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The New Yorker @NewYorker
In @newyorkerhumor, a few reasons why rooming with James Taylor might not be the best idea. https://t.co/G0HJbgZVj5 — PolitiTweet.org
The New Yorker @NewYorker
Harry Crews’s account of hard labor and hard living in the American South, first published in 1978, animates nostalgia and then annihilates it. https://t.co/9xcJoOsbK3 — PolitiTweet.org
The New Yorker @NewYorker
One of the best things about Martin Scorsese’s documentary series, “Pretend It’s a City,” is getting to see the filmmaker react to his subject, the author and humorist Fran Lebowitz. https://t.co/OVORFbI06a — PolitiTweet.org
The New Yorker @NewYorker
In our annual Cartoons & Puzzles Issue, out now, solve a themed crossword that’s a little absurd. https://t.co/Jf1UNrV63j — PolitiTweet.org
The New Yorker @NewYorker
Need a break from the mayhem of Twitter and the mind-numbing scroll of Instagram? “Come over and give Reddit a shot,” @cbattan writes. https://t.co/SefgMhPtzr — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @PaulNoth. #NewYorkerCartoons https://t.co/b1d0pJvw1y — PolitiTweet.org
The New Yorker @NewYorker
In this week’s cryptic crossword: rests or relaxes, creating “The White Lotus” and “The Grand Budapest Hotel,” among others (seven letters). https://t.co/1EJ073FtqP — PolitiTweet.org
The New Yorker @NewYorker
Read Robert Pinsky’s full poem from this week’s issue: https://t.co/Byz3w72lDh https://t.co/cCB4jOOcb1 — PolitiTweet.org
The New Yorker @NewYorker
“For Metallica, the idea was never to seduce an audience, but to push it away,” @amandapetrusich writes. “The fans who stuck around—who perhaps understood this as a kind of love—became devoted, and received devotion in return.” https://t.co/AAg7uRC6WI — PolitiTweet.org
The New Yorker @NewYorker
“The betrayal had been a shock, for sure, but, as time passed, he began to feel as if it couldn’t have been helped, as if this had been his fate all along.” Fiction by Haruki Murakami, from 2015. https://t.co/cLiOK94MdL — PolitiTweet.org
The New Yorker @NewYorker
Part of the strength of Robin Coste Lewis’s new poetry collection is that little is explicitly described, Hilton Als writes: “Lewis tells stories through metaphor and the language of longing.” https://t.co/poUlAsPSxP — PolitiTweet.org
The New Yorker @NewYorker
The spectacular demise of Sam Bankman-Fried and his trading platform should change the debate about the regulation of digital assets. https://t.co/viCuNvRSqm — PolitiTweet.org
The New Yorker @NewYorker
Have we got a bagel-themed puzzle for you. Solve a series of clues—categorized by bagel type: sesame, whole-wheat, and salt—to reveal a cartoon caption. https://t.co/3fb12hXvwy — PolitiTweet.org
The New Yorker @NewYorker
1989 film in which Patrick Swayze’s character says, “Pain don’t hurt”: nine letters. https://t.co/Zu0ez7gulj — PolitiTweet.org
The New Yorker @NewYorker
Every summer, scores of teens worked at the Cove Inn. “That was summer. I started in winter.” The cartoonist Seth illustrates scenes from a chilly part-time job. https://t.co/5ZQJ2ym8Vb — PolitiTweet.org
The New Yorker @NewYorker
“You realize once you subscribe, it’s a bit like going into a V.I.P. room at a club,” a correspondent at Axios said, about the media startup Puck. “You’re, like, ‘Wait, after all that effort I ended up in here?’ ” https://t.co/DdUlCyvTHj — PolitiTweet.org
The New Yorker @NewYorker
Who is the “Queen of Twitter”? https://t.co/h9GIc0OC82 — PolitiTweet.org
The New Yorker @NewYorker
“Dear friends, we’re shelving ’22. It brought some good that shineth through.” Read this year’s installment of our annual poem, “Greetings, Friends!” https://t.co/PWnHaK1fR4 — PolitiTweet.org
The New Yorker @NewYorker
Whether the House select committee’s criminal referrals result in actual prosecutions might not matter. The committee’s public hearings may have already tarnished Donald Trump politically. https://t.co/pu7pY1MKNp — PolitiTweet.org
The New Yorker @NewYorker
.@billmckibben on the year in climate change: record heat and floods, a fossil-fuelled war, and major legislation aimed at reducing U.S. carbon emissions. https://t.co/lxEvjgQBH3 — PolitiTweet.org
The New Yorker @NewYorker
“In terms of writing process? Sometimes I’ll meditate before I write; sometimes not. I often drink tea, and that’s about it,” the playwright Sarah Ruhl says in a new interview. https://t.co/aor1n7tLZ2 — PolitiTweet.org
The New Yorker @NewYorker
“It’s a bit like having sex with yourself,” the voice actor Robin Miles jokes about her craft. “If you don’t have fun, it’s your own damn fault.” https://t.co/RjbguvzZHi — PolitiTweet.org
The New Yorker @NewYorker
In “Nuisance Bear,” a new documentary short, polar bears share space with the people who’ve come to see them, walking cautiously between parked vehicles, being watched and watching back. https://t.co/DSNNT8QRQR — PolitiTweet.org
The New Yorker @NewYorker
All the world’s a stage, and all the men and women merely players. Can you beat this Shakespeare-themed game? https://t.co/OfwhSJUnfv — PolitiTweet.org
The New Yorker @NewYorker
Though the Argentinean writer Manuel Puig’s novel “Kiss of the Spider Woman” landed with a thud in 1976, it’s had a remarkable afterlife. A play adaptation became an international success, and led to an Oscar-winning film. https://t.co/4ZxaIoj85j — PolitiTweet.org
The New Yorker @NewYorker
See what books our writers revisited over the last year: @rachsyme shares her “take a penny” book, @nathanheller returns to a Tolstoy classic, @frynaomifry reviews a 1971 jewel of an L.A. novel, and more. https://t.co/mni6uuj60T — PolitiTweet.org
The New Yorker @NewYorker
“His face was blazing. He loved the world, and the world loved him.” Fiction by John Cheever, from 1949. #NewYorkerArchive https://t.co/v7m5XIPI6a — PolitiTweet.org
The New Yorker @NewYorker
What kind of accent does a fantasy villain speak in? Learn the secrets of an audiobook narrator on a new episode of #NewYorkerRadio. https://t.co/ij25zFS4Dw — PolitiTweet.org
The New Yorker @NewYorker
Louis Armstrong's aura was one of happiness—like he knew something the rest of us didn’t. https://t.co/FHPkZGhVAR — PolitiTweet.org
The New Yorker @NewYorker
Sam Bankman-Fried was the effective altruism movement’s most prominent donor. After the collapse of his cryptocurrency exchange, within E.A. circles, the prevailing mood has been one of raw anguish. https://t.co/yioyKE7Jcj — PolitiTweet.org
