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Showing page 135 of 3498.
The New Yorker @NewYorker
“Calling all cute guys! Guess what? I’m ready to have a new man in my life! I’ve been on my own for a while now, but I feel totally ready for a relationship.” https://t.co/K4l90CXJHf — PolitiTweet.org
The New Yorker @NewYorker
From ironic portraiture to campy food compositions, commissioned photographers filled The New Yorker with images that subverted the familiar. See some of the most memorable photographs of 2022. https://t.co/au4OzXRNJo — PolitiTweet.org
The New Yorker @NewYorker
“No one knows what they’re doing,” Alex Ross Perry said of directing his musical “Slanted! Enchanted!,” about the band Pavement. “But we do have two leads from Broadway rock musicals who can tell us what we’re doing wrong.” https://t.co/e3CG8gNX5B — PolitiTweet.org
The New Yorker @NewYorker
A new production of “Merrily We Roll Along” unearths the potential that Sondheim-heads have always suspected was in the show by infusing it with enthusiasm, sympathy, and (not to be cheesy about it) love. https://t.co/GAqtBIX7vi — PolitiTweet.org
The New Yorker @NewYorker
How many books is too many books? https://t.co/GPu4V8FceH — PolitiTweet.org
The New Yorker @NewYorker
Even before John le Carré died, about two years ago, people had started calling Mick Herron his heir. But in crafting his characters, Herron draws as much from P. G. Wodehouse as from le Carré. https://t.co/89ERDR36Yc — PolitiTweet.org
The New Yorker @NewYorker
Why @chaykak plans to bid farewell to Clubhouse, Opensea, Twitter, BeReal, Instagram, and other apps. https://t.co/qlrNB5nOMw — PolitiTweet.org
The New Yorker @NewYorker
What do Michelle Yeoh, Nathan Fielder, and Paul Mescal have in common? They brought some of the best performances of 2022 to the screen. https://t.co/IucYmiwXaT — PolitiTweet.org
The New Yorker @NewYorker
Need to cancel plans? Let us help. https://t.co/PsJ4LByBoz — PolitiTweet.org
The New Yorker @NewYorker
Best friends, sisters who look nothing alike, or a mother who’s miraculously the same age as her daughter. https://t.co/svfZJVWQ9V — PolitiTweet.org
The New Yorker @NewYorker
Amid a digital sea of reels and shorts and TikToks, there are a few unexpected strongholds of written communication. One of them is Reddit, @cbattan writes. https://t.co/stYa0cOmhs — PolitiTweet.org
The New Yorker @NewYorker
Brendan Fraser stands at the front of the race for the Academy Award for Best Actor. But his transformation into a lonely, obese man has troubled many in the fat-acceptance movement. https://t.co/JhfhEXQmW8 — PolitiTweet.org
The New Yorker @NewYorker
Are we the same people at age four that we will be at 24, 44, or 74? Or do we change dramatically through time? https://t.co/nQAVsVvG7i — PolitiTweet.org
The New Yorker @NewYorker
“That my parents have held onto so many things over the decades suggests sentimentality, though it rarely gets expressed out loud.” @huahsu writes about one family heirloom saved from his parents’ wedding. https://t.co/fgAQ8lzCZE — PolitiTweet.org
The New Yorker @NewYorker
“Greatest wit, greatest man, never at a loss for a response,” Dick Cavett says, about Groucho Marx. https://t.co/YVb5umKwfV — PolitiTweet.org
The New Yorker @NewYorker
“Smurtsvin,” the practice of putting on so much hand lotion that you are unable to use your phone or computer, and more. https://t.co/u57vQwhe7j — PolitiTweet.org
The New Yorker @NewYorker
.@Julia_Wertz chronicles her adventures in setting up a fake Christmas tree with her toddler. https://t.co/bvoxLpjgB8 https://t.co/acnsUCMfp0 — PolitiTweet.org
The New Yorker @NewYorker
Death is significant in “The White Lotus” universe, not because each season has been framed as a murder mystery but because death is the only state in which people can’t jockey for more: more sex, more money, more dominance. https://t.co/Y8HLa2mZOj — PolitiTweet.org
The New Yorker @NewYorker
Lydia Tár isn’t an openly tyrannical boss, @tavitulle writes. “She is, more chillingly, able to control her environment through the artful subtlety of a cold stare, a warm hand, or the rebuffing of a too-needy request.” https://t.co/gFOxdXw3jg — PolitiTweet.org
The New Yorker @NewYorker
In this week’s cryptic crossword: “Arcadia” playwright fitted with a cork in the mouth (eight letters). https://t.co/KICBIVZTLo — PolitiTweet.org
The New Yorker @NewYorker
Greg Williams, a 90-year-old Christmas-tree farmer in Vermont, has introduced around 100 varieties of trees. But his heart is centered in walks in the woods looking for curiosities. https://t.co/uM9AALku5W — PolitiTweet.org
The New Yorker @NewYorker
Thanks to dozens of appearances on Fox News, criticizing “cultural totalitarianism” enforced by liberal élites, Vivek Ramaswamy is closing in on fame as a conservative pundit. Now some are suggesting that he run for President. https://t.co/bBH86vNZHB — PolitiTweet.org
The New Yorker @NewYorker
’Tis the season for both. https://t.co/Qt6YzPoVep — PolitiTweet.org
The New Yorker @NewYorker
See some of the year’s most memorable New Yorker art—spot illustrations of imaginary creatures, an animated loop of bicyclists, and more. https://t.co/1xFVuvWFjr — PolitiTweet.org
The New Yorker @NewYorker
Dick Cavett talks about his friendships with Muhammad Ali and Groucho Marx, interviewing Katharine Hepburn and Bette Davis, and finding a new audience on YouTube. https://t.co/m5YQpIyGoD — PolitiTweet.org
The New Yorker @NewYorker
.@alexrossmusic writes about the year in classical music, which saw major institutions extricating themselves from “the sticky cultural tentacles of Vladimir Putin’s regime.” See his picks for the most notable performances and recordings of 2022. https://t.co/MMEfZIw7xh — PolitiTweet.org
The New Yorker @NewYorker
“If you don’t get here and automatically relax and think, This is great, there’s something wrong with you.” –Chuck Dannner, 58, ex-military intelligence and a resident at Latitude Margaritaville in Daytona Beach https://t.co/2lfZg9KKCX — PolitiTweet.org
The New Yorker @NewYorker
Pedro Castillo’s bungled coup was, in a sense, on brand for him, @DanielGAlarcon writes: a fitting end to his year and a half of improvisation and incompetence. https://t.co/wUvRNYhM6C — PolitiTweet.org
The New Yorker @NewYorker
For decades, the effects of automation have been fiercely debated. Are we missing the bigger picture? https://t.co/jFaS6ULMDS — PolitiTweet.org
The New Yorker @NewYorker
In Laura Gonçalves’s animated short “The Garbage Man,” a late uncle is brought to life by his relatives’ stories. Watch here. https://t.co/Aigb8gb1Hc — PolitiTweet.org
