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The New Yorker @NewYorker
In October, Luke Mogelson embedded with a team of foreign fighters tasked with reconnaissance—sneaking through underbrush, locating Russian trenches, and establishing new positions for Ukrainian troops to backfill—in the Donetsk region. Read his report. https://t.co/rSsMqJy53k — PolitiTweet.org
The New Yorker @NewYorker
When the rights were being negotiated for an adaptation of The Last of Us, the game’s creator made sure that certain plot points were included in the deal. “If a bad version of The Last of Us comes out, it will crush me,” he said. https://t.co/l9LPNKP4W0 — PolitiTweet.org
The New Yorker @NewYorker
For Kivalina, like many other Native Alaskan villages, climate change poses an existential threat. “In jeopardy are not just buildings, but the sustainability of entire communities and cultures,” the Alaska Native Tribal Health Consortium said in a report. https://t.co/cecE9cqpFt — PolitiTweet.org
The New Yorker @NewYorker
Donald Trump’s tax returns illustrate that when dealing with rich and aggressive financial operators, the Internal Revenue Service often finds itself overmatched. https://t.co/zHTcuwufAi — PolitiTweet.org
The New Yorker @NewYorker
Martin Amis famously described J. M. Coetzee’s style as “predicated on transmitting absolutely no pleasure.” But to his enthusiasts the author “exhibits an abiding if vanishingly subtle sense of humor,” @colinmarshall writes. https://t.co/prVU0mbF28 — PolitiTweet.org
The New Yorker @NewYorker
In his short film “Snow in September,” the Mongolian director Lkhagvadulam Purev-Ochir examines how a confusing encounter with an older woman upends one teen boy’s relationships. Watch here. https://t.co/EK13Ul6k00 — PolitiTweet.org
The New Yorker @NewYorker
Join the cartoonists Roz Chast and @EmilyFlake as they eat their way through Midwood. https://t.co/8KV96M0PdU — PolitiTweet.org
The New Yorker @NewYorker
At the start of the 2021 Formula 1 season, the Mercedes team head Toto Wolff asked staff—from aerodynamicists to caterers—to find out who their opposite number was at Red Bull. “Put the picture right in front of you so you know whom to beat,” he wrote. https://t.co/H95vnTVLlC — PolitiTweet.org
The New Yorker @NewYorker
“I think anger can be a spark, but it doesn’t actually do the political work for you. Certainly it doesn’t do the writing for you!” Read a new interview, on anger and tenderness, with the playwright Sarah Ruhl. https://t.co/8RuWsZL0WZ — PolitiTweet.org
The New Yorker @NewYorker
Eirik Tveiten’s short film “Night Ride” challenges viewers to stand up against harassment. The film has been shortlisted by @TheAcademy for its 95th #Oscars. Watch here. https://t.co/pfHG5TLh7p — PolitiTweet.org
The New Yorker @NewYorker
Varied as they were, the poems published by the magazine in 2022 shared a defamiliarizing magic, inviting us to behold the present moment with a sense of possibility. https://t.co/U5LcVhCoql — PolitiTweet.org
The New Yorker @NewYorker
.@jeanniesgersen chronicles a year in Supreme Court cases—the Dobbs leak, the implausible and consequential argument in Moore v. Harper, and more. https://t.co/vC4TtVEvVq — PolitiTweet.org
The New Yorker @NewYorker
A @brooklynmuseum retrospective of Jimmy DeSana displays the artist’s most erotic, compulsive, unsettling work. https://t.co/7pEkGawoPv — PolitiTweet.org
The New Yorker @NewYorker
Women in states where abortion is now illegal are enduring clandestine medical procedures, gruelling travel, and fear of arrest to end pregnancies. Stephanie Taladrid speaks with three women in Texas about their experiences. https://t.co/S7lK0jK8i5 — PolitiTweet.org
The New Yorker @NewYorker
