Deleted tweet detection is currently running at reduced
capacity due to changes to the Twitter API. Some tweets that have been
deleted by the tweet author may not be labeled as deleted in the PolitiTweet
interface.
Showing page 134 of 3498.
The New Yorker @NewYorker
“This past year has marked 75 years of Partition, a process of fracturing that continues in the imagination and in memory,” @parul_sehgal writes. “Each generation has posed new questions, searching for places where the stories can be found.” https://t.co/0GOLgVqjMK — PolitiTweet.org
The New Yorker @NewYorker
After she was named the Poet Laureate in 2017, Tracy K. Smith took literature to community centers, senior centers, and prisons—to heal our political divides. #NewYorkerRadio https://t.co/sr69jdcUNm — PolitiTweet.org
The New Yorker @NewYorker
The video game The Last of Us is an exploration of a charged question, its creator said: “How far will the unconditional love a parent feels for their child go?” https://t.co/4mVjv3Kyrb — PolitiTweet.org
The New Yorker @NewYorker
This was a year that was split into “before” and “after” the Supreme Court’s decision to overrule Roe v. Wade. “Soul-searching about the Court and the rule of law has rarely been as cynical or as fundamental,” @jeanniesgersen writes. https://t.co/RIoRCI1cM9 — PolitiTweet.org
The New Yorker @NewYorker
The new TV adaptation of “Fleishman Is in Trouble” is set in 2016. It’s a testament to how quickly social movements can crest that the show’s argument already feels slightly dated, Inkoo Kang writes. https://t.co/fz75tefGx5 — PolitiTweet.org
The New Yorker @NewYorker
“I wanted to examine all the intangible elements that accompany a pregnancy—the various superstitions, the sacred and secret halo attributed to it.” Ayşegül Savaş discusses “Notions of the Sacred,” her story from the latest issue of the magazine. https://t.co/SpCzYd6TXx — PolitiTweet.org
The New Yorker @NewYorker
“Though many excellent movies were released in theatres in 2022, most of them hardly register on the Hollywood economic scale,” @tnyfrontrow writes. What does this mean for the future of filmmaking? https://t.co/JYcp7USS6R — PolitiTweet.org
The New Yorker @NewYorker
Paula West’s “Temptation” was a word-of-mouth hit in 1997. Twenty-five years later, it’s still just about perfect, Nathan Heller writes. https://t.co/jh9Zssjenp — PolitiTweet.org
The New Yorker @NewYorker
Can you name this iconic filmmaker in less than 100 seconds? Ready, go. https://t.co/0MiycZP9Sd — PolitiTweet.org
The New Yorker @NewYorker
Luke Mogelson reports from the battlefield of Ukraine’s nearly 700-mile front line, a stretch of relentless, industrial-scale violence not seen in Europe since the Second World War. https://t.co/bL2MqDfNxQ — PolitiTweet.org
The New Yorker @NewYorker
Today’s Daily Cartoon, by Mary Lawton. #NewYorkerCartoons https://t.co/xWjWVjjHfN https://t.co/Z1Vhsuy0nr — PolitiTweet.org
The New Yorker @NewYorker
Capital of Cape Verde: five letters. https://t.co/jqQt7QoKfo — PolitiTweet.org
The New Yorker @NewYorker
The painter Kehinde Wiley gained recognition in the early 2000s for transfiguring hip-hop style into the idiom of the Old Masters. Now he’s become one of the most influential figures in global Black culture. https://t.co/QKYG6Q3Xyo — PolitiTweet.org
The New Yorker @NewYorker
HBO has reportedly spent upward of $100 million on its best hope of breaking the video-game adaptation curse: a series, premièring in January, based on a game called The Last of Us. https://t.co/22dtZZ4ltM — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, some easy ways to apply the seven principles of Kwanzaa to modern, millennial life. https://t.co/Qt2h0kjm4j — PolitiTweet.org
The New Yorker @NewYorker
This year, The New Yorker presented more than 80 short films, received two Oscar nominations, and won its first Emmy. Watch some of our standout videos from 2022 here. https://t.co/6mirPzdnll — PolitiTweet.org
The New Yorker @NewYorker
“I believe that being in nature and seeing, smelling, and feeling plants and animals can help reduce stress,” Ryo Takemasa, this week’s cover artist, said. https://t.co/pjT9vlvkhH — PolitiTweet.org
The New Yorker @NewYorker
In 2020, Americans bought more than twice as many e-bikes as they did electric cars. Read Patricia Marx on the desire “to strap on a helmet, join the traffic, and e-roll with the flow.” https://t.co/owPyRfLOqn — PolitiTweet.org
The New Yorker @NewYorker
Journalistic embeds with the Ukrainian military are almost nonexistent—but, in October, Luke Mogelson was granted permission to accompany a team of foreign fighters on a mission in the Donetsk region of Ukraine. Read his harrowing report. https://t.co/7NZdxUCHl0 — PolitiTweet.org
The New Yorker @NewYorker
This week’s cover, "New Tracks," by @takemasaryo. #NewYorkerCovers https://t.co/xt6vsdfCde https://t.co/Nnl0T6YCc4 — PolitiTweet.org
The New Yorker @NewYorker
For on-the-go pastries like small, portable mutton pies and Cornish pasties, a French pastry simply won’t do, @rubytandoh writes. https://t.co/cweRgcGHRN — PolitiTweet.org
The New Yorker @NewYorker
For good and for ill, the Norman Mailer the world knew for more than 50 years was reckless and brawling. When he died, in 2007, at the age of 84, his reputation was at a low ebb. His temperament and preoccupations seemed artifacts of a bygone era. https://t.co/x2jFhz4dJQ — PolitiTweet.org
The New Yorker @NewYorker
The British comedian James Acaster’s most vulnerable standup moments remind the audience of the melancholy ridiculousness of life itself. One gets the sense that this is a bit, but also that it’s dead serious. https://t.co/2ekPOCjLca — PolitiTweet.org
The New Yorker @NewYorker
Buy now and pay three years later, after you’ve accidentally missed 34 monthly payments and tanked your credit score. https://t.co/u4otSwRM6e — PolitiTweet.org
The New Yorker @NewYorker
In 2022, The New Yorker’s art department and contributors used a sprawling range of techniques and styles to tell the stories of a complicated year. See some of the most memorable illustrations. https://t.co/GZFkw8ZQTh — PolitiTweet.org
The New Yorker @NewYorker
The photographer Buck Ellison goads us to contemplate not just the existence of an American ruling class but the invisible lineaments of wealth, power, and race that undergird its existence. https://t.co/PkL76qEAba — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, seeking answers to an age-old question. https://t.co/Umb2Bw8K3P — PolitiTweet.org
The New Yorker @NewYorker
“The Eternal Daughter” is a keenly discerning movie about the relationship between a mother and daughter—both played by Tilda Swinton—who are bound together by a fierce love but kept apart by unbridgeable differences of character and of experience. https://t.co/XC7c6N3oPc — PolitiTweet.org
The New Yorker @NewYorker
In @newyorkerhumor, meet a collection of characters that never made it into the “Harry Potter” series. https://t.co/LScslmFG9c — PolitiTweet.org
The New Yorker @NewYorker
2022 was quite a year, and you texted your way through! Now @newyorkerhumor is here with your iMessage Wrapped: https://t.co/PI8gEKPify — PolitiTweet.org
