids. How did this happen? https://t.co/VqODhcHfwq — PolitiTweet.org
The New Yorker @NewYorker
Trained as a painter, Aline Kominsky-Crumb became a cartoonist after moving to San Francisco in the 1970s and discovering the raw power of the underground-comix movement. She died on November 29th at the age of 74. https://t.co/14IHrZOTdh — PolitiTweet.org
The New Yorker @NewYorker
“The Eternal Daughter” is a keenly discerning movie about the relationship between a mother and daughter—both played by Tilda Swinton—who are bound together by a fierce love but kept apart by unbridgeable differences of character and of experience. https://t.co/0CSJntwKDF — PolitiTweet.org
The New Yorker @NewYorker
Images of Chinese demonstrators holding up blank sheets of paper, in defiance of the rigid “zero COVID” strategy, are the latest protest images to capture the world’s attention. https://t.co/Cq0QWaASaZ — PolitiTweet.org
The New Yorker @NewYorker
“The songs came from not thinking,” Neil Young said, of his latest album, “World Record.” “They came from another place. I just picked them up walking in different parts of the forest.” https://t.co/y0ll1hzD9D — PolitiTweet.org
The New Yorker @NewYorker
“The collapsing sound and sinking heat of a city-state as it empties and falls.” A poem by Simon Armitage. https://t.co/pzXKCfghRE — PolitiTweet.org
The New Yorker @NewYorker
There’s a single drumbeat driving the playwright Will Arbery’s work: “things are bad, the badness is out there, and, sorry to say, the badness is getting closer,” @Helen_E_Shaw writes. https://t.co/n2Ke7QgYDM — PolitiTweet.org
The New Yorker @NewYorker
Roger Angell remembers his father’s spirit as a single parent, in this Personal History from 2000. https://t.co/wPdH2z4RSH — PolitiTweet.org
The New Yorker @NewYorker
“The TV shows we love are populated by characters who seem real to us,” the showrunner Vince Gilligan says. “We don’t have to agree with them, but we get where they’re coming from. We comprehend them on an emotional level.” https://t.co/7RZmvDGq2s — PolitiTweet.org
The New Yorker @NewYorker
Why human breast milk is a scientific marvel. https://t.co/lIKNFjzCfU — PolitiTweet.org
The New Yorker @NewYorker
“I’d like, genuinely, to eat at S&P every day,” Hannah Goldfield writes, of the new iteration of the nearly century-old sandwich shop. “Some of my happiest moments of late have been spent marvelling at the glory of dishes I’d taken for granted.” https://t.co/jOkR2pp1h8 — PolitiTweet.org
The New Yorker @NewYorker
On the morning of December 6, 1917, the citizens of Halifax, Nova Scotia, witnessed the largest and most destructive man-made explosion the world had seen to that day. A new animated short film reimagines the event. https://t.co/xNwnMESpkL — PolitiTweet.org
The New Yorker @NewYorker
Chris Ware on the impact of “Peanuts,” which he sees as one of the greatest works of popular art of the 20th century. https://t.co/2rdqRYM8t9 — PolitiTweet.org
The New Yorker @NewYorker
One February night in 1958, something caused a group of skiers to cut their way out of their tent and flee into a howling blizzard, in 20-below-zero temperatures, in bare feet or socks. What was it? https://t.co/Vl7zQ4c4Q5 — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by Avi Steinberg, from 2019. #NewYorkerCartoons https://t.co/MTERVqgtkN https://t.co/pQ0io6N4cr — PolitiTweet.org
The New Yorker @NewYorker
Fights over how to teach math—between the dogged pursuit of social-justice-based education and the various backlashes that try to reify the status quo—are the only constant in American math education over the past century. https://t.co/MIa6lC7ijC — PolitiTweet.org
The New Yorker @NewYorker
Following Donald Trump’s meal at Mar-a-Lago with the Holocaust denier Nick Fuentes, @sbg1, @JaneMayerNYer, and @eosnos talk about the Republican Party’s relationship with the far right. Listen on a new episode of our Political Scene podcast. https://t.co/Z1u22CLdU1 — PolitiTweet.org
