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The New Yorker @NewYorker
In 2022, “the entire Internet began to feel something like a dying mall populated only by stores you don’t want to visit,” @chaykak writes. Here are the apps that lost their appeal this year. https://t.co/FxDWmHqpWd — PolitiTweet.org
The New Yorker @NewYorker
The Respect for Marriage Act favors the rights of religious groups over those of gay couples—and, if Obergefell were to be overruled, it would create two classes of marriage. https://t.co/tHvWM0n8yE — PolitiTweet.org
The New Yorker @NewYorker
In the U.S., before the 1990s, soccer was nearly invisible in the mainstream. The only thing most Americans liked about the sport was the chance to ignore it. The contrast between then and now is almost overwhelming. https://t.co/Av6CqBRwLd — PolitiTweet.org
The New Yorker @NewYorker
“Part of me feels like my indictment has to be perfect, so that’s why I put it off. Then, there’s the self-doubt that creeps in. Who am I to be indicting Donald Trump?” https://t.co/JU6rJ4TfbJ — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @PaulNoth. #NewYorkerCartoons https://t.co/Aw9bYfrwgo — PolitiTweet.org
The New Yorker @NewYorker
RT @michaelluo: Who is Viktor Bout, the notorious arms dealer exchanged for Britney Griner? @nickschmidle profiled him in 2014 “He was dist… — PolitiTweet.org
The New Yorker @NewYorker
The show of Edward Hopper’s paintings of New York, at the @whitneymuseum, is “unmistakably intense and emotional,” Adam Gopnik writes. https://t.co/3cbauYxGA4 — PolitiTweet.org
The New Yorker @NewYorker
How to sell, donate, and give away that which no longer sparks joy. https://t.co/1vBQddP8QR — PolitiTweet.org
The New Yorker @NewYorker
In 2010, Qatar was a repressive autocracy with a thin soccer tradition and barely any sports infrastructure. Yet it beat established footballing nations that offered indisputably stronger bids. How did this happen? https://t.co/5SjBhZPolI — PolitiTweet.org
The New Yorker @NewYorker
Fights over how to teach math—between the dogged pursuit of social-justice-based education and the various backlashes that try to reify the status quo—are the only constant in American math education over the past century. https://t.co/iQ0GzQvlJR — PolitiTweet.org
The New Yorker @NewYorker
The film adaptation of Kristen Roupenian’s “Cat Person,” one of our most-read pieces of fiction, will première at Sundance in 2023. Get ready—revisit the popular short story, from 2017. https://t.co/OdZTqznPmk — PolitiTweet.org
The New Yorker @NewYorker
Can you guess this famous figure in six clues or fewer? https://t.co/jNlQM59sU3 — PolitiTweet.org
The New Yorker @NewYorker
Documenting the memorial service for John Lennon, who was assassinated on this day in 1980. https://t.co/UpBoDKsfNw — PolitiTweet.org
The New Yorker @NewYorker
During the Gin Craze that swept 18th-century London, "at any given time one out of four residents—essentially all of the city’s poor—was utterly and completely incoherent,” a historian writes. https://t.co/9aULVF0BOr — PolitiTweet.org
The New Yorker @NewYorker
@ProfeshSnorer Hello there. We’re sorry to hear you decided to cancel your subscription and haven’t received a reply when attempting to contact us via email; we’ll do our best to help you with this matter. Please send us a DM so that we can provide you with the best and most timely resolution. — PolitiTweet.org
The New Yorker @NewYorker
“Ordinary Chinese understand better than anyone the risks of public dissent,” a former target of state surveillance in China said. “Grievances have to be so dire that they have to feel like there is almost no other option.” https://t.co/gHHOLr8c3f — PolitiTweet.org
The New Yorker @NewYorker
Read about each of our selections, and see more of our favorite books of the year, right here. 👇 https://t.co/WDcGgH7D9H — PolitiTweet.org
The New Yorker @NewYorker
