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The New Yorker @NewYorker
“Rewind & Play: ‘It’s Not Nice?’,” a new documentary about Thelonious Monk by the French Senegalese director Alain… https://t.co/FR7xQJzuUM — PolitiTweet.org
The New Yorker @NewYorker
What role should politics play in the writing of history? https://t.co/jZ7ulsFDML — PolitiTweet.org
The New Yorker @NewYorker
In the ’60s and ’70s, Milton Glaser changed the social space by taking the covers of paperback books and popular re… https://t.co/fJX2CQMAK9 — PolitiTweet.org
The New Yorker @NewYorker
“If I ruled as off-limits anything I’d worked on when I was in Congress, I guess I’d be a monk,” the former congres… https://t.co/k0NGFv68JJ — PolitiTweet.org
The New Yorker @NewYorker
In 2000, in the pages of The New Yorker, Anthony Bourdain chronicled the chaos of a single Friday in the kitchen at… https://t.co/PW3pmGa7q7 — PolitiTweet.org
The New Yorker @NewYorker
Paul Outerbridge was once a major force in photography, straddling the worlds of commerce and art. But he died in o… https://t.co/4lqzqnVuFL — PolitiTweet.org
The New Yorker @NewYorker
“Even when you are in the same room at the same time with someone else, you can’t see everything they do.” Read a n… https://t.co/exXqQ1RHlV — PolitiTweet.org
The New Yorker @NewYorker
Good conversation releases endorphins, producing something akin to the warmth and contentment of slowly experiencin… https://t.co/WuJVRM7NuO — PolitiTweet.org
The New Yorker @NewYorker
“When you’re blessed with the nose of a fictional prince and eyes that sparkle like peridots, well, it just makes y… https://t.co/hUP9dCqwSD — PolitiTweet.org
The New Yorker @NewYorker
Read a new short story by Mary Gaitskill. https://t.co/5GN92r1mPq https://t.co/bPilksfJeJ — PolitiTweet.org
The New Yorker @NewYorker
“Even if it turns out there is no actual divine dimension, music feels touched by something else.” An interview wit… https://t.co/wSig4U5nbt — PolitiTweet.org
The New Yorker @NewYorker
On the anniversary of Beverly Cleary’s death, revisit Sarah Larson on the children’s-book author. “As a kid,” Larso… https://t.co/hXPeOxrbfr — PolitiTweet.org
The New Yorker @NewYorker
“There are wild side effects that you get from messing with your most fundamental metabolic processes. . . . It’s n… https://t.co/0iE7cY7SJB — PolitiTweet.org
The New Yorker @NewYorker
In 2013, the photographer Landon Nordeman spent a weekend at the Pennsylvania Hotel, photographing the hundreds of… https://t.co/n1fcqcCUsh — PolitiTweet.org
The New Yorker @NewYorker
On Aretha Franklin’s birthday, revisit David Remnick on the Queen of Soul’s central place in American music and spi… https://t.co/fDy1IoNTXJ — PolitiTweet.org
The New Yorker @NewYorker
In the Yanomami people—a famously “unacculturated” tribe in the northern Amazon—the photographer Claudia Andujar fo… https://t.co/CMEhCrdque — PolitiTweet.org
The New Yorker @NewYorker
The original I♥️NY logo not only advocated for New York; it advocated in a New Yorkish kind of way. The new design… https://t.co/tZsNq8KUXQ — PolitiTweet.org
The New Yorker @NewYorker
“Digman!,” Andy Samberg’s new animated show for adults, is set in an alternate world, where archeologists are celeb… https://t.co/Ig77LAbVre — PolitiTweet.org
The New Yorker @NewYorker
Unlike a corporate NDA, hush money carries a whiff of the entrepreneurial. https://t.co/vTdbVscGE8 — PolitiTweet.org
The New Yorker @NewYorker
.@newyorkerhumor analyzes characters from “Succession” as members of an improv team. https://t.co/WEmg2zODSe — PolitiTweet.org
The New Yorker @NewYorker
David Mech’s best-selling book “The Wolf,” first published in 1970, laid out a hierarchy of pack order using the te… https://t.co/tjFcnHDHlr — PolitiTweet.org
The New Yorker @NewYorker
A coalition of Afro-Latino organizations argues that a combined race-and-ethnicity question on the census would hom… https://t.co/xcwQHnWSgz — PolitiTweet.org
The New Yorker @NewYorker
Mary Bronstein’s “Yeast,” from 2008, features a young Greta Gerwig at the start of her career. The film “is, to my… https://t.co/862pENa0cF — PolitiTweet.org
The New Yorker @NewYorker
A.I.’s ineptitude at generating realistic-looking hands “is comforting, in a way,” @chaykak writes. https://t.co/5pdY7voh22 — PolitiTweet.org
The New Yorker @NewYorker
The experimental novel “The Nature Book” is entirely made up of descriptions of the natural world, which are copied… https://t.co/d4bq0rkadg — PolitiTweet.org
The New Yorker @NewYorker
The plot of “Parade,” in a new production at the Bernard B. Jacob, is part invented slow-burn love story and part t… https://t.co/Q6DZDN3LEl — PolitiTweet.org
The New Yorker @NewYorker
The influence of U.K. drill has spread widely, but few British rappers have broken out in the United States. Cench… https://t.co/k3TEfJ4Oxc — PolitiTweet.org
The New Yorker @NewYorker
"Diversity, however we define it, is politically constructed and politically maintained," Louis Menand writes. "It… https://t.co/VqQj2MYpPo — PolitiTweet.org
The New Yorker @NewYorker
From origin stories to blood-purity statutes, we have long enlisted genealogy to serve our own purposes. https://t.co/cT1i2RypnY — PolitiTweet.org
The New Yorker @NewYorker
On her podcast, the CNN regular and NPR alum Audie Cornish is “trying, week by week, to create a new way to present… https://t.co/bzU1yBOh1E — PolitiTweet.org
