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The New Yorker @NewYorker
An oddly cultish aura surrounds the conductor Klaus Mäkelä, but Xian Zhang, who leads the New Jersey Symphony, shows a better way forward for the art. https://t.co/Sw2H1OLsDM — PolitiTweet.org
The New Yorker @NewYorker
Alex Ross Perry created “Slanted! Enchanted!: A Pavement Musical” to feature in a screwball movie about the band, which he is also directing, and which he has described variously as “a semiotic experiment” and “like throwing spaghetti at the wall.” https://t.co/bnYJt1REvV — PolitiTweet.org
The New Yorker @NewYorker
This famous figure was immortalized in a Diane Arbus photograph as an infant. See if you can guess who it is: https://t.co/jLx4gguOqc — PolitiTweet.org
The New Yorker @NewYorker
The poet Robin Coste Lewis’s second collection, the exquisite “To the Realization of Perfect Helplessness,” is a book about how the dead do not stay dead. https://t.co/3aGsRDmx2W — PolitiTweet.org
The New Yorker @NewYorker
In a year of news fatigue and anxiety, some of the most popular New Yorker stories were ones that were completely unmoored from current events. From true-crime tales to wry personal histories, check out the top stories of 2022. https://t.co/0ogizdAcAZ — PolitiTweet.org
The New Yorker @NewYorker
Like Jonah Hill’s film “Stutz,” Selena Gomez’s “My Mind & Me” is premised on the idea that vulnerability is the highest of virtues. Culturally speaking, there is good reason to believe that this is true. https://t.co/gsMT4zSbiz — PolitiTweet.org
The New Yorker @NewYorker
The sudden ending of Bookforum marked the end of a tumultuous year for American literary magazines, which often lack the infrastructure to be sustainable over the long term. https://t.co/TIUm8m3OlX — PolitiTweet.org
The New Yorker @NewYorker
As the media landscape shifted in 2022, great podcasts continued to be made at all levels, from corporate behemoths to public radio to independents. See @asarahlarson’s picks for the year’s best. https://t.co/7GtNYbj9kH — PolitiTweet.org
The New Yorker @NewYorker
Are you looking to use your generational wealth to guarantee your child’s success? Welcome to the Gifted Child Toy Shoppe. https://t.co/48rAIutTOW — PolitiTweet.org
The New Yorker @NewYorker
Takara Tomy, the toy company that created Transformers, has designed a rolling lunar robot called SORA-Q. It’s now en route to the moon. https://t.co/YXkuOvAh0L — PolitiTweet.org
The New Yorker @NewYorker
Join the cartoonists Roz Chast and @EmilyFlake as they eat their way through Midwood. https://t.co/XbXdLut8pj https://t.co/ymQ4Ebbiff — PolitiTweet.org
The New Yorker @NewYorker
“It would be naïve to suppose that the renewed attention on Norman Mailer has nothing to do with the scandals attached to his name,” David Denby writes. “It would also be naïve to pretend that he was not a great American writer.” https://t.co/DNNUT1zQdC — PolitiTweet.org
The New Yorker @NewYorker
The cover of our Cartoons & Puzzles is itself a puzzle. Can you solve it? https://t.co/XA5R1zzkRu — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by @larskenseth. #NewYorkerCartoons https://t.co/MjITgqFvxd — PolitiTweet.org
The New Yorker @NewYorker
At Qatar’s World Cup, the Belgian photographer Max Pinckers documented the spaces between the spectacle and something closer to reality. See a collection of his images. https://t.co/kq9Imh4iPi — PolitiTweet.org
The New Yorker @NewYorker
The bonsai master Masahiko Kimura shaped his apprentices the way he shapes trees: mercilessly, radically. “He fucked me up bad,” one student said. https://t.co/U4HGyFV32H — PolitiTweet.org
The New Yorker @NewYorker
“Kevin basically is whatever you want him to be. He lies. He’ll change the lie if necessary. How can anyone trust his word?” The former Congressman Bill Thomas, for whom Kevin McCarthy worked for 15 years, tells @JonathanBlitzer. https://t.co/A4szNkgITo — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, learn about some lesser-known Hollywood “nepo babies.” https://t.co/ggGD2ZR6sK — PolitiTweet.org
The New Yorker @NewYorker
This year many of The New Yorker’s commissioned photographers made pictures from the quiet back rooms of history, the places where the aftershocks of the news are felt. See a selection of the most memorable works. https://t.co/UqH0zF2g1e — PolitiTweet.org
The New Yorker @NewYorker
The writer Evan S. Connell, Jr., was suspicious of coherence, and mistrustful of invention taking the place of observation. “Everything that we are looking for, he suggests, is right in front of us,” Max Norman writes. “You’ve just got to look.” https://t.co/6I4Z8S783V — PolitiTweet.org
The New Yorker @NewYorker
For a long time in the United States, soccer was nearly invisible in the mainstream. Then, in 1990, the American men’s team reached the World Cup for the first time in 40 years. https://t.co/ziNQudYhVa — PolitiTweet.org
The New Yorker @NewYorker
In “Avatar: The Way of the Water,” James Cameron reintroduces viewers to the Na’vi, the blue creatures “who are at one with nature and at sixes and sevens with encroaching humans,” Anthony Lane writes. https://t.co/PgkM7WAgxW — PolitiTweet.org
The New Yorker @NewYorker
Everything can be Wordle now—play Passwordle, Cardle, and other real-life guessing games. https://t.co/RD9AJOXKEo — PolitiTweet.org
The New Yorker @NewYorker
“Emotional Intelligence” offers a vision of personal freedom achieved, paradoxically, through constant self-regulation. https://t.co/yt7ACYvhVR — PolitiTweet.org
The New Yorker @NewYorker
One of the graces of “Your Own Personal Exegesis,” a play by Julia May Jonas that looks at the foibles of a Protestant youth group, is the specificity with which it displays the irrationality and cruelty of insecure adults. https://t.co/ef1efddouG — PolitiTweet.org
The New Yorker @NewYorker
“I do wonder if this is going to be a cohort of kids whose puberty was more rapid because they were in a critical window of susceptibility during a time of great social upheaval,” a pediatric endocrinologist said, about the recent uptick in early puberty. https://t.co/mn7TLzEjej — PolitiTweet.org
The New Yorker @NewYorker
“We think of computers as being a thing that sits on your desk and that you use to do your taxes. And then we think of it as a rectangle in your pocket that you use to distract yourself,” @doctorow says. https://t.co/W7e0w84BQ7 — PolitiTweet.org
The New Yorker @NewYorker
Bob Dylan’s book of essays, “The Philosophy of Modern Song,” is “rich, riffy, funny, and completely engaging,” David Remnick writes. https://t.co/EmJSHBgGDk — PolitiTweet.org
The New Yorker @NewYorker
Cormac McCarthy’s two new novels, which separately tell the life stories of two brilliant and frustrated physicists, function both together and apart. https://t.co/Qrd55Hvqo6 — PolitiTweet.org
The New Yorker @NewYorker
A 2019 interview with Jamie Lee Curtis on attention, addiction, and her long-ago stint as Bette Davis’s condo-board president. https://t.co/QPz6wBtCTb — PolitiTweet.org