“We Don’t Know Ourselves,” by Fintan O’Toole This personal history of modern Ireland shows that history is a critical process in which eras helplessly recruit the agents of their own undoing. https://t.co/WDcGgH7D9H https://t.co/P18CPMyVjK — PolitiTweet.org
The New Yorker @NewYorker
“Trust,” by Hernan Diaz This novel in four parts opens with a narrative about a mysterious Wall Street tycoon and his wife. Ending abruptly, this tale is followed by a fragmentary memoir of the same narrative events—with disorienting factual differences. https://t.co/WDcGgGPtVz https://t.co/bXB7cRoHzQ — PolitiTweet.org
The New Yorker @NewYorker
“Strangers to Ourselves,” by Rachel Aviv Aviv, a staff writer, offers a groundbreaking exploration of mental illness and the mind, through a series of portraits that illuminate the connections between identity and diagnosis. https://t.co/WDcGgH7D9H https://t.co/ADjElXyQdc — PolitiTweet.org
The New Yorker @NewYorker
“Stay True,” by Hua Hsu In this intricate and heart-rending memoir, Hsu, a staff writer, tells the story of his college friendship with Ken. Both Asian American but from different backgrounds, they formed a bond that was cut short when Ken was murdered. https://t.co/WDcGgGPtVz https://t.co/RHiRDEAAdb — PolitiTweet.org
The New Yorker @NewYorker
“The Song of the Cell,” by Siddhartha Mukherjee In an account that’s both lyrical and capacious, Mukherjee takes us through an evolution of human understanding. https://t.co/WDcGgH7D9H https://t.co/XI6xQ9MQKJ — PolitiTweet.org
The New Yorker @NewYorker
“The Revolutionary: Samuel Adams,” by Stacy Schiff Born in 1722, the son of a businessman, Samuel Adams studied at Harvard, worked for a while in the family malt business, and came into his own when, in the late 1740s, he began to stand for local office. https://t.co/WDcGgGPtVz https://t.co/1RxAlpplkG — PolitiTweet.org
The New Yorker @NewYorker
“The Rabbit Hutch,” by Tess Gunty Although there are actual rabbits in this ambitious novel, the “Hutch” of the title is the name given to an affordable-housing complex by its residents, in a post-industrial Indiana town. https://t.co/WDcGgH7D9H https://t.co/LpbjyQmg4n — PolitiTweet.org
The New Yorker @NewYorker
“Magnificent Rebels,” by Andrea Wulf A buoyant work of intellectual history, Wulf’s chronicle of the early Romantics is written as what was once termed the “higher gossip.” https://t.co/WDcGgH7D9H https://t.co/sMNcmdAfsN — PolitiTweet.org
The New Yorker @NewYorker
“Lessons,” by Ian McEwan McEwan’s latest novel tracks one man’s search for meaning in his relationships and in art, as his path intersects with historical events from the Cuban Missile Crisis to the COVID-19 pandemic. https://t.co/WDcGgH7D9H https://t.co/LcV5K1pxaX — PolitiTweet.org
The New Yorker @NewYorker
“The Last White Man,” by Mohsin Hamid In Hamid’s fifth novel, a white man wakes one morning to find that his skin has turned dark overnight, forcing him to question his sense of identity and his place in his family and city. https://t.co/WDcGgH7D9H https://t.co/p3ukiSIivN — PolitiTweet.org
The New Yorker @NewYorker
“The Invisible Kingdom,” by Meghan O’Rourke Delicately weaving her research on chronic illness with her personal experience of navigating an autoimmune disease, O’Rourke probes our understanding of what it means to be sick. https://t.co/WDcGgH7D9H https://t.co/78fLbnC9DW — PolitiTweet.org
The New Yorker @NewYorker
“The Haunting of Hajji Hotak and Other Stories,” by Jamil Jan Kochai This inventive début story collection details the toll that decades of war and the struggles of immigration have taken on Afghans and the Afghan diaspora in the United States. https://t.co/WDcGgGPtVz https://t.co/rLwBRgE9H3 — PolitiTweet.org
The New Yorker @NewYorker
“Getting Lost,” by Annie Ernaux, translated from the French by Alison L. Strayer Ernaux’s “Simple Passion” is about her affair with A., as she calls her lover. A decade later, she has published excerpts of the diary that she kept during the affair. https://t.co/WDcGgGPtVz https://t.co/eodj8tUdub — PolitiTweet.org
