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The New Yorker @NewYorker

.@winterjessica examines balanced literacy, an enormously influential pedagogy that determined how generations of students learned—or didn’t learn—to read. https://t.co/sMoxyNcpWu — PolitiTweet.org

Posted Dec. 13, 2022
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The New Yorker @NewYorker

Nearly 30 years after “Seinfeld” first aired, @sayrafiezadeh sat down to watch every episode of the show—from start to finish, one episode a day. “I was alone and swallowing ‘Seinfeld’ whole,” he writes. https://t.co/DtdyDAkotW — PolitiTweet.org

Posted Dec. 13, 2022
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The New Yorker @NewYorker

“He has you by the fucking throat, knowing that if you don’t comply, that your career is down the drain . . . and that’s not right,” one of Harvey Weinstein’s accusers testified, at his trial in L.A. https://t.co/CZQiwjJ5q7 — PolitiTweet.org

Posted Dec. 13, 2022
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The New Yorker @NewYorker

The comedian and host of “The Amber Ruffin Show” (and author, writer for “Late Night with Seth Meyers,” “Drunk History” guest, and book writer for three musicals) discusses mining laughs from racism. https://t.co/9kbjeafYUa — PolitiTweet.org

Posted Dec. 13, 2022
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The New Yorker @NewYorker

The main reason that the British Empire was able to sustain itself for more than two centuries, the historian Caroline Elkins maintains, was that the British model of state violence came wrapped in a “velvet glove” of liberal reform. https://t.co/PBy59I3QOm — PolitiTweet.org

Posted Dec. 13, 2022
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The New Yorker @NewYorker

The central point made in “The White Lotus,” Mike White’s HBO dramedy, “is that no relationship is detached from the transactional and that power always plays a role in how people deal with one another,” @frynaomifry writes. https://t.co/YoSofMxFIE — PolitiTweet.org

Posted Dec. 13, 2022
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The New Yorker @NewYorker

AngryWhiteMan@AlwaysRight, ILoveElon@NotElon’sMother, and more members from Elon Musk’s band of free-speech tweeters. https://t.co/pLQuH8x2o8 — PolitiTweet.org

Posted Dec. 13, 2022
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The New Yorker @NewYorker

On Tuesday morning, the Department of Energy is expected to announce a breakthrough in fusion energy. It’s a milestone of great significance, @BillMcKibben writes—“in essence, the researchers are learning to build a second sun.” https://t.co/UnfGVHiOwx — PolitiTweet.org

Posted Dec. 13, 2022
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The New Yorker @NewYorker

A cartoon by @PaulNoth. #NewYorkerCartoons https://t.co/ccxhMylZXM — PolitiTweet.org

Posted Dec. 13, 2022
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The New Yorker @NewYorker

Like Diane Arbus, the Japanese photographer Katsu Naito achieved a mutual gaze with his subjects by inserting himself into their everyday world. https://t.co/bfMRbA64gW — PolitiTweet.org

Posted Dec. 13, 2022
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The New Yorker @NewYorker

Acting is “a big, fat magic trick,” Emma Thompson said. “The hat you’re pulling the rabbit out of is your own psyche.” https://t.co/Yp8vMqknte — PolitiTweet.org

Posted Dec. 13, 2022
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The New Yorker @NewYorker

RT @tnyfrontrow: Molly Ringwald's memoir of working with Godard on King Lear, this week in @NewYorker, is essential reading—it's cinematic… — PolitiTweet.org

Posted Dec. 13, 2022 Retweet
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The New Yorker @NewYorker

Mathias Döpfner, Politico’s owner, tells David Remnick that news outlets increasingly cater to partisan audiences. But defining “nonpartisan” isn’t straightforward. Listen on #NewYorkerRadio. https://t.co/HWnfCFeWiW — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

What do Michelle Yeoh, Nathan Fielder, and Paul Mescal have in common? They brought some of the best performances of 2022 to the screen. https://t.co/YM4X2i71Qo — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

.@stephenwitt explores the race to build quantum computers that could help address climate change and food scarcity, and enable revolutionary discoveries about space, time, and human consciousness—or break the Internet. https://t.co/5rf1PCGs2S — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

Molly Ringwald recalls starring in Jean-Luc Godard’s interpretation of “King Lear”—one of the director’s most unconventional films. https://t.co/6XwAmZlbGF — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

Dorothy Wickenden reports on the “rewilding” movement in India, where ecological restorationists are bringing back biodiversity to degraded landscapes. https://t.co/zClTVLTx7m — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

.@sheelahk profiles Vivek Ramaswamy, the Peter Thiel-backed entrepreneur and author who is riding a wave of anti-woke sentiment to achieve conservative-media fame. https://t.co/FjTrYCxgTl — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

Inside this week’s issue of The New Yorker: https://t.co/ve1AZxZpx0 https://t.co/D96YJ9x9IE — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

A cartoon by @MadelineHorwat1. #NewYorkerCartoons https://t.co/wh7vggsUrp — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

By starting at the end of the story and then rewinding to the beginning, “The White Lotus” creates an itch that the audience must continuously scratch. “By Sunday night’s finale,” @frynaomifry writes, “the scratching had become outright clawing.” https://t.co/r5acLfYFEB — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

The practice known as “rewilding,” which is built on a deep understanding of individual environments, offers a model for restoring biodiversity to ravaged places. https://t.co/vz90F3LMyB — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

A cartoon by Roland High. #NewYorkerCartoons https://t.co/epvfIz3Cht https://t.co/duWaBqFRlx — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

With his companion novels “Mrs. Bridge” and “Mr. Bridge,” Evan S. Connell, Jr., gave us two of the very finest 20th-century portraits of white bourgeois American domesticity. Why weren’t the books more widely read? https://t.co/cNf30Tk0qv — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

The artist George Booth, who died in November, loved to draw scenes and figures related to Christmas. The cover of this week’s issue, “Believe,” features a drawing that Booth made later in his life. https://t.co/yHGDoGxZW4 — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

Matthew Klam reads his story “The Other Party,” which appears in this week’s issue of the magazine. Listen here. https://t.co/gfCXDnDuNf — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

On our Political Scene podcast, Mathias Döpfner, the C.E.O. of the German news publisher Axel Springer, says that news outlets increasingly cater to partisan audiences. But defining “nonpartisan” isn’t straightforward. Listen here. https://t.co/dfdTUcigg0 — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

.@vcunningham, @Helen_E_Shaw, and @Alex_Lily on the best plays they saw in 2022, many of which delighted in the spoken word. https://t.co/eCYmZlhEIV — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

Matthew Klam discusses his story “The Other Party,” which appears in this week’s issue of the magazine: “I want to walk through the walls of people’s houses and into their lives, into their stories and secrets and struggles.” https://t.co/dqMlf0lLvq — PolitiTweet.org

Posted Dec. 12, 2022
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The New Yorker @NewYorker

In a new Personal History, Molly Ringwald revisits the experience of starring in Jean-Luc Godard’s interpretation of “King Lear”—one of the director’s most unconventional films. https://t.co/a2B2GLZbgz — PolitiTweet.org

Posted Dec. 12, 2022