“That branch crossing over the trunk is like a middle finger to traditional bonsai,” the bonsai artist Ryan Neil said, of one of his creations. “Even though the tree is very simple and very beautiful, it’s a little bit like ‘Shove it up your ass.’ ” https://t.co/cq7RolY5H5 — PolitiTweet.org
The New Yorker @NewYorker
Revisit John McPhee’s 1965 Profile of the Princeton basketball star Bill Bradley, whose achievements broke barriers in the Ivy League. #NewYorkerArchive https://t.co/9EVtrBsK0e — PolitiTweet.org
The New Yorker @NewYorker
Damien Chazelle’s film “Babylon” exalts the personalities who made Hollywood synonymous with its visionary boldness and blundering excesses, @tnyfrontrow writes. https://t.co/quqERaBnr6 — PolitiTweet.org
The New Yorker @NewYorker
From 2015: The more we learn about touch, the more we realize just how central it is, from womb to old age. https://t.co/whJwIDhtjs — PolitiTweet.org
The New Yorker @NewYorker
See some of the best TV shows of 2022, including “Hacks,” “My Brilliant Friend,” “This Fool,” and “This is Going to Hurt.” https://t.co/msHY5uqwYz — PolitiTweet.org
The New Yorker @NewYorker
A cartoon by Sharon Levy. #NewYorkerCartoons https://t.co/7JmalImD7i https://t.co/J9uRDr7oHx — PolitiTweet.org
The New Yorker @NewYorker
“I used to wonder about people who were born in New York and who still lived here,” Rivka Galchen writes. “Did it not annoy them that any block they walked down, any business they passed, was liable to bring up a ghoulish or irritating memory?” https://t.co/h2p9Ehi6fO — PolitiTweet.org
The New Yorker @NewYorker
From 2017: Just weeks before “Star Wars” premièred, Carrie Fisher called Columbia University in search of a private philosophy coach. Forty years later, her tutor reflected on the experience. https://t.co/x2wTEPxxx4 — PolitiTweet.org
The New Yorker @NewYorker
Emma Thompson is the only person in the history of the Academy Awards to win in both writing and acting categories. Her Oscars are displayed in her bathroom, above the toilet, with a can of Brasso metal polish between them. https://t.co/9Tkg2QFob2 — PolitiTweet.org
The New Yorker @NewYorker
The main reason that the British Empire was able to sustain itself for more than two centuries, the historian Caroline Elkins maintains, was that the British model of state violence came wrapped in a “velvet glove” of liberal reform. https://t.co/cxPYABrCpL — PolitiTweet.org
The New Yorker @NewYorker
.@cbattan on why, in spite of its reputation, Reddit has gradually become her digital home base in the past year. https://t.co/3Ln7sr0MWi — PolitiTweet.org
The New Yorker @NewYorker
“There is no end to the making of lists, but I’d be lying if I said that I didn’t enjoy reading them as much as I like making them,” @tnyfrontrow writes. See his favorite of movies of 2022. https://t.co/VEHIGAJGHi — PolitiTweet.org
The New Yorker @NewYorker
Nearly 30 years after “Seinfeld” first aired, @sayrafiezadeh sat down to watch every episode of the show—from start to finish, one episode a day. “I was alone and swallowing ‘Seinfeld’ whole,” he writes. https://t.co/aWYpbT2k0h — PolitiTweet.org
The New Yorker @NewYorker
What happens when jobs are guaranteed? A small Austrian village has implemented a program to find out. https://t.co/wOm3MzP2oZ — PolitiTweet.org
The New Yorker @NewYorker
Today’s Daily Cartoon, by Emily Bernstein. #NewYorkerCartoons https://t.co/tfve2krD3E https://t.co/FKhVeDsCuu — PolitiTweet.org
The New Yorker @NewYorker
.@emmaogreen explores the People’s C.D.C.: a ragtag collective of academics, doctors, activists, and artists who believe that the government has left them to fend for themselves against COVID-19. https://t.co/cSfPYXUa6O — PolitiTweet.org